| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.216 |
| Prevalence of Second Most Common Vertical Interval |
0.1935 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8957 |
| Vertical Unisons |
0.01516 |
| Vertical Minor Seconds |
0.003368 |
| Vertical Thirds |
0.3002 |
| Vertical Tritones |
0.004632 |
| Vertical Perfect Fourths |
0.1088 |
| Vertical Perfect Fifths |
0.216 |
| Vertical Sixths |
0.1196 |
| Vertical Sevenths |
0.02105 |
| Vertical Octaves |
0.1783 |
| Perfect Vertical Intervals |
0.5183 |
| Vertical Dissonance Ratio |
0.06598 |
| Vertical Minor Third Prevalence |
0.5196 |
| Vertical Major Third Prevalence |
0.5629 |
| Chord Duration |
2.45 |
| Partial Chords |
0.1849 |
| Standard Triads |
0.6096 |
| Diminished and Augmented Triads |
0.01142 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.002283 |
| Non-Standard Chords |
0.2032 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6481 |
| Average Number of Simultaneous Pitch Classes |
2.685 |
| Variability of Number of Simultaneous Pitch Classes |
0.7074 |
| Average Number of Simultaneous Pitches |
3.491 |
| Variability of Number of Simultaneous Pitches |
0.8981 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1929 |
| Stepwise Motion |
0.5499 |
| Melodic Thirds |
0.1086 |
| Melodic Perfect Fourths |
0.07761 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05987 |
| Melodic Sixths |
0.004435 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02217 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.882 |
| Melodic Embellishments |
0.01319 |
| Direction of Melodic Motion |
0.5175 |
| Average Length of Melodic Arcs |
1.837 |
| Average Interval Spanned by Melodic Arcs |
5.238 |
| Melodic Pitch Variety |
4.686 |
| Mean Melodic Interval |
2.381 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.357 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5404 |
| Amount of Arpeggiation |
0.3681 |
| Repeated Notes |
0.1774 |
| Importance of Middle Register |
0.7011 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.65 |
| Mean Pitch Class |
5.075 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1121 |
| Prevalence of Most Common Pitch Class |
0.1978 |
| Relative Prevalence of Top Pitches |
0.8431 |
| Relative Prevalence of Top Pitch Classes |
0.9 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.043 |
| Pitch Class Variability |
3.364 |
| Pitch Class Variability After Folding |
3.678 |
| Pitch Skewness |
-0.7255 |
| Pitch Class Skewness |
0.06664 |
| Pitch Class Skewness After Folding |
0.8641 |
| Pitch Kurtosis |
5.426 |
| Pitch Class Kurtosis |
4.826 |
| Pitch Class Kurtosis After Folding |
5.627 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
30.0 |
| Importance of Bass Register |
0.2989 |
| Note Density per Quarter Note |
0.9173 |
| Note Density per Quarter Note per Voice |
0.2293 |
| Note Density per Quarter Note Variability |
0.4603 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4813 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8857 |
| Prevalence of Very Long Rhythmic Values |
0.2198 |
| Prevalence of Dotted Notes |
0.1187 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.721 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.367 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7485 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.481 |
| Rhythmic Value Skewness |
0.8715 |
| Rhythmic Value Kurtosis |
7.217 |
| Mean Rhythmic Value Run Length |
1.569 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.007 |
| Mean Rhythmic Value Offset |
0.07912 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7227 |
| Complete Rests Fraction |
0.02209 |
| Partial Rests Fraction |
0.261 |
| Average Rest Fraction Across Voices |
0.128 |
| Longest Complete Rest |
3.984 |
| Longest Partial Rest |
23.9 |
| Mean Complete Rest Duration |
2.191 |
| Mean Partial Rest Duration |
7.937 |
| Median Complete Rest Duration |
1.992 |
| Median Partial Rest Duration |
3.984 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.091 |
| Variability of Partial Rest Durations |
7.095 |
| Variability Across Voices of Combined Rests |
16.03 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7369 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1433 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.143 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8802 |
| Rhythmic Variability - Tempo Standardized |
0.05978 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
455.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.022 |
| Minimum Note Duration |
0.5 |
| Maximum Note Duration |
12.0 |
| Average Note Duration |
1.909 |
| Variability of Note Durations |
1.424 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
119.8 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.7369 |
| Strength of Second Strongest Rhythmic Pulse |
0.1433 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
5.143 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8802 |
| Rhythmic Variability |
0.05978 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
3.802 |
| Duration in Seconds |
249.0 |
| Note Density |
1.827 |
| Note Density Variability |
0.8478 |
| Average Time Between Attacks |
1.016 |
| Average Time Between Attacks for Each Voice |
2.22 |
| Variability of Time Between Attacks |
0.532 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3 |
| Relative Range Isolation of Loudest Voice |
0.5 |
| Relative Range of Highest Line |
0.3 |
| Relative Note Density of Highest Line |
0.589 |
| Relative Note Durations of Lowest Line |
1.044 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8418 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.03633 |
| Average Number of Independent Voices |
3.565 |
| Similar Motion |
0.1107 |
| Contrary Motion |
0.1488 |
| Oblique Motion |
0.7042 |
| Parallel Fifths |
0.00173 |
| Parallel Octaves |
0.00173 |
| Variability of Number of Independent Voices |
0.8912 |
| Voice Equality - Number of Notes |
25.14 |
| Voice Equality - Note Duration |
8.045 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.9574 |
| Voice Equality - Range |
3.559 |
| Importance of Loudest Voice |
0.0 |