File

Last modified on: Oct. 17, 2023, 12:48 p.m.

Josquin_Missa_l_Homme_arme_Sexti_Toni_-_Gloria_Tua.mid


Source
Josquin Research Project
Musical Work
Missa L’homme armé sexti toni
Section
Sanctus (Gloria tua)
File Type
Symbolic Music
File Format
.mid
File Size
1.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2201
Prevalence of Second Most Common Vertical Interval 0.2048
Prevalence Ratio of Two Most Common Vertical Intervals 0.9306
Vertical Unisons 0.1168
Vertical Minor Seconds 0.0
Vertical Thirds 0.4031
Vertical Tritones 0.01755
Vertical Perfect Fourths 0.04373
Vertical Perfect Fifths 0.1139
Vertical Sixths 0.1565
Vertical Sevenths 0.03453
Vertical Octaves 0.08803
Perfect Vertical Intervals 0.3624
Vertical Dissonance Ratio 0.08457
Vertical Minor Third Prevalence 0.1645
Vertical Major Third Prevalence 0.1382
Chord Duration 1.923
Partial Chords 1.0
Standard Triads 0.0
Diminished and Augmented Triads 0.0
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.0
Complex Chords 0.0
Minor Major Triad Ratio 0.0
Average Number of Simultaneous Pitch Classes 1.599
Variability of Number of Simultaneous Pitch Classes 0.4902
Average Number of Simultaneous Pitches 1.664
Variability of Number of Simultaneous Pitches 0.4722
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 0.0
Dynamic Range 4.0
Variation of Dynamics 1.625
Variation of Dynamics In Each Voice 1.627
Average Note to Note Change in Dynamics 1.49
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.33
Stepwise Motion 0.83
Melodic Thirds 0.04
Melodic Perfect Fourths 0.03
Melodic Tritones 0.0
Melodic Perfect Fifths 0.1
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.0
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.0
Melodic Embellishments 0.01961
Direction of Melodic Motion 0.44
Average Length of Melodic Arcs 1.695
Average Interval Spanned by Melodic Arcs 3.746
Melodic Pitch Variety 4.914
Mean Melodic Interval 2.31
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.5
Relative Prevalence of Most Common Melodic Intervals 0.66
Amount of Arpeggiation 0.14
Repeated Notes 0.0
Importance of Middle Register 0.5392
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 54.5
Mean Pitch Class 5.02
Most Common Pitch 53.0
Most Common Pitch Class 5.0
Prevalence of Most Common Pitch 0.1961
Prevalence of Most Common Pitch Class 0.1961
Relative Prevalence of Top Pitches 0.7
Relative Prevalence of Top Pitch Classes 0.75
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 3.0
Pitch Variability 4.044
Pitch Class Variability 3.24
Pitch Class Variability After Folding 4.281
Pitch Skewness 0.01454
Pitch Class Skewness 0.01816
Pitch Class Skewness After Folding 1.333
Pitch Kurtosis 5.616
Pitch Class Kurtosis 5.078
Pitch Class Kurtosis After Folding 4.638
Major or Minor 0.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 53.0
Last Pitch Class 5.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 13.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 6.0
Number of Common Pitch Classes 0.0
Range 18.0
Importance of Bass Register 0.4608
Note Density per Quarter Note 0.671
Note Density per Quarter Note per Voice 0.3355
Note Density per Quarter Note Variability 0.438
Range of Rhythmic Values 6.0
Number of Different Rhythmic Values Present 6.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.5784
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.5686
Prevalence of Very Long Rhythmic Values 0.07843
Prevalence of Dotted Notes 0.09804
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 8.0
Mean Rhythmic Value 2.608
Most Common Rhythmic Value 1.0
Prevalence of Most Common Rhythmic Value 0.4314
Relative Prevalence of Most Common Rhythmic Values 0.6136
Difference Between Most Common Rhythmic Values 4.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.915
Rhythmic Value Skewness 0.9523
Rhythmic Value Kurtosis 7.574
Mean Rhythmic Value Run Length 1.759
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.368
Mean Rhythmic Value Offset 0.0
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.0
Complete Rests Fraction 0.000006853
Partial Rests Fraction 0.25
Average Rest Fraction Across Voices 0.125
Longest Complete Rest 0.0
Longest Partial Rest 16.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 5.429
Median Complete Rest Duration 0.0
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 4.721
Variability Across Voices of Combined Rests 9.899
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4194
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.3118
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.345
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7312
Rhythmic Variability - Tempo Standardized 0.04604
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 102.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.4033
Minimum Note Duration 0.1875
Maximum Note Duration 1.5
Average Note Duration 0.489
Variability of Note Durations 0.359
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 7.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 7.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.1779
Strength of Second Strongest Rhythmic Pulse 0.1716
Strength Ratio of Two Strongest Rhythmic Pulses 1.037
Combined Strength of Two Strongest Rhythmic Pulses 0.3494
Rhythmic Variability 0.02991
Rhythmic Looseness 0.0
Polyrhythms 0.4286
Tempo Variability 0.0
Duration in Seconds 28.5
Note Density 3.579
Note Density Variability 1.873
Average Time Between Attacks 0.3373
Average Time Between Attacks for Each Voice 0.5098
Variability of Time Between Attacks 0.2097
Maximum Number of Independent Voices 2.0
Relative Range of Loudest Voice 0.6111
Relative Range Isolation of Loudest Voice 0.5686
Relative Range of Highest Line 0.6111
Relative Note Density of Highest Line 1.137
Relative Note Durations of Lowest Line 0.9388
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.451
Voice Separation 7.0
Variability of Voice Separation 0.0
Parallel Motion 0.01818
Average Number of Independent Voices 1.75
Similar Motion 0.2182
Contrary Motion 0.09091
Oblique Motion 0.6727
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.433
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 1.856
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0