File

Last modified on: April 13, 2020, 4:53 p.m.

F164_14_Pisano_Chi_della_OMRcorrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Chi della fede altrui piglia sospecto
File Type
Symbolic Music
File Format
midi
File Size
8.0 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1913
Prevalence of Second Most Common Vertical Interval 0.1849
Prevalence Ratio of Two Most Common Vertical Intervals 0.9665
Vertical Unisons 0.02262
Vertical Minor Seconds 0.00757
Vertical Thirds 0.2793
Vertical Tritones 0.007829
Vertical Perfect Fourths 0.1314
Vertical Perfect Fifths 0.1849
Vertical Sixths 0.1288
Vertical Sevenths 0.03201
Vertical Octaves 0.1687
Perfect Vertical Intervals 0.5077
Vertical Dissonance Ratio 0.09195
Vertical Minor Third Prevalence 0.6354
Vertical Major Third Prevalence 0.3884
Chord Duration 1.492
Partial Chords 0.2295
Standard Triads 0.4993
Diminished and Augmented Triads 0.008942
Dominant Seventh Chords 0.002981
Seventh Chords 0.02981
Non-Standard Chords 0.2414
Complex Chords 0.0
Minor Major Triad Ratio 4.403
Average Number of Simultaneous Pitch Classes 2.85
Variability of Number of Simultaneous Pitch Classes 0.5426
Average Number of Simultaneous Pitches 3.661
Variability of Number of Simultaneous Pitches 0.5625
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 33.0
Variation of Dynamics 2.165
Variation of Dynamics In Each Voice 2.096
Average Note to Note Change in Dynamics 1.893
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.161
Stepwise Motion 0.5814
Melodic Thirds 0.0966
Melodic Perfect Fourths 0.0805
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03936
Melodic Sixths 0.01073
Melodic Sevenths 0.0
Melodic Octaves 0.01789
Melodic Large Intervals 0.001789
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.5
Melodic Embellishments 0.007105
Direction of Melodic Motion 0.4384
Average Length of Melodic Arcs 1.69
Average Interval Spanned by Melodic Arcs 4.704
Melodic Pitch Variety 4.765
Mean Melodic Interval 2.324
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4204
Relative Prevalence of Most Common Melodic Intervals 0.4085
Amount of Arpeggiation 0.3274
Repeated Notes 0.1717
Importance of Middle Register 0.8348
Importance of High Register 0.07815
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 62.61
Mean Pitch Class 5.334
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1279
Prevalence of Most Common Pitch Class 0.2398
Relative Prevalence of Top Pitches 0.7917
Relative Prevalence of Top Pitch Classes 0.7778
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.656
Pitch Class Variability 3.27
Pitch Class Variability After Folding 3.856
Pitch Skewness -0.3306
Pitch Class Skewness 0.3064
Pitch Class Skewness After Folding 1.574
Pitch Kurtosis 5.265
Pitch Class Kurtosis 4.707
Pitch Class Kurtosis After Folding 5.311
Major or Minor 0.0
First Pitch 50.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 18.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 1.0
Range 29.0
Importance of Bass Register 0.08703
Note Density per Quarter Note 1.676
Note Density per Quarter Note per Voice 0.4189
Note Density per Quarter Note Variability 0.5797
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.04263
Prevalence of Medium Rhythmic Values 0.7798
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7584
Prevalence of Very Long Rhythmic Values 0.01954
Prevalence of Dotted Notes 0.1012
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.192
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5382
Relative Prevalence of Most Common Rhythmic Values 0.3696
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.392
Rhythmic Value Skewness 0.4134
Rhythmic Value Kurtosis 27.21
Mean Rhythmic Value Run Length 2.279
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 2.081
Mean Rhythmic Value Offset 0.06394
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.9064
Complete Rests Fraction 3.1e-06
Partial Rests Fraction 0.1964
Average Rest Fraction Across Voices 0.05506
Longest Complete Rest 0.0
Longest Partial Rest 10.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 3.083
Median Complete Rest Duration 0.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 2.125
Variability Across Voices of Combined Rests 6.608
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5831
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2028
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.875
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7859
Rhythmic Variability - Tempo Standardized 0.05082
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 563.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.3018
Minimum Note Duration 0.09375
Maximum Note Duration 6.0
Average Note Duration 0.423
Variability of Note Durations 0.3758
Amount of Staccato 0.04263
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 7.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 160.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.1942
Strength of Second Strongest Rhythmic Pulse 0.1926
Strength Ratio of Two Strongest Rhythmic Pulses 1.008
Combined Strength of Two Strongest Rhythmic Pulses 0.3868
Rhythmic Variability 0.03115
Rhythmic Looseness 0.0
Polyrhythms 0.4286
Tempo Variability 0.0
Duration in Seconds 63.0
Note Density 8.936
Note Density Variability 2.773
Average Time Between Attacks 0.2551
Average Time Between Attacks for Each Voice 0.4258
Variability of Time Between Attacks 0.1063
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4828
Relative Range Isolation of Loudest Voice 0.3828
Relative Range of Highest Line 0.5172
Relative Note Density of Highest Line 0.4973
Relative Note Durations of Lowest Line 1.095
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.794
Voice Separation 5.333
Variability of Voice Separation 3.055
Parallel Motion 0.04545
Average Number of Independent Voices 3.78
Similar Motion 0.1429
Contrary Motion 0.1591
Oblique Motion 0.6526
Parallel Fifths 0.003247
Parallel Octaves 0.00487
Variability of Number of Independent Voices 0.4684
Voice Equality - Number of Notes 11.79
Voice Equality - Note Duration 1.239
Voice Equality - Dynamics 0.5
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.5
Importance of Loudest Voice 1.0