| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1903 |
| Prevalence of Second Most Common Vertical Interval |
0.1774 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9321 |
| Vertical Unisons |
0.0431 |
| Vertical Minor Seconds |
0.007294 |
| Vertical Thirds |
0.3332 |
| Vertical Tritones |
0.0126 |
| Vertical Perfect Fourths |
0.1184 |
| Vertical Perfect Fifths |
0.1903 |
| Vertical Sixths |
0.122 |
| Vertical Sevenths |
0.02288 |
| Vertical Octaves |
0.1164 |
| Perfect Vertical Intervals |
0.4682 |
| Vertical Dissonance Ratio |
0.08294 |
| Vertical Minor Third Prevalence |
0.5349 |
| Vertical Major Third Prevalence |
0.5727 |
| Chord Duration |
1.108 |
| Partial Chords |
0.2006 |
| Standard Triads |
0.5772 |
| Diminished and Augmented Triads |
0.02469 |
| Dominant Seventh Chords |
0.01235 |
| Seventh Chords |
0.02469 |
| Non-Standard Chords |
0.1975 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8155 |
| Average Number of Simultaneous Pitch Classes |
2.77 |
| Variability of Number of Simultaneous Pitch Classes |
0.6666 |
| Average Number of Simultaneous Pitches |
3.265 |
| Variability of Number of Simultaneous Pitches |
0.8193 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2793 |
| Stepwise Motion |
0.7207 |
| Melodic Thirds |
0.08451 |
| Melodic Perfect Fourths |
0.05399 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02582 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00939 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.0 |
| Melodic Embellishments |
0.02326 |
| Direction of Melodic Motion |
0.4829 |
| Average Length of Melodic Arcs |
2.153 |
| Average Interval Spanned by Melodic Arcs |
4.751 |
| Melodic Pitch Variety |
4.904 |
| Mean Melodic Interval |
2.0 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4413 |
| Relative Prevalence of Most Common Melodic Intervals |
0.633 |
| Amount of Arpeggiation |
0.2254 |
| Repeated Notes |
0.1056 |
| Importance of Middle Register |
0.814 |
| Importance of High Register |
0.1605 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.91 |
| Mean Pitch Class |
4.988 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1047 |
| Prevalence of Most Common Pitch Class |
0.1837 |
| Relative Prevalence of Top Pitches |
0.9778 |
| Relative Prevalence of Top Pitch Classes |
0.8481 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
6.272 |
| Pitch Class Variability |
3.306 |
| Pitch Class Variability After Folding |
4.022 |
| Pitch Skewness |
0.2347 |
| Pitch Class Skewness |
-0.01055 |
| Pitch Class Skewness After Folding |
1.036 |
| Pitch Kurtosis |
5.198 |
| Pitch Class Kurtosis |
4.835 |
| Pitch Class Kurtosis After Folding |
4.894 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
24.0 |
| Importance of Bass Register |
0.02558 |
| Note Density per Quarter Note |
1.25 |
| Note Density per Quarter Note per Voice |
0.3125 |
| Note Density per Quarter Note Variability |
0.4886 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6628 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.793 |
| Prevalence of Very Long Rhythmic Values |
0.0814 |
| Prevalence of Dotted Notes |
0.1209 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.698 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4558 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4541 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.883 |
| Rhythmic Value Skewness |
1.112 |
| Rhythmic Value Kurtosis |
12.95 |
| Mean Rhythmic Value Run Length |
1.713 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.258 |
| Mean Rhythmic Value Offset |
0.06512 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8393 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.3861 |
| Average Rest Fraction Across Voices |
0.1216 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
23.91 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
5.23 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.656 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.491 |
| Variability Across Voices of Combined Rests |
11.71 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5954 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2203 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.703 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8156 |
| Rhythmic Variability - Tempo Standardized |
0.05189 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
430.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.977 |
| Minimum Note Duration |
0.6 |
| Maximum Note Duration |
28.8 |
| Average Note Duration |
2.54 |
| Variability of Note Durations |
2.618 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
1.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.71 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
0.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
67.0 |
| Strength of Strongest Rhythmic Pulse |
1.0 |
| Strength of Second Strongest Rhythmic Pulse |
0.0 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
0.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
| Rhythmic Variability |
0.07881 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
310.8 |
| Note Density |
1.384 |
| Note Density Variability |
0.7506 |
| Average Time Between Attacks |
1.421 |
| Average Time Between Attacks for Each Voice |
2.929 |
| Variability of Time Between Attacks |
0.8263 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.625 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.625 |
| Relative Note Density of Highest Line |
0.6605 |
| Relative Note Durations of Lowest Line |
0.8568 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.9744 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
3.0 |
| Parallel Motion |
0.04304 |
| Average Number of Independent Voices |
3.453 |
| Similar Motion |
0.1241 |
| Contrary Motion |
0.1494 |
| Oblique Motion |
0.6835 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7874 |
| Voice Equality - Number of Notes |
32.35 |
| Voice Equality - Note Duration |
10.58 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
0.0 |