File

Last modified on: April 13, 2020, 4:52 p.m.

F164_14_Pisano_Chi_della_OMRcorrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Chi della fede altrui piglia sospecto
File Type
Symbolic Music
File Format
xml
File Size
260.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.1892
Prevalence of Second Most Common Vertical Interval 0.1869
Prevalence Ratio of Two Most Common Vertical Intervals 0.9881
Vertical Unisons 0.042
Vertical Minor Seconds 0.014
Vertical Thirds 0.2628
Vertical Tritones 0.01264
Vertical Perfect Fourths 0.1312
Vertical Perfect Fifths 0.1707
Vertical Sixths 0.114
Vertical Sevenths 0.05001
Vertical Octaves 0.1472
Perfect Vertical Intervals 0.4911
Vertical Dissonance Ratio 0.1522
Vertical Minor Third Prevalence 0.6741
Vertical Major Third Prevalence 0.3884
Chord Duration 1.506
Partial Chords 0.2027
Standard Triads 0.4367
Diminished and Augmented Triads 0.008942
Dominant Seventh Chords 0.008942
Seventh Chords 0.04173
Non-Standard Chords 0.3189
Complex Chords 0.0313
Minor Major Triad Ratio 4.528
Average Number of Simultaneous Pitch Classes 3.003
Variability of Number of Simultaneous Pitch Classes 0.6922
Average Number of Simultaneous Pitches 3.86
Variability of Number of Simultaneous Pitches 0.8191
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.161
Stepwise Motion 0.5778
Melodic Thirds 0.09481
Melodic Perfect Fourths 0.0805
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04114
Melodic Sixths 0.01073
Melodic Sevenths 0.0
Melodic Octaves 0.01789
Melodic Large Intervals 0.005367
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.417
Melodic Embellishments 0.02972
Direction of Melodic Motion 0.4384
Average Length of Melodic Arcs 1.69
Average Interval Spanned by Melodic Arcs 4.843
Melodic Pitch Variety 4.824
Mean Melodic Interval 2.392
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4168
Relative Prevalence of Most Common Melodic Intervals 0.412
Amount of Arpeggiation 0.3274
Repeated Notes 0.1717
Importance of Middle Register 0.8269
Importance of High Register 0.07692
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 63.0
Mean Pitch Class 5.34
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1259
Prevalence of Most Common Pitch Class 0.236
Relative Prevalence of Top Pitches 0.7917
Relative Prevalence of Top Pitch Classes 0.8
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.676
Pitch Class Variability 3.261
Pitch Class Variability After Folding 3.848
Pitch Skewness -0.3582
Pitch Class Skewness 0.3131
Pitch Class Skewness After Folding 1.565
Pitch Kurtosis 5.242
Pitch Class Kurtosis 4.714
Pitch Class Kurtosis After Folding 5.331
Major or Minor 0.0
First Pitch 50.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.006993
Average Range of Glissandos 0.0
Number of Pitches 18.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.006993
Number of Pitch Classes 7.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 1.0
Range 29.0
Importance of Bass Register 0.09615
Note Density per Quarter Note 1.697
Note Density per Quarter Note per Voice 1.697
Note Density per Quarter Note Variability 0.7617
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.04196
Prevalence of Medium Rhythmic Values 0.7675
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7622
Prevalence of Very Long Rhythmic Values 0.03497
Prevalence of Dotted Notes 0.1154
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.346
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5297
Relative Prevalence of Most Common Rhythmic Values 0.3696
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.844
Rhythmic Value Skewness 0.5632
Rhythmic Value Kurtosis 22.23
Mean Rhythmic Value Run Length 2.279
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 2.069
Mean Rhythmic Value Offset 1.323
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 12.13
Complete Rests Fraction 0.002967
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices 0.0
Longest Complete Rest 1.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 1.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 1.0
Median Partial Rest Duration 0.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5849
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2019
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.897
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7869
Rhythmic Variability - Tempo Standardized 0.05091
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 572.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.1063
Minimum Note Duration 0.09375
Maximum Note Duration 27.94
Average Note Duration 0.688
Variability of Note Durations 2.488
Amount of Staccato 0.04196
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 7.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 54.0
Second Strongest Rhythmic Pulse 160.0
Harmonicity of Two Strongest Rhythmic Pulses 2.963
Strength of Strongest Rhythmic Pulse 0.1947
Strength of Second Strongest Rhythmic Pulse 0.1922
Strength Ratio of Two Strongest Rhythmic Pulses 1.013
Combined Strength of Two Strongest Rhythmic Pulses 0.3868
Rhythmic Variability 0.03119
Rhythmic Looseness 0.0
Polyrhythms 0.4286
Tempo Variability 0.0
Duration in Seconds 63.19
Note Density 9.052
Note Density Variability 2.822
Average Time Between Attacks 0.2551
Average Time Between Attacks for Each Voice 0.2551
Variability of Time Between Attacks 0.1063
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.1101
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.04283
Average Number of Independent Voices 1.0
Similar Motion 0.1367
Contrary Motion 0.14
Oblique Motion 0.6804
Parallel Fifths 0.003295
Parallel Octaves 0.003295
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0