| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2108 |
| Prevalence of Second Most Common Vertical Interval |
0.1835 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8703 |
| Vertical Unisons |
0.03822 |
| Vertical Minor Seconds |
0.003528 |
| Vertical Thirds |
0.312 |
| Vertical Tritones |
0.008233 |
| Vertical Perfect Fourths |
0.1094 |
| Vertical Perfect Fifths |
0.2108 |
| Vertical Sixths |
0.132 |
| Vertical Sevenths |
0.01882 |
| Vertical Octaves |
0.1453 |
| Perfect Vertical Intervals |
0.5037 |
| Vertical Dissonance Ratio |
0.05523 |
| Vertical Minor Third Prevalence |
0.5612 |
| Vertical Major Third Prevalence |
0.5182 |
| Chord Duration |
2.326 |
| Partial Chords |
0.2989 |
| Standard Triads |
0.5317 |
| Diminished and Augmented Triads |
0.01587 |
| Dominant Seventh Chords |
0.002646 |
| Seventh Chords |
0.01852 |
| Non-Standard Chords |
0.1508 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7946 |
| Average Number of Simultaneous Pitch Classes |
2.716 |
| Variability of Number of Simultaneous Pitch Classes |
0.5638 |
| Average Number of Simultaneous Pitches |
3.31 |
| Variability of Number of Simultaneous Pitches |
0.7432 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.3108 |
| Stepwise Motion |
0.6779 |
| Melodic Thirds |
0.1059 |
| Melodic Perfect Fourths |
0.07883 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05856 |
| Melodic Sixths |
0.004505 |
| Melodic Sevenths |
0.002252 |
| Melodic Octaves |
0.02252 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.615 |
| Melodic Embellishments |
0.01786 |
| Direction of Melodic Motion |
0.4882 |
| Average Length of Melodic Arcs |
1.661 |
| Average Interval Spanned by Melodic Arcs |
4.37 |
| Melodic Pitch Variety |
4.991 |
| Mean Melodic Interval |
2.525 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3671 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8466 |
| Amount of Arpeggiation |
0.2387 |
| Repeated Notes |
0.04955 |
| Importance of Middle Register |
0.6964 |
| Importance of High Register |
0.002232 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.45 |
| Mean Pitch Class |
5.127 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1362 |
| Prevalence of Most Common Pitch Class |
0.2009 |
| Relative Prevalence of Top Pitches |
0.8033 |
| Relative Prevalence of Top Pitch Classes |
0.9667 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.198 |
| Pitch Class Variability |
3.394 |
| Pitch Class Variability After Folding |
3.233 |
| Pitch Skewness |
0.4203 |
| Pitch Class Skewness |
0.1125 |
| Pitch Class Skewness After Folding |
0.7685 |
| Pitch Kurtosis |
5.54 |
| Pitch Class Kurtosis |
4.791 |
| Pitch Class Kurtosis After Folding |
6.4 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3013 |
| Note Density per Quarter Note |
1.167 |
| Note Density per Quarter Note per Voice |
0.2917 |
| Note Density per Quarter Note Variability |
0.4203 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004464 |
| Prevalence of Medium Rhythmic Values |
0.5982 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8549 |
| Prevalence of Very Long Rhythmic Values |
0.09598 |
| Prevalence of Dotted Notes |
0.08036 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.964 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4531 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6059 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.892 |
| Rhythmic Value Skewness |
1.529 |
| Rhythmic Value Kurtosis |
10.63 |
| Mean Rhythmic Value Run Length |
1.867 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.3 |
| Mean Rhythmic Value Offset |
0.01786 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.267 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.3868 |
| Average Rest Fraction Across Voices |
0.1362 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
44.31 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
8.047 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.462 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.94 |
| Variability Across Voices of Combined Rests |
41.67 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7063 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1532 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.609 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8595 |
| Rhythmic Variability - Tempo Standardized |
0.05781 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
448.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.167 |
| Minimum Note Duration |
0.1667 |
| Maximum Note Duration |
6.0 |
| Average Note Duration |
1.203 |
| Variability of Note Durations |
0.8736 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
153.8 |
| Strongest Rhythmic Pulse |
74.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.48 |
| Strength of Strongest Rhythmic Pulse |
0.7052 |
| Strength of Second Strongest Rhythmic Pulse |
0.153 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.609 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8582 |
| Rhythmic Variability |
0.05772 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
29.76 |
| Duration in Seconds |
156.0 |
| Note Density |
2.872 |
| Note Density Variability |
1.333 |
| Average Time Between Attacks |
0.7154 |
| Average Time Between Attacks for Each Voice |
1.505 |
| Variability of Time Between Attacks |
0.3275 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4194 |
| Relative Range Isolation of Loudest Voice |
0.5455 |
| Relative Range of Highest Line |
0.4194 |
| Relative Note Density of Highest Line |
0.5982 |
| Relative Note Durations of Lowest Line |
0.9406 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.8973 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.06652 |
| Average Number of Independent Voices |
3.479 |
| Similar Motion |
0.1395 |
| Contrary Motion |
0.1609 |
| Oblique Motion |
0.633 |
| Parallel Fifths |
0.002146 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7427 |
| Voice Equality - Number of Notes |
43.5 |
| Voice Equality - Note Duration |
16.93 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
1.893 |
| Importance of Loudest Voice |
0.0 |