| Distance Between Two Most Common Vertical Intervals |
1.0 |
| Prevalence of Most Common Vertical Interval |
0.1908 |
| Prevalence of Second Most Common Vertical Interval |
0.1868 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.979 |
| Vertical Unisons |
0.02354 |
| Vertical Minor Seconds |
0.001502 |
| Vertical Thirds |
0.3776 |
| Vertical Tritones |
0.01202 |
| Vertical Perfect Fourths |
0.07912 |
| Vertical Perfect Fifths |
0.1728 |
| Vertical Sixths |
0.147 |
| Vertical Sevenths |
0.02579 |
| Vertical Octaves |
0.1347 |
| Perfect Vertical Intervals |
0.4101 |
| Vertical Dissonance Ratio |
0.06992 |
| Vertical Minor Third Prevalence |
0.4181 |
| Vertical Major Third Prevalence |
0.4296 |
| Chord Duration |
2.107 |
| Partial Chords |
0.4856 |
| Standard Triads |
0.3866 |
| Diminished and Augmented Triads |
0.02556 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.003195 |
| Non-Standard Chords |
0.1246 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5125 |
| Average Number of Simultaneous Pitch Classes |
2.368 |
| Variability of Number of Simultaneous Pitch Classes |
0.6672 |
| Average Number of Simultaneous Pitches |
2.749 |
| Variability of Number of Simultaneous Pitches |
0.8416 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2506 |
| Stepwise Motion |
0.7449 |
| Melodic Thirds |
0.08804 |
| Melodic Perfect Fourths |
0.03612 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0316 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02032 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.25 |
| Melodic Embellishments |
0.01119 |
| Direction of Melodic Motion |
0.4877 |
| Average Length of Melodic Arcs |
2.03 |
| Average Interval Spanned by Melodic Arcs |
4.721 |
| Melodic Pitch Variety |
4.983 |
| Mean Melodic Interval |
2.176 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4944 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5068 |
| Amount of Arpeggiation |
0.219 |
| Repeated Notes |
0.07901 |
| Importance of Middle Register |
0.7226 |
| Importance of High Register |
0.0179 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.68 |
| Mean Pitch Class |
5.535 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1051 |
| Prevalence of Most Common Pitch Class |
0.1834 |
| Relative Prevalence of Top Pitches |
0.9574 |
| Relative Prevalence of Top Pitch Classes |
0.878 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.002 |
| Pitch Class Variability |
3.446 |
| Pitch Class Variability After Folding |
3.053 |
| Pitch Skewness |
0.09681 |
| Pitch Class Skewness |
0.4655 |
| Pitch Class Skewness After Folding |
0.4594 |
| Pitch Kurtosis |
5.332 |
| Pitch Class Kurtosis |
4.912 |
| Pitch Class Kurtosis After Folding |
7.087 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2595 |
| Note Density per Quarter Note |
1.284 |
| Note Density per Quarter Note per Voice |
0.3211 |
| Note Density per Quarter Note Variability |
0.6135 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02685 |
| Prevalence of Medium Rhythmic Values |
0.7629 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6555 |
| Prevalence of Very Long Rhythmic Values |
0.03579 |
| Prevalence of Dotted Notes |
0.04698 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.192 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4183 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7594 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.399 |
| Rhythmic Value Skewness |
0.4127 |
| Rhythmic Value Kurtosis |
9.599 |
| Mean Rhythmic Value Run Length |
2.316 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.87 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.8088 |
| Average Rest Fraction Across Voices |
0.3156 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
255.9 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
12.92 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
1.706 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
44.25 |
| Variability Across Voices of Combined Rests |
108.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5577 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2131 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.617 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7709 |
| Rhythmic Variability - Tempo Standardized |
0.04966 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
447.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8158 |
| Minimum Note Duration |
0.1667 |
| Maximum Note Duration |
4.0 |
| Average Note Duration |
0.833 |
| Variability of Note Durations |
0.595 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
159.3 |
| Strongest Rhythmic Pulse |
77.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.481 |
| Strength of Strongest Rhythmic Pulse |
0.5528 |
| Strength of Second Strongest Rhythmic Pulse |
0.2113 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.617 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7641 |
| Rhythmic Variability |
0.04923 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
28.52 |
| Duration in Seconds |
136.0 |
| Note Density |
3.287 |
| Note Density Variability |
1.737 |
| Average Time Between Attacks |
0.6196 |
| Average Time Between Attacks for Each Voice |
0.9045 |
| Variability of Time Between Attacks |
0.4327 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.475 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.5996 |
| Relative Note Durations of Lowest Line |
1.059 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8434 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.08579 |
| Average Number of Independent Voices |
2.816 |
| Similar Motion |
0.1528 |
| Contrary Motion |
0.2252 |
| Oblique Motion |
0.5362 |
| Parallel Fifths |
0.002681 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8446 |
| Voice Equality - Number of Notes |
49.1 |
| Voice Equality - Note Duration |
42.46 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.109 |
| Importance of Loudest Voice |
0.0 |