| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.245 |
| Prevalence of Second Most Common Vertical Interval |
0.2333 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9524 |
| Vertical Unisons |
0.02373 |
| Vertical Minor Seconds |
0.002504 |
| Vertical Thirds |
0.241 |
| Vertical Tritones |
0.006315 |
| Vertical Perfect Fourths |
0.1384 |
| Vertical Perfect Fifths |
0.2333 |
| Vertical Sixths |
0.104 |
| Vertical Sevenths |
0.01296 |
| Vertical Octaves |
0.2212 |
| Perfect Vertical Intervals |
0.6167 |
| Vertical Dissonance Ratio |
0.03985 |
| Vertical Minor Third Prevalence |
0.6474 |
| Vertical Major Third Prevalence |
0.7571 |
| Chord Duration |
2.328 |
| Partial Chords |
0.04717 |
| Standard Triads |
0.7512 |
| Diminished and Augmented Triads |
0.004717 |
| Dominant Seventh Chords |
0.01179 |
| Seventh Chords |
0.04009 |
| Non-Standard Chords |
0.1616 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3524 |
| Average Number of Simultaneous Pitch Classes |
3.039 |
| Variability of Number of Simultaneous Pitch Classes |
0.363 |
| Average Number of Simultaneous Pitches |
4.913 |
| Variability of Number of Simultaneous Pitches |
1.021 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2197 |
| Stepwise Motion |
0.5033 |
| Melodic Thirds |
0.1197 |
| Melodic Perfect Fourths |
0.08033 |
| Melodic Tritones |
0.001639 |
| Melodic Perfect Fifths |
0.06885 |
| Melodic Sixths |
0.001639 |
| Melodic Sevenths |
0.001639 |
| Melodic Octaves |
0.02131 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.174 |
| Melodic Embellishments |
0.00974 |
| Direction of Melodic Motion |
0.499 |
| Average Length of Melodic Arcs |
1.571 |
| Average Interval Spanned by Melodic Arcs |
4.59 |
| Melodic Pitch Variety |
4.242 |
| Mean Melodic Interval |
2.362 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.2836 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7746 |
| Amount of Arpeggiation |
0.4131 |
| Repeated Notes |
0.2016 |
| Importance of Middle Register |
0.7468 |
| Importance of High Register |
0.02435 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
59.75 |
| Mean Pitch Class |
5.131 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09578 |
| Prevalence of Most Common Pitch Class |
0.1948 |
| Relative Prevalence of Top Pitches |
0.9492 |
| Relative Prevalence of Top Pitch Classes |
0.9833 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
8.163 |
| Pitch Class Variability |
3.37 |
| Pitch Class Variability After Folding |
3.215 |
| Pitch Skewness |
-0.6462 |
| Pitch Class Skewness |
0.1171 |
| Pitch Class Skewness After Folding |
0.3802 |
| Pitch Kurtosis |
5.501 |
| Pitch Class Kurtosis |
4.773 |
| Pitch Class Kurtosis After Folding |
6.839 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
31.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.2289 |
| Note Density per Quarter Note |
1.426 |
| Note Density per Quarter Note per Voice |
0.2377 |
| Note Density per Quarter Note Variability |
0.5567 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00974 |
| Prevalence of Medium Rhythmic Values |
0.487 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9367 |
| Prevalence of Very Long Rhythmic Values |
0.164 |
| Prevalence of Dotted Notes |
0.06331 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.552 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4237 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7625 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.167 |
| Rhythmic Value Skewness |
0.7643 |
| Rhythmic Value Kurtosis |
7.116 |
| Mean Rhythmic Value Run Length |
1.735 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.292 |
| Mean Rhythmic Value Offset |
0.006494 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1612 |
| Complete Rests Fraction |
0.01852 |
| Partial Rests Fraction |
0.5324 |
| Average Rest Fraction Across Voices |
0.1543 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
34.0 |
| Mean Complete Rest Duration |
4.0 |
| Mean Partial Rest Duration |
8.333 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.955 |
| Variability Across Voices of Combined Rests |
35.81 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8151 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.09804 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
8.314 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9131 |
| Rhythmic Variability - Tempo Standardized |
0.0649 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
616.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.084 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
9.6 |
| Average Note Duration |
2.135 |
| Variability of Note Durations |
1.319 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
100.0 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.8942 |
| Strength of Second Strongest Rhythmic Pulse |
0.08663 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
10.32 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9808 |
| Rhythmic Variability |
0.07076 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
259.2 |
| Note Density |
2.377 |
| Note Density Variability |
1.031 |
| Average Time Between Attacks |
1.24 |
| Average Time Between Attacks for Each Voice |
2.435 |
| Variability of Time Between Attacks |
0.9199 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.3889 |
| Relative Range Isolation of Loudest Voice |
0.1429 |
| Relative Range of Highest Line |
0.3889 |
| Relative Note Density of Highest Line |
0.6721 |
| Relative Note Durations of Lowest Line |
0.9955 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9123 |
| Voice Separation |
4.2 |
| Variability of Voice Separation |
2.28 |
| Parallel Motion |
0.05617 |
| Average Number of Independent Voices |
5.17 |
| Similar Motion |
0.1355 |
| Contrary Motion |
0.2063 |
| Oblique Motion |
0.602 |
| Parallel Fifths |
0.01343 |
| Parallel Octaves |
0.009768 |
| Variability of Number of Independent Voices |
1.009 |
| Voice Equality - Number of Notes |
4.367 |
| Voice Equality - Note Duration |
21.49 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
1.095 |
| Voice Equality - Range |
3.125 |
| Importance of Loudest Voice |
0.0 |