File

Last modified on: Oct. 17, 2023, 1:24 p.m.

Josquin_Missa_Hercules_dux_Ferrarie_-_Qui_venit.xml


Source
Josquin Research Project
Musical Work
Missa Hercules dux Ferrarie
Section
Sanctus (Qui venit)
File Type
Symbolic Music
File Format
.xml
File Size
23.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2419
Prevalence of Second Most Common Vertical Interval 0.2097
Prevalence Ratio of Two Most Common Vertical Intervals 0.8667
Vertical Unisons 0.1613
Vertical Minor Seconds 0.01613
Vertical Thirds 0.4355
Vertical Tritones 0.01613
Vertical Perfect Fourths 0.06452
Vertical Perfect Fifths 0.09677
Vertical Sixths 0.04839
Vertical Sevenths 0.01613
Vertical Octaves 0.04839
Perfect Vertical Intervals 0.371
Vertical Dissonance Ratio 0.1698
Vertical Minor Third Prevalence 0.1875
Vertical Major Third Prevalence 0.2344
Chord Duration 1.828
Partial Chords 1.0
Standard Triads 0.0
Diminished and Augmented Triads 0.0
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.0
Complex Chords 0.0
Minor Major Triad Ratio 0.0
Average Number of Simultaneous Pitch Classes 1.766
Variability of Number of Simultaneous Pitch Classes 0.4236
Average Number of Simultaneous Pitches 1.812
Variability of Number of Simultaneous Pitches 0.3903
Most Common Vertical Interval 4.0
Second Most Common Vertical Interval 0.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1795
Stepwise Motion 0.6154
Melodic Thirds 0.2308
Melodic Perfect Fourths 0.02564
Melodic Tritones 0.0
Melodic Perfect Fifths 0.07692
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.0
Melodic Large Intervals 0.02564
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 8.0
Melodic Embellishments 0.02439
Direction of Melodic Motion 0.5263
Average Length of Melodic Arcs 1.52
Average Interval Spanned by Melodic Arcs 4.12
Melodic Pitch Variety 6.172
Mean Melodic Interval 2.821
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4359
Relative Prevalence of Most Common Melodic Intervals 0.4706
Amount of Arpeggiation 0.359
Repeated Notes 0.02564
Importance of Middle Register 0.4634
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 53.0
Mean Pitch Class 5.78
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1951
Prevalence of Most Common Pitch Class 0.2439
Relative Prevalence of Top Pitches 0.875
Relative Prevalence of Top Pitch Classes 0.7
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 3.934
Pitch Class Variability 3.358
Pitch Class Variability After Folding 3.303
Pitch Skewness 0.5952
Pitch Class Skewness 0.6973
Pitch Class Skewness After Folding 0.7975
Pitch Kurtosis 6.125
Pitch Class Kurtosis 5.435
Pitch Class Kurtosis After Folding 7.329
Major or Minor 0.0
First Pitch 53.0
First Pitch Class 5.0
Last Pitch 57.0
Last Pitch Class 9.0
Glissando Prevalence 0.04878
Average Range of Glissandos 0.0
Number of Pitches 10.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.04878
Number of Pitch Classes 7.0
Number of Common Pitches 5.0
Number of Common Pitch Classes 1.0
Range 15.0
Importance of Bass Register 0.5366
Note Density per Quarter Note 0.6308
Note Density per Quarter Note per Voice 0.6308
Note Density per Quarter Note Variability 0.3825
Range of Rhythmic Values 6.0
Number of Different Rhythmic Values Present 5.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.6585
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.5366
Prevalence of Very Long Rhythmic Values 0.2195
Prevalence of Dotted Notes 0.02439
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 8.0
Mean Rhythmic Value 3.073
Most Common Rhythmic Value 1.0
Prevalence of Most Common Rhythmic Value 0.4634
Relative Prevalence of Most Common Rhythmic Values 0.4737
Difference Between Most Common Rhythmic Values 6.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.796
Rhythmic Value Skewness 1.151
Rhythmic Value Kurtosis 5.931
Mean Rhythmic Value Run Length 2.562
Median Rhythmic Value Run Length 2.0
Variability in Rhythmic Value Run Lengths 2.337
Mean Rhythmic Value Offset 0.0
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.0
Complete Rests Fraction 0.01538
Partial Rests Fraction 0.01538
Average Rest Fraction Across Voices 0.01538
Longest Complete Rest 1.0
Longest Partial Rest 1.0
Mean Complete Rest Duration 1.0
Mean Partial Rest Duration 1.0
Median Complete Rest Duration 1.0
Median Partial Rest Duration 1.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4342
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.3026
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.435
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7368
Rhythmic Variability - Tempo Standardized 0.04631
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 41.0
Initial Tempo 120.0
Average Variability of Time Between Attacks for Each Voice 0.4058
Minimum Note Duration 0.5
Maximum Note Duration 4.0
Average Note Duration 1.537
Variability of Note Durations 1.398
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 120.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.4342
Strength of Second Strongest Rhythmic Pulse 0.3026
Strength Ratio of Two Strongest Rhythmic Pulses 1.435
Combined Strength of Two Strongest Rhythmic Pulses 0.7368
Rhythmic Variability 0.04631
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 0.0
Duration in Seconds 32.5
Note Density 1.262
Note Density Variability 0.5824
Average Time Between Attacks 0.7995
Average Time Between Attacks for Each Voice 0.7995
Variability of Time Between Attacks 0.4058
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 1.293
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.0
Average Number of Independent Voices 1.0
Similar Motion 0.1034
Contrary Motion 0.06897
Oblique Motion 0.8276
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0