File

Last modified on: April 13, 2020, 7:22 p.m.

Nigra_Sum_Sed_Formosa.mid


Source
RenComp7
Musical Work
Nigra Sum Sed Formosa
File Type
Symbolic Music
File Format
.mid
File Size
10.0 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2338
Prevalence of Second Most Common Vertical Interval 0.2166
Prevalence Ratio of Two Most Common Vertical Intervals 0.9263
Vertical Unisons 0.03792
Vertical Minor Seconds 0.00294
Vertical Thirds 0.253
Vertical Tritones 0.003853
Vertical Perfect Fourths 0.1377
Vertical Perfect Fifths 0.2166
Vertical Sixths 0.1119
Vertical Sevenths 0.01602
Vertical Octaves 0.1959
Perfect Vertical Intervals 0.5881
Vertical Dissonance Ratio 0.04937
Vertical Minor Third Prevalence 0.6993
Vertical Major Third Prevalence 0.644
Chord Duration 1.091
Partial Chords 0.06612
Standard Triads 0.7482
Diminished and Augmented Triads 0.007246
Dominant Seventh Chords 0.001812
Seventh Chords 0.004529
Non-Standard Chords 0.1812
Complex Chords 0.01268
Minor Major Triad Ratio 0.9076
Average Number of Simultaneous Pitch Classes 3.013
Variability of Number of Simultaneous Pitch Classes 0.4125
Average Number of Simultaneous Pitches 4.419
Variability of Number of Simultaneous Pitches 0.9949
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2581
Stepwise Motion 0.5496
Melodic Thirds 0.09567
Melodic Perfect Fourths 0.06859
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05686
Melodic Sixths 0.005415
Melodic Sevenths 0.0
Melodic Octaves 0.006318
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.609
Melodic Embellishments 0.01706
Direction of Melodic Motion 0.5156
Average Length of Melodic Arcs 1.91
Average Interval Spanned by Melodic Arcs 4.868
Melodic Pitch Variety 4.302
Mean Melodic Interval 2.01
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.2915
Relative Prevalence of Most Common Melodic Intervals 0.8854
Amount of Arpeggiation 0.3764
Repeated Notes 0.2175
Importance of Middle Register 0.7136
Importance of High Register 0.01167
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 58.86
Mean Pitch Class 5.456
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1005
Prevalence of Most Common Pitch Class 0.2226
Relative Prevalence of Top Pitches 0.875
Relative Prevalence of Top Pitch Classes 0.7016
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.788
Pitch Class Variability 3.388
Pitch Class Variability After Folding 3.206
Pitch Skewness -0.2303
Pitch Class Skewness 0.4038
Pitch Class Skewness After Folding 0.8871
Pitch Kurtosis 5.324
Pitch Class Kurtosis 4.788
Pitch Class Kurtosis After Folding 6.305
Major or Minor 0.0
First Pitch 50.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 33.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 1.0
Range 34.0
Importance of Bass Register 0.2747
Note Density per Quarter Note 2.018
Note Density per Quarter Note per Voice 0.3364
Note Density per Quarter Note Variability 0.9153
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01885
Prevalence of Medium Rhythmic Values 0.7235
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.6697
Prevalence of Very Long Rhythmic Values 0.04309
Prevalence of Dotted Notes 0.1023
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.311
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3932
Relative Prevalence of Most Common Rhythmic Values 0.7854
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.651
Rhythmic Value Skewness 0.5642
Rhythmic Value Kurtosis 15.09
Mean Rhythmic Value Run Length 1.757
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.167
Mean Rhythmic Value Offset 0.05027
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.8796
Complete Rests Fraction 0.0
Partial Rests Fraction 0.6193
Average Rest Fraction Across Voices 0.188
Longest Complete Rest 0.0
Longest Partial Rest 29.26
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 9.291
Median Complete Rest Duration 0.0
Median Partial Rest Duration 5.32
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 8.65
Variability Across Voices of Combined Rests 18.1
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4734
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2578
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.837
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7312
Rhythmic Variability - Tempo Standardized 0.04657
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 1114.0
Initial Tempo 120.0
Average Variability of Time Between Attacks for Each Voice 2.827
Minimum Note Duration 0.25
Maximum Note Duration 32.0
Average Note Duration 1.815
Variability of Note Durations 1.87
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 2.0
Number of Moderate Rhythmic Pulses 4.0
Number of Relatively Strong Rhythmic Pulses 2.0
Mean Tempo 89.78
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.6399
Strength of Second Strongest Rhythmic Pulse 0.3377
Strength Ratio of Two Strongest Rhythmic Pulses 1.895
Combined Strength of Two Strongest Rhythmic Pulses 0.9776
Rhythmic Variability 0.05687
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 30.0
Duration in Seconds 415.0
Note Density 2.684
Note Density Variability 1.02
Average Time Between Attacks 0.9888
Average Time Between Attacks for Each Voice 2.137
Variability of Time Between Attacks 0.5349
Maximum Number of Independent Voices 6.0
Relative Range of Loudest Voice 0.4118
Relative Range Isolation of Loudest Voice 0.06436
Relative Range of Highest Line 0.4118
Relative Note Density of Highest Line 0.3662
Relative Note Durations of Lowest Line 1.039
Relative Size of Melodic Intervals in Lowest Line 0.75
Voice Overlap 0.9183
Voice Separation 4.2
Variability of Voice Separation 1.924
Parallel Motion 0.07656
Average Number of Independent Voices 4.764
Similar Motion 0.1427
Contrary Motion 0.1616
Oblique Motion 0.6191
Parallel Fifths 0.002836
Parallel Octaves 0.00189
Variability of Number of Independent Voices 1.059
Voice Equality - Number of Notes 11.93
Voice Equality - Note Duration 13.61
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.8165
Voice Equality - Range 1.169
Importance of Loudest Voice 0.0