| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2872 |
| Prevalence of Second Most Common Vertical Interval |
0.1937 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6744 |
| Vertical Unisons |
0.08153 |
| Vertical Minor Seconds |
0.002249 |
| Vertical Thirds |
0.285 |
| Vertical Tritones |
0.002874 |
| Vertical Perfect Fourths |
0.09818 |
| Vertical Perfect Fifths |
0.1937 |
| Vertical Sixths |
0.1138 |
| Vertical Sevenths |
0.007403 |
| Vertical Octaves |
0.2056 |
| Perfect Vertical Intervals |
0.579 |
| Vertical Dissonance Ratio |
0.02265 |
| Vertical Minor Third Prevalence |
0.7305 |
| Vertical Major Third Prevalence |
0.818 |
| Chord Duration |
2.402 |
| Partial Chords |
0.07011 |
| Standard Triads |
0.8021 |
| Diminished and Augmented Triads |
0.01593 |
| Dominant Seventh Chords |
0.004958 |
| Seventh Chords |
0.02054 |
| Non-Standard Chords |
0.1073 |
| Complex Chords |
0.01204 |
| Minor Major Triad Ratio |
0.2158 |
| Average Number of Simultaneous Pitch Classes |
2.973 |
| Variability of Number of Simultaneous Pitch Classes |
0.4753 |
| Average Number of Simultaneous Pitches |
4.926 |
| Variability of Number of Simultaneous Pitches |
1.79 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1225 |
| Stepwise Motion |
0.3461 |
| Melodic Thirds |
0.1116 |
| Melodic Perfect Fourths |
0.07368 |
| Melodic Tritones |
0.000319 |
| Melodic Perfect Fifths |
0.04657 |
| Melodic Sixths |
0.001595 |
| Melodic Sevenths |
0.000319 |
| Melodic Octaves |
0.01595 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.692 |
| Melodic Embellishments |
0.02193 |
| Direction of Melodic Motion |
0.5013 |
| Average Length of Melodic Arcs |
1.684 |
| Average Interval Spanned by Melodic Arcs |
5.166 |
| Melodic Pitch Variety |
3.608 |
| Mean Melodic Interval |
1.851 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4038 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5537 |
| Amount of Arpeggiation |
0.5783 |
| Repeated Notes |
0.4038 |
| Importance of Middle Register |
0.7763 |
| Importance of High Register |
0.08389 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.06 |
| Mean Pitch Class |
5.604 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1284 |
| Prevalence of Most Common Pitch Class |
0.2428 |
| Relative Prevalence of Top Pitches |
0.8317 |
| Relative Prevalence of Top Pitch Classes |
0.8887 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.951 |
| Pitch Class Variability |
3.471 |
| Pitch Class Variability After Folding |
1.923 |
| Pitch Skewness |
-0.5243 |
| Pitch Class Skewness |
-1.207 |
| Pitch Class Skewness After Folding |
1.086 |
| Pitch Kurtosis |
5.651 |
| Pitch Class Kurtosis |
4.84 |
| Pitch Class Kurtosis After Folding |
5.817 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.1398 |
| Note Density per Quarter Note |
2.179 |
| Note Density per Quarter Note per Voice |
0.1816 |
| Note Density per Quarter Note Variability |
1.505 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001907 |
| Prevalence of Medium Rhythmic Values |
0.6387 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8354 |
| Prevalence of Very Long Rhythmic Values |
0.08707 |
| Prevalence of Dotted Notes |
0.09596 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.841 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4741 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4377 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.939 |
| Rhythmic Value Skewness |
1.301 |
| Rhythmic Value Kurtosis |
11.29 |
| Mean Rhythmic Value Run Length |
1.635 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.035 |
| Mean Rhythmic Value Offset |
0.06737 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8737 |
| Complete Rests Fraction |
0.006954 |
| Partial Rests Fraction |
0.7914 |
| Average Rest Fraction Across Voices |
0.4718 |
| Longest Complete Rest |
4.017 |
| Longest Partial Rest |
365.5 |
| Mean Complete Rest Duration |
3.347 |
| Mean Partial Rest Duration |
21.74 |
| Median Complete Rest Duration |
4.017 |
| Median Partial Rest Duration |
8.033 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.16 |
| Variability of Partial Rest Durations |
53.33 |
| Variability Across Voices of Combined Rests |
141.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6414 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1936 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.312 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.835 |
| Rhythmic Variability - Tempo Standardized |
0.05416 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
3147.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
10.03 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
20.0 |
| Average Note Duration |
1.448 |
| Variability of Note Durations |
1.176 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
120.9 |
| Strongest Rhythmic Pulse |
61.0 |
| Second Strongest Rhythmic Pulse |
41.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.6414 |
| Strength of Second Strongest Rhythmic Pulse |
0.1936 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.312 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.835 |
| Rhythmic Variability |
0.05416 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
7.999 |
| Duration in Seconds |
719.0 |
| Note Density |
4.377 |
| Note Density Variability |
2.83 |
| Average Time Between Attacks |
0.8709 |
| Average Time Between Attacks for Each Voice |
2.773 |
| Variability of Time Between Attacks |
0.4633 |
| Maximum Number of Independent Voices |
12.0 |
| Relative Range of Loudest Voice |
0.3889 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3889 |
| Relative Note Density of Highest Line |
0.2707 |
| Relative Note Durations of Lowest Line |
1.094 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
1.0 |
| Voice Separation |
2.0 |
| Variability of Voice Separation |
2.366 |
| Parallel Motion |
0.05157 |
| Average Number of Independent Voices |
6.383 |
| Similar Motion |
0.2253 |
| Contrary Motion |
0.1738 |
| Oblique Motion |
0.5493 |
| Parallel Fifths |
0.003924 |
| Parallel Octaves |
0.007848 |
| Variability of Number of Independent Voices |
3.446 |
| Voice Equality - Number of Notes |
58.39 |
| Voice Equality - Note Duration |
70.35 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.6513 |
| Voice Equality - Range |
3.088 |
| Importance of Loudest Voice |
0.0 |