File

Last modified on: April 13, 2020, 7:26 p.m.

Magnificat_Octavi_Toni-pares.mid


Source
RenComp7
Musical Work
Magnificat Octavi Toni
Section
pares
File Type
Symbolic Music
File Format
.mid
File Size
20.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.3082
Prevalence of Second Most Common Vertical Interval 0.1751
Prevalence Ratio of Two Most Common Vertical Intervals 0.5681
Vertical Unisons 0.1772
Vertical Minor Seconds 0.00417
Vertical Thirds 0.2444
Vertical Tritones 0.008974
Vertical Perfect Fourths 0.1093
Vertical Perfect Fifths 0.1751
Vertical Sixths 0.1104
Vertical Sevenths 0.01886
Vertical Octaves 0.131
Perfect Vertical Intervals 0.5926
Vertical Dissonance Ratio 0.05549
Vertical Minor Third Prevalence 0.5377
Vertical Major Third Prevalence 0.5912
Chord Duration 1.219
Partial Chords 0.182
Standard Triads 0.6067
Diminished and Augmented Triads 0.02415
Dominant Seventh Chords 0.005636
Seventh Chords 0.01691
Non-Standard Chords 0.1944
Complex Chords 0.00161
Minor Major Triad Ratio 0.1155
Average Number of Simultaneous Pitch Classes 2.807
Variability of Number of Simultaneous Pitch Classes 0.5811
Average Number of Simultaneous Pitches 3.601
Variability of Number of Simultaneous Pitches 1.0
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2127
Stepwise Motion 0.6216
Melodic Thirds 0.08438
Melodic Perfect Fourths 0.08221
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03654
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.01522
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.456
Melodic Embellishments 0.01909
Direction of Melodic Motion 0.4883
Average Length of Melodic Arcs 1.741
Average Interval Spanned by Melodic Arcs 4.466
Melodic Pitch Variety 4.626
Mean Melodic Interval 2.167
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4089
Relative Prevalence of Most Common Melodic Intervals 0.5202
Amount of Arpeggiation 0.2962
Repeated Notes 0.1601
Importance of Middle Register 0.8269
Importance of High Register 0.1184
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 64.19
Mean Pitch Class 4.556
Most Common Pitch 67.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1271
Prevalence of Most Common Pitch Class 0.2286
Relative Prevalence of Top Pitches 0.9454
Relative Prevalence of Top Pitch Classes 0.8425
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.766
Pitch Class Variability 3.497
Pitch Class Variability After Folding 3.145
Pitch Skewness -0.1
Pitch Class Skewness 0.4767
Pitch Class Skewness After Folding 0.8909
Pitch Kurtosis 5.577
Pitch Class Kurtosis 4.931
Pitch Class Kurtosis After Folding 7.457
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 26.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.05466
Note Density per Quarter Note 1.79
Note Density per Quarter Note per Voice 0.2983
Note Density per Quarter Note Variability 0.6334
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.006074
Prevalence of Medium Rhythmic Values 0.6178
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7835
Prevalence of Very Long Rhythmic Values 0.08937
Prevalence of Dotted Notes 0.09761
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.829
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4013
Relative Prevalence of Most Common Rhythmic Values 0.5697
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.967
Rhythmic Value Skewness 1.264
Rhythmic Value Kurtosis 10.58
Mean Rhythmic Value Run Length 1.79
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.38
Mean Rhythmic Value Offset 0.059
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.7615
Complete Rests Fraction 0.0
Partial Rests Fraction 0.5558
Average Rest Fraction Across Voices 0.1417
Longest Complete Rest 0.0
Longest Partial Rest 267.4
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 7.935
Median Complete Rest Duration 0.0
Median Partial Rest Duration 2.661
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 23.41
Variability Across Voices of Combined Rests 135.6
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6062
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2017
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.006
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8079
Rhythmic Variability - Tempo Standardized 0.05225
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 2305.0
Initial Tempo 120.0
Average Variability of Time Between Attacks for Each Voice 4.761
Minimum Note Duration 0.25
Maximum Note Duration 32.0
Average Note Duration 2.163
Variability of Note Durations 2.253
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 2.0
Number of Moderate Rhythmic Pulses 2.0
Number of Relatively Strong Rhythmic Pulses 2.0
Mean Tempo 89.82
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.7588
Strength of Second Strongest Rhythmic Pulse 0.2336
Strength Ratio of Two Strongest Rhythmic Pulses 3.248
Combined Strength of Two Strongest Rhythmic Pulses 0.9924
Rhythmic Variability 0.06246
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 30.0
Duration in Seconds 968.0
Note Density 2.381
Note Density Variability 1.429
Average Time Between Attacks 1.217
Average Time Between Attacks for Each Voice 2.585
Variability of Time Between Attacks 0.7383
Maximum Number of Independent Voices 6.0
Relative Range of Loudest Voice 0.4194
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 0.4194
Relative Note Density of Highest Line 0.1874
Relative Note Durations of Lowest Line 1.022
Relative Size of Melodic Intervals in Lowest Line 0.6
Voice Overlap 0.9653
Voice Separation 3.6
Variability of Voice Separation 3.362
Parallel Motion 0.02303
Average Number of Independent Voices 5.168
Similar Motion 0.1253
Contrary Motion 0.114
Oblique Motion 0.7376
Parallel Fifths 0.001685
Parallel Octaves 0.001685
Variability of Number of Independent Voices 1.024
Voice Equality - Number of Notes 84.76
Voice Equality - Note Duration 101.9
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.8165
Voice Equality - Range 1.722
Importance of Loudest Voice 0.0