| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2848 |
| Prevalence of Second Most Common Vertical Interval |
0.1549 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.544 |
| Vertical Unisons |
0.01549 |
| Vertical Minor Seconds |
0.01549 |
| Vertical Thirds |
0.1709 |
| Vertical Tritones |
0.01549 |
| Vertical Perfect Fourths |
0.04747 |
| Vertical Perfect Fifths |
0.1549 |
| Vertical Sixths |
0.2179 |
| Vertical Sevenths |
0.04648 |
| Vertical Octaves |
0.2693 |
| Perfect Vertical Intervals |
0.4872 |
| Vertical Dissonance Ratio |
0.1415 |
| Vertical Minor Third Prevalence |
0.0625 |
| Vertical Major Third Prevalence |
0.1094 |
| Chord Duration |
1.777 |
| Partial Chords |
1.0 |
| Standard Triads |
0.0 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.0 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.0 |
| Average Number of Simultaneous Pitch Classes |
1.719 |
| Variability of Number of Simultaneous Pitch Classes |
0.4496 |
| Average Number of Simultaneous Pitches |
1.984 |
| Variability of Number of Simultaneous Pitches |
0.124 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.897 |
| Variation of Dynamics In Each Voice |
0.7648 |
| Average Note to Note Change in Dynamics |
0.9302 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2195 |
| Stepwise Motion |
0.7317 |
| Melodic Thirds |
0.1463 |
| Melodic Perfect Fourths |
0.07317 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02439 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.0 |
| Melodic Embellishments |
0.0 |
| Direction of Melodic Motion |
0.5 |
| Average Length of Melodic Arcs |
2.0 |
| Average Interval Spanned by Melodic Arcs |
4.6 |
| Melodic Pitch Variety |
4.692 |
| Mean Melodic Interval |
2.39 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5122 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4286 |
| Amount of Arpeggiation |
0.1951 |
| Repeated Notes |
0.02439 |
| Importance of Middle Register |
0.6744 |
| Importance of High Register |
0.0 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
56.51 |
| Mean Pitch Class |
4.442 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1628 |
| Prevalence of Most Common Pitch Class |
0.2791 |
| Relative Prevalence of Top Pitches |
0.7143 |
| Relative Prevalence of Top Pitch Classes |
0.5833 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
5.034 |
| Pitch Class Variability |
3.561 |
| Pitch Class Variability After Folding |
3.499 |
| Pitch Skewness |
-0.485 |
| Pitch Class Skewness |
0.3722 |
| Pitch Class Skewness After Folding |
0.6381 |
| Pitch Kurtosis |
5.324 |
| Pitch Class Kurtosis |
5.575 |
| Pitch Class Kurtosis After Folding |
6.851 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
12.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
6.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
17.0 |
| Importance of Bass Register |
0.3256 |
| Note Density per Quarter Note |
0.6719 |
| Note Density per Quarter Note per Voice |
0.3359 |
| Note Density per Quarter Note Variability |
0.3904 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
5.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6744 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.5581 |
| Prevalence of Very Long Rhythmic Values |
0.2093 |
| Prevalence of Dotted Notes |
0.06977 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.977 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.4419 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5263 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.73 |
| Rhythmic Value Skewness |
1.073 |
| Rhythmic Value Kurtosis |
6.21 |
| Mean Rhythmic Value Run Length |
2.529 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.601 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.00001628 |
| Partial Rests Fraction |
0.00001628 |
| Average Rest Fraction Across Voices |
0.00001625 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
0.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
0.0 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
0.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
0.0 |
| Variability Across Voices of Combined Rests |
0.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4367 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2999 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.456 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7366 |
| Rhythmic Variability - Tempo Standardized |
0.04636 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
43.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.08284 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
1.5 |
| Average Note Duration |
0.5581 |
| Variability of Note Durations |
0.5118 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
7.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
7.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
54.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.35 |
| Strength of Strongest Rhythmic Pulse |
0.1906 |
| Strength of Second Strongest Rhythmic Pulse |
0.1704 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.119 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.361 |
| Rhythmic Variability |
0.03006 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4286 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
12.0 |
| Note Density |
3.583 |
| Note Density Variability |
0.945 |
| Average Time Between Attacks |
0.2915 |
| Average Time Between Attacks for Each Voice |
0.9042 |
| Variability of Time Between Attacks |
0.1377 |
| Maximum Number of Independent Voices |
2.0 |
| Relative Range of Loudest Voice |
0.2941 |
| Relative Range Isolation of Loudest Voice |
0.25 |
| Relative Range of Highest Line |
0.8824 |
| Relative Note Density of Highest Line |
2.698 |
| Relative Note Durations of Lowest Line |
2.688 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.2791 |
| Voice Separation |
8.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.0 |
| Average Number of Independent Voices |
2.0 |
| Similar Motion |
0.0 |
| Contrary Motion |
0.1212 |
| Oblique Motion |
0.8788 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.0 |
| Voice Equality - Number of Notes |
19.09 |
| Voice Equality - Note Duration |
0.0 |
| Voice Equality - Dynamics |
2.828 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
7.071 |
| Importance of Loudest Voice |
4.0 |