File

Last modified on: April 19, 2024, 4:30 p.m.

F164_17_Pisano_Nuova_angioletta_OMRcorrIL_EYECtYQ.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Nuova angioletta sovra l'ale accorta
File Type
Symbolic Music
File Format
xml
File Size
302.0 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1918
Prevalence of Second Most Common Vertical Interval 0.1869
Prevalence Ratio of Two Most Common Vertical Intervals 0.9749
Vertical Unisons 0.02777
Vertical Minor Seconds 0.002754
Vertical Thirds 0.305
Vertical Tritones 0.004131
Vertical Perfect Fourths 0.14
Vertical Perfect Fifths 0.1869
Vertical Sixths 0.118
Vertical Sevenths 0.03144
Vertical Octaves 0.164
Perfect Vertical Intervals 0.5187
Vertical Dissonance Ratio 0.06191
Vertical Minor Third Prevalence 0.5474
Vertical Major Third Prevalence 0.4893
Chord Duration 1.647
Partial Chords 0.2096
Standard Triads 0.565
Diminished and Augmented Triads 0.01225
Dominant Seventh Chords 0.004902
Seventh Chords 0.03064
Non-Standard Chords 0.1949
Complex Chords 0.0
Minor Major Triad Ratio 0.7138
Average Number of Simultaneous Pitch Classes 2.799
Variability of Number of Simultaneous Pitch Classes 0.6019
Average Number of Simultaneous Pitches 3.598
Variability of Number of Simultaneous Pitches 0.6484
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1445
Stepwise Motion 0.6292
Melodic Thirds 0.1124
Melodic Perfect Fourths 0.08668
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03531
Melodic Sixths 0.00321
Melodic Sevenths 0.0
Melodic Octaves 0.01926
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.5
Melodic Embellishments 0.03828
Direction of Melodic Motion 0.4438
Average Length of Melodic Arcs 1.638
Average Interval Spanned by Melodic Arcs 4.469
Melodic Pitch Variety 4.621
Mean Melodic Interval 2.437
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4848
Relative Prevalence of Most Common Melodic Intervals 0.298
Amount of Arpeggiation 0.2809
Repeated Notes 0.114
Importance of Middle Register 0.8533
Importance of High Register 0.02073
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 61.0
Mean Pitch Class 5.144
Most Common Pitch 62.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.118
Prevalence of Most Common Pitch Class 0.201
Relative Prevalence of Top Pitches 0.9595
Relative Prevalence of Top Pitch Classes 0.8889
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.302
Pitch Class Variability 3.499
Pitch Class Variability After Folding 3.166
Pitch Skewness -0.1799
Pitch Class Skewness 0.1231
Pitch Class Skewness After Folding 1.084
Pitch Kurtosis 5.338
Pitch Class Kurtosis 4.868
Pitch Class Kurtosis After Folding 7.509
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.00638
Average Range of Glissandos 0.0
Number of Pitches 17.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.00638
Number of Pitch Classes 7.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 28.0
Importance of Bass Register 0.126
Note Density per Quarter Note 1.475
Note Density per Quarter Note per Voice 1.475
Note Density per Quarter Note Variability 0.5189
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01914
Prevalence of Medium Rhythmic Values 0.6794
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8485
Prevalence of Very Long Rhythmic Values 0.01435
Prevalence of Dotted Notes 0.07018
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.494
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5279
Relative Prevalence of Most Common Rhythmic Values 0.4683
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.346
Rhythmic Value Skewness 1.102
Rhythmic Value Kurtosis 20.9
Mean Rhythmic Value Run Length 2.348
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 2.268
Mean Rhythmic Value Offset 0.02552
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.3187
Complete Rests Fraction 0.007059
Partial Rests Fraction 0.007059
Average Rest Fraction Across Voices 0.007059
Longest Complete Rest 2.0
Longest Partial Rest 2.0
Mean Complete Rest Duration 1.5
Mean Partial Rest Duration 1.5
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.7071
Variability of Partial Rest Durations 0.7071
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6805
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1559
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.366
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8363
Rhythmic Variability - Tempo Standardized 0.05614
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 627.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.1248
Minimum Note Duration 0.09375
Maximum Note Duration 3.0
Average Note Duration 0.4725
Variability of Note Durations 0.2904
Amount of Staccato 0.01914
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 160.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2172
Strength of Second Strongest Rhythmic Pulse 0.2111
Strength Ratio of Two Strongest Rhythmic Pulses 1.029
Combined Strength of Two Strongest Rhythmic Pulses 0.4283
Rhythmic Variability 0.03338
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 79.69
Note Density 7.868
Note Density Variability 1.808
Average Time Between Attacks 0.2929
Average Time Between Attacks for Each Voice 0.2929
Variability of Time Between Attacks 0.1248
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.09729
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.09391
Average Number of Independent Voices 1.0
Similar Motion 0.1561
Contrary Motion 0.1713
Oblique Motion 0.5787
Parallel Fifths 0.002538
Parallel Octaves 0.003807
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0