| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2242 |
| Prevalence of Second Most Common Vertical Interval |
0.1726 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7699 |
| Vertical Unisons |
0.008253 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.2975 |
| Vertical Tritones |
0.009629 |
| Vertical Perfect Fourths |
0.1238 |
| Vertical Perfect Fifths |
0.2242 |
| Vertical Sixths |
0.1431 |
| Vertical Sevenths |
0.01444 |
| Vertical Octaves |
0.1644 |
| Perfect Vertical Intervals |
0.5206 |
| Vertical Dissonance Ratio |
0.04043 |
| Vertical Minor Third Prevalence |
0.2605 |
| Vertical Major Third Prevalence |
0.3257 |
| Chord Duration |
2.866 |
| Partial Chords |
0.2185 |
| Standard Triads |
0.6358 |
| Diminished and Augmented Triads |
0.02649 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.006623 |
| Non-Standard Chords |
0.1391 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7615 |
| Average Number of Simultaneous Pitch Classes |
2.036 |
| Variability of Number of Simultaneous Pitch Classes |
0.9431 |
| Average Number of Simultaneous Pitches |
2.479 |
| Variability of Number of Simultaneous Pitches |
1.349 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.253 |
| Stepwise Motion |
0.622 |
| Melodic Thirds |
0.1341 |
| Melodic Perfect Fourths |
0.06402 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04268 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009146 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.933 |
| Melodic Embellishments |
0.01506 |
| Direction of Melodic Motion |
0.4825 |
| Average Length of Melodic Arcs |
1.571 |
| Average Interval Spanned by Melodic Arcs |
3.857 |
| Melodic Pitch Variety |
4.199 |
| Mean Melodic Interval |
2.168 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3689 |
| Relative Prevalence of Most Common Melodic Intervals |
0.686 |
| Amount of Arpeggiation |
0.314 |
| Repeated Notes |
0.128 |
| Importance of Middle Register |
0.6898 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.86 |
| Mean Pitch Class |
5.187 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1054 |
| Prevalence of Most Common Pitch Class |
0.1867 |
| Relative Prevalence of Top Pitches |
0.9429 |
| Relative Prevalence of Top Pitch Classes |
0.9516 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.998 |
| Pitch Class Variability |
3.158 |
| Pitch Class Variability After Folding |
3.613 |
| Pitch Skewness |
0.612 |
| Pitch Class Skewness |
0.1774 |
| Pitch Class Skewness After Folding |
0.8254 |
| Pitch Kurtosis |
5.148 |
| Pitch Class Kurtosis |
4.918 |
| Pitch Class Kurtosis After Folding |
5.745 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.3102 |
| Note Density per Quarter Note |
0.6194 |
| Note Density per Quarter Note per Voice |
0.1549 |
| Note Density per Quarter Note Variability |
0.4514 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4669 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9398 |
| Prevalence of Very Long Rhythmic Values |
0.2319 |
| Prevalence of Dotted Notes |
0.06627 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.898 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4066 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7259 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.465 |
| Rhythmic Value Skewness |
-0.1247 |
| Rhythmic Value Kurtosis |
6.459 |
| Mean Rhythmic Value Run Length |
2.037 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.183 |
| Mean Rhythmic Value Offset |
0.03614 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3791 |
| Complete Rests Fraction |
0.02612 |
| Partial Rests Fraction |
0.6269 |
| Average Rest Fraction Across Voices |
0.3909 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
224.0 |
| Mean Complete Rest Duration |
3.5 |
| Mean Partial Rest Duration |
49.29 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
28.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.0 |
| Variability of Partial Rest Durations |
56.28 |
| Variability Across Voices of Combined Rests |
112.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7875 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1109 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
7.104 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8984 |
| Rhythmic Variability - Tempo Standardized |
0.06308 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
332.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
9.351 |
| Minimum Note Duration |
0.5 |
| Maximum Note Duration |
8.0 |
| Average Note Duration |
1.967 |
| Variability of Note Durations |
1.304 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.7875 |
| Strength of Second Strongest Rhythmic Pulse |
0.1109 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
7.104 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8984 |
| Rhythmic Variability |
0.06308 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
268.0 |
| Note Density |
1.239 |
| Note Density Variability |
0.8419 |
| Average Time Between Attacks |
1.281 |
| Average Time Between Attacks for Each Voice |
4.024 |
| Variability of Time Between Attacks |
0.7953 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4138 |
| Relative Range Isolation of Loudest Voice |
0.4769 |
| Relative Range of Highest Line |
0.4138 |
| Relative Note Density of Highest Line |
0.8072 |
| Relative Note Durations of Lowest Line |
1.345 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8584 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.0512 |
| Average Number of Independent Voices |
2.502 |
| Similar Motion |
0.1506 |
| Contrary Motion |
0.1867 |
| Oblique Motion |
0.6114 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
1.361 |
| Voice Equality - Number of Notes |
44.65 |
| Voice Equality - Note Duration |
55.98 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.9574 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
0.0 |