| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2047 |
| Prevalence of Second Most Common Vertical Interval |
0.1933 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9443 |
| Vertical Unisons |
0.0319 |
| Vertical Minor Seconds |
0.004174 |
| Vertical Thirds |
0.2832 |
| Vertical Tritones |
0.005664 |
| Vertical Perfect Fourths |
0.1289 |
| Vertical Perfect Fifths |
0.1933 |
| Vertical Sixths |
0.1273 |
| Vertical Sevenths |
0.01908 |
| Vertical Octaves |
0.1728 |
| Perfect Vertical Intervals |
0.527 |
| Vertical Dissonance Ratio |
0.06662 |
| Vertical Minor Third Prevalence |
0.5991 |
| Vertical Major Third Prevalence |
0.6552 |
| Chord Duration |
1.638 |
| Partial Chords |
0.1394 |
| Standard Triads |
0.6327 |
| Diminished and Augmented Triads |
0.02212 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01327 |
| Non-Standard Chords |
0.2146 |
| Complex Chords |
0.004425 |
| Minor Major Triad Ratio |
1.804 |
| Average Number of Simultaneous Pitch Classes |
2.921 |
| Variability of Number of Simultaneous Pitch Classes |
0.592 |
| Average Number of Simultaneous Pitches |
4.004 |
| Variability of Number of Simultaneous Pitches |
1.129 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1957 |
| Stepwise Motion |
0.6 |
| Melodic Thirds |
0.07971 |
| Melodic Perfect Fourths |
0.06667 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05942 |
| Melodic Sixths |
0.004348 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01884 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.056 |
| Melodic Embellishments |
0.008621 |
| Direction of Melodic Motion |
0.4843 |
| Average Length of Melodic Arcs |
2.05 |
| Average Interval Spanned by Melodic Arcs |
5.591 |
| Melodic Pitch Variety |
4.937 |
| Mean Melodic Interval |
2.284 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4043 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4839 |
| Amount of Arpeggiation |
0.329 |
| Repeated Notes |
0.171 |
| Importance of Middle Register |
0.796 |
| Importance of High Register |
0.02155 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.31 |
| Mean Pitch Class |
5.576 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1394 |
| Prevalence of Most Common Pitch Class |
0.2371 |
| Relative Prevalence of Top Pitches |
0.7629 |
| Relative Prevalence of Top Pitch Classes |
0.7939 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.991 |
| Pitch Class Variability |
3.411 |
| Pitch Class Variability After Folding |
3.911 |
| Pitch Skewness |
-0.0931 |
| Pitch Class Skewness |
-1.252 |
| Pitch Class Skewness After Folding |
1.533 |
| Pitch Kurtosis |
5.367 |
| Pitch Class Kurtosis |
4.716 |
| Pitch Class Kurtosis After Folding |
5.012 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1825 |
| Note Density per Quarter Note |
1.5 |
| Note Density per Quarter Note per Voice |
0.25 |
| Note Density per Quarter Note Variability |
0.6099 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01149 |
| Prevalence of Medium Rhythmic Values |
0.7055 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.717 |
| Prevalence of Very Long Rhythmic Values |
0.1193 |
| Prevalence of Dotted Notes |
0.07902 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.761 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4224 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6429 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.296 |
| Rhythmic Value Skewness |
0.9949 |
| Rhythmic Value Kurtosis |
9.78 |
| Mean Rhythmic Value Run Length |
2.059 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.747 |
| Mean Rhythmic Value Offset |
0.06322 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6224 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7931 |
| Average Rest Fraction Across Voices |
0.2938 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
232.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
19.48 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
49.11 |
| Variability Across Voices of Combined Rests |
102.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5575 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2171 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.568 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7747 |
| Rhythmic Variability - Tempo Standardized |
0.04992 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
696.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.164 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
14.4 |
| Average Note Duration |
1.695 |
| Variability of Note Durations |
1.568 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
100.0 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7066 |
| Strength of Second Strongest Rhythmic Pulse |
0.2743 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.576 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9809 |
| Rhythmic Variability |
0.0596 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
278.4 |
| Note Density |
2.5 |
| Note Density Variability |
1.082 |
| Average Time Between Attacks |
0.8591 |
| Average Time Between Attacks for Each Voice |
1.887 |
| Variability of Time Between Attacks |
0.4046 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.5948 |
| Relative Note Durations of Lowest Line |
1.103 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5455 |
| Voice Overlap |
0.9698 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
2.864 |
| Parallel Motion |
0.03314 |
| Average Number of Independent Voices |
4.237 |
| Similar Motion |
0.1196 |
| Contrary Motion |
0.09078 |
| Oblique Motion |
0.7565 |
| Parallel Fifths |
0.001441 |
| Parallel Octaves |
0.005764 |
| Variability of Number of Independent Voices |
1.221 |
| Voice Equality - Number of Notes |
36.63 |
| Voice Equality - Note Duration |
61.74 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4082 |
| Voice Equality - Range |
1.517 |
| Importance of Loudest Voice |
0.0 |