File

Last modified on: Oct. 17, 2023, 9:49 a.m.

F164_15_Pisano_Cosi_nel_OMRcorrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Cosi nel mio parlare voglio essere aspro
File Type
Symbolic Music
File Format
midi
File Size
11.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.1832
Prevalence of Second Most Common Vertical Interval 0.1773
Prevalence Ratio of Two Most Common Vertical Intervals 0.9676
Vertical Unisons 0.023
Vertical Minor Seconds 0.002209
Vertical Thirds 0.3211
Vertical Tritones 0.006396
Vertical Perfect Fourths 0.1267
Vertical Perfect Fifths 0.1832
Vertical Sixths 0.138
Vertical Sevenths 0.02807
Vertical Octaves 0.1535
Perfect Vertical Intervals 0.4864
Vertical Dissonance Ratio 0.05768
Vertical Minor Third Prevalence 0.5996
Vertical Major Third Prevalence 0.5254
Chord Duration 1.847
Partial Chords 0.2168
Standard Triads 0.5706
Diminished and Augmented Triads 0.01636
Dominant Seventh Chords 0.002045
Seventh Chords 0.05828
Non-Standard Chords 0.1544
Complex Chords 0.0
Minor Major Triad Ratio 2.153
Average Number of Simultaneous Pitch Classes 2.784
Variability of Number of Simultaneous Pitch Classes 0.649
Average Number of Simultaneous Pitches 3.49
Variability of Number of Simultaneous Pitches 0.759
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 3.0
Dynamic Range 4.0
Variation of Dynamics 1.743
Variation of Dynamics In Each Voice 1.747
Average Note to Note Change in Dynamics 1.962
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1648
Stepwise Motion 0.5948
Melodic Thirds 0.08516
Melodic Perfect Fourths 0.07692
Melodic Tritones 0.0
Melodic Perfect Fifths 0.0522
Melodic Sixths 0.009615
Melodic Sevenths 0.0
Melodic Octaves 0.01648
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.647
Melodic Embellishments 0.0123
Direction of Melodic Motion 0.4359
Average Length of Melodic Arcs 1.613
Average Interval Spanned by Melodic Arcs 4.459
Melodic Pitch Variety 4.345
Mean Melodic Interval 2.328
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4299
Relative Prevalence of Most Common Melodic Intervals 0.3834
Amount of Arpeggiation 0.3187
Repeated Notes 0.1648
Importance of Middle Register 0.6954
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 57.42
Mean Pitch Class 5.257
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1134
Prevalence of Most Common Pitch Class 0.1967
Relative Prevalence of Top Pitches 0.8916
Relative Prevalence of Top Pitch Classes 0.8889
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.609
Pitch Class Variability 3.447
Pitch Class Variability After Folding 2.982
Pitch Skewness -0.5308
Pitch Class Skewness 0.2235
Pitch Class Skewness After Folding 0.3409
Pitch Kurtosis 5.397
Pitch Class Kurtosis 4.86
Pitch Class Kurtosis After Folding 7.798
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 52.0
Last Pitch Class 4.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 18.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 0.0
Range 29.0
Importance of Bass Register 0.3046
Note Density per Quarter Note 1.43
Note Density per Quarter Note per Voice 0.3574
Note Density per Quarter Note Variability 0.5056
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01366
Prevalence of Medium Rhythmic Values 0.6913
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8634
Prevalence of Very Long Rhythmic Values 0.02049
Prevalence of Dotted Notes 0.07923
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.497
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5546
Relative Prevalence of Most Common Rhythmic Values 0.399
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.346
Rhythmic Value Skewness 1.108
Rhythmic Value Kurtosis 19.96
Mean Rhythmic Value Run Length 2.245
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 2.214
Mean Rhythmic Value Offset 0.02186
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.2951
Complete Rests Fraction 0.000002035
Partial Rests Fraction 0.293
Average Rest Fraction Across Voices 0.09961
Longest Complete Rest 0.0
Longest Partial Rest 24.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 4.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 4.665
Variability Across Voices of Combined Rests 17.93
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6836
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1688
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.049
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8524
Rhythmic Variability - Tempo Standardized 0.05645
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 732.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.3212
Minimum Note Duration 0.09375
Maximum Note Duration 3.0
Average Note Duration 0.4723
Variability of Note Durations 0.2853
Amount of Staccato 0.01366
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2205
Strength of Second Strongest Rhythmic Pulse 0.2173
Strength Ratio of Two Strongest Rhythmic Pulses 1.015
Combined Strength of Two Strongest Rhythmic Pulses 0.4378
Rhythmic Variability 0.03354
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 96.0
Note Density 7.625
Note Density Variability 2.431
Average Time Between Attacks 0.3119
Average Time Between Attacks for Each Voice 0.5024
Variability of Time Between Attacks 0.1161
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5172
Relative Range Isolation of Loudest Voice 0.269
Relative Range of Highest Line 0.5172
Relative Note Density of Highest Line 0.3552
Relative Note Durations of Lowest Line 1.124
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.8716
Voice Separation 5.333
Variability of Voice Separation 3.786
Parallel Motion 0.08402
Average Number of Independent Voices 3.602
Similar Motion 0.1433
Contrary Motion 0.2259
Oblique Motion 0.5468
Parallel Fifths 0.006887
Parallel Octaves 0.004132
Variability of Number of Independent Voices 0.7053
Voice Equality - Number of Notes 22.33
Voice Equality - Note Duration 3.361
Voice Equality - Dynamics 0.5774
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 1.915
Importance of Loudest Voice 0.6667