File

Last modified on: April 13, 2020, 7:19 p.m.

Magnificat_Primi_Toni-pares.mid


Source
RenComp7
Musical Work
Magnificat Primi Toni
Section
pares
File Type
Symbolic Music
File Format
.mid
File Size
18.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.289
Prevalence of Second Most Common Vertical Interval 0.1818
Prevalence Ratio of Two Most Common Vertical Intervals 0.6289
Vertical Unisons 0.1487
Vertical Minor Seconds 0.00407
Vertical Thirds 0.2571
Vertical Tritones 0.00608
Vertical Perfect Fourths 0.09735
Vertical Perfect Fifths 0.1818
Vertical Sixths 0.1244
Vertical Sevenths 0.0173
Vertical Octaves 0.1403
Perfect Vertical Intervals 0.5681
Vertical Dissonance Ratio 0.05305
Vertical Minor Third Prevalence 0.6207
Vertical Major Third Prevalence 0.5642
Chord Duration 1.219
Partial Chords 0.1509
Standard Triads 0.6441
Diminished and Augmented Triads 0.01757
Dominant Seventh Chords 0.0009009
Seventh Chords 0.01712
Non-Standard Chords 0.1878
Complex Chords 0.003604
Minor Major Triad Ratio 1.391
Average Number of Simultaneous Pitch Classes 2.854
Variability of Number of Simultaneous Pitch Classes 0.5911
Average Number of Simultaneous Pitches 3.756
Variability of Number of Simultaneous Pitches 0.9747
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2327
Stepwise Motion 0.602
Melodic Thirds 0.112
Melodic Perfect Fourths 0.05817
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04556
Melodic Sixths 0.0009695
Melodic Sevenths 0.0
Melodic Octaves 0.01309
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.888
Melodic Embellishments 0.01498
Direction of Melodic Motion 0.4889
Average Length of Melodic Arcs 1.928
Average Interval Spanned by Melodic Arcs 4.893
Melodic Pitch Variety 4.581
Mean Melodic Interval 2.121
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3694
Relative Prevalence of Most Common Melodic Intervals 0.6299
Amount of Arpeggiation 0.3388
Repeated Notes 0.1682
Importance of Middle Register 0.8217
Importance of High Register 0.09908
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 63.12
Mean Pitch Class 5.25
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.144
Prevalence of Most Common Pitch Class 0.2291
Relative Prevalence of Top Pitches 0.6913
Relative Prevalence of Top Pitch Classes 0.6899
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.732
Pitch Class Variability 3.335
Pitch Class Variability After Folding 3.762
Pitch Skewness -0.1768
Pitch Class Skewness 0.2252
Pitch Class Skewness After Folding 0.8902
Pitch Kurtosis 5.521
Pitch Class Kurtosis 4.67
Pitch Class Kurtosis After Folding 5.219
Major or Minor 0.0
First Pitch 58.0
First Pitch Class 10.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 32.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 33.0
Importance of Bass Register 0.07927
Note Density per Quarter Note 1.796
Note Density per Quarter Note per Voice 0.2993
Note Density per Quarter Note Variability 0.6694
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.004833
Prevalence of Medium Rhythmic Values 0.6341
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8028
Prevalence of Very Long Rhythmic Values 0.0812
Prevalence of Dotted Notes 0.08023
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.789
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4369
Relative Prevalence of Most Common Rhythmic Values 0.5332
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.867
Rhythmic Value Skewness 1.267
Rhythmic Value Kurtosis 10.65
Mean Rhythmic Value Run Length 1.852
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.322
Mean Rhythmic Value Offset 0.0638
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.9734
Complete Rests Fraction 0.0
Partial Rests Fraction 0.5144
Average Rest Fraction Across Voices 0.1509
Longest Complete Rest 0.0
Longest Partial Rest 53.15
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 6.209
Median Complete Rest Duration 0.0
Median Partial Rest Duration 2.657
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 7.139
Variability Across Voices of Combined Rests 41.24
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6167
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1992
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.096
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8159
Rhythmic Variability - Tempo Standardized 0.05282
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 2069.0
Initial Tempo 120.0
Average Variability of Time Between Attacks for Each Voice 3.35
Minimum Note Duration 0.25
Maximum Note Duration 32.0
Average Note Duration 2.135
Variability of Note Durations 2.163
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 2.0
Number of Moderate Rhythmic Pulses 2.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 89.69
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.7692
Strength of Second Strongest Rhythmic Pulse 0.2252
Strength Ratio of Two Strongest Rhythmic Pulses 3.415
Combined Strength of Two Strongest Rhythmic Pulses 0.9944
Rhythmic Variability 0.06306
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 30.0
Duration in Seconds 867.0
Note Density 2.386
Note Density Variability 1.571
Average Time Between Attacks 1.209
Average Time Between Attacks for Each Voice 2.48
Variability of Time Between Attacks 0.7024
Maximum Number of Independent Voices 6.0
Relative Range of Loudest Voice 0.4545
Relative Range Isolation of Loudest Voice 0.5526
Relative Range of Highest Line 0.4545
Relative Note Density of Highest Line 0.2088
Relative Note Durations of Lowest Line 0.9858
Relative Size of Melodic Intervals in Lowest Line 0.6667
Voice Overlap 0.8482
Voice Separation 3.6
Variability of Voice Separation 3.286
Parallel Motion 0.04689
Average Number of Independent Voices 5.123
Similar Motion 0.1172
Contrary Motion 0.1559
Oblique Motion 0.68
Parallel Fifths 0.001901
Parallel Octaves 0.001901
Variability of Number of Independent Voices 1.18
Voice Equality - Number of Notes 23.56
Voice Equality - Note Duration 31.04
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.8367
Voice Equality - Range 0.7528
Importance of Loudest Voice 0.0