| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2068 |
| Prevalence of Second Most Common Vertical Interval |
0.2012 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9727 |
| Vertical Unisons |
0.04694 |
| Vertical Minor Seconds |
0.003887 |
| Vertical Thirds |
0.2852 |
| Vertical Tritones |
0.008068 |
| Vertical Perfect Fourths |
0.1184 |
| Vertical Perfect Fifths |
0.2068 |
| Vertical Sixths |
0.1264 |
| Vertical Sevenths |
0.01907 |
| Vertical Octaves |
0.1542 |
| Perfect Vertical Intervals |
0.5264 |
| Vertical Dissonance Ratio |
0.06607 |
| Vertical Minor Third Prevalence |
0.5627 |
| Vertical Major Third Prevalence |
0.5729 |
| Chord Duration |
1.193 |
| Partial Chords |
0.1987 |
| Standard Triads |
0.5833 |
| Diminished and Augmented Triads |
0.01768 |
| Dominant Seventh Chords |
0.005892 |
| Seventh Chords |
0.01599 |
| Non-Standard Chords |
0.202 |
| Complex Chords |
0.001684 |
| Minor Major Triad Ratio |
1.139 |
| Average Number of Simultaneous Pitch Classes |
2.8 |
| Variability of Number of Simultaneous Pitch Classes |
0.5863 |
| Average Number of Simultaneous Pitches |
3.552 |
| Variability of Number of Simultaneous Pitches |
0.9429 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.245 |
| Stepwise Motion |
0.5953 |
| Melodic Thirds |
0.1207 |
| Melodic Perfect Fourths |
0.06982 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06331 |
| Melodic Sixths |
0.001183 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01716 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.163 |
| Melodic Embellishments |
0.01711 |
| Direction of Melodic Motion |
0.4939 |
| Average Length of Melodic Arcs |
1.79 |
| Average Interval Spanned by Melodic Arcs |
4.816 |
| Melodic Pitch Variety |
4.826 |
| Mean Melodic Interval |
2.344 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3503 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6993 |
| Amount of Arpeggiation |
0.3337 |
| Repeated Notes |
0.1325 |
| Importance of Middle Register |
0.7941 |
| Importance of High Register |
0.00354 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.3 |
| Mean Pitch Class |
5.994 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1386 |
| Prevalence of Most Common Pitch Class |
0.223 |
| Relative Prevalence of Top Pitches |
0.9234 |
| Relative Prevalence of Top Pitch Classes |
0.9101 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.233 |
| Pitch Class Variability |
3.54 |
| Pitch Class Variability After Folding |
2.279 |
| Pitch Skewness |
0.2823 |
| Pitch Class Skewness |
-0.0055 |
| Pitch Class Skewness After Folding |
-0.5957 |
| Pitch Kurtosis |
5.617 |
| Pitch Class Kurtosis |
4.829 |
| Pitch Class Kurtosis After Folding |
7.475 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2024 |
| Note Density per Quarter Note |
1.38 |
| Note Density per Quarter Note per Voice |
0.2761 |
| Note Density per Quarter Note Variability |
0.4837 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0059 |
| Prevalence of Medium Rhythmic Values |
0.6407 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8083 |
| Prevalence of Very Long Rhythmic Values |
0.07847 |
| Prevalence of Dotted Notes |
0.08732 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.749 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.449 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4967 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.795 |
| Rhythmic Value Skewness |
1.252 |
| Rhythmic Value Kurtosis |
10.47 |
| Mean Rhythmic Value Run Length |
1.753 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.224 |
| Mean Rhythmic Value Offset |
0.01416 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3364 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6872 |
| Average Rest Fraction Across Voices |
0.2275 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
221.9 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
11.74 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
5.316 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
28.65 |
| Variability Across Voices of Combined Rests |
119.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6396 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1832 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.49 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8228 |
| Rhythmic Variability - Tempo Standardized |
0.05402 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1695.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
5.865 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
24.0 |
| Average Note Duration |
2.106 |
| Variability of Note Durations |
1.742 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
89.71 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7821 |
| Strength of Second Strongest Rhythmic Pulse |
0.2131 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.67 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9952 |
| Rhythmic Variability |
0.06378 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
924.0 |
| Note Density |
1.834 |
| Note Density Variability |
0.9855 |
| Average Time Between Attacks |
1.181 |
| Average Time Between Attacks for Each Voice |
2.716 |
| Variability of Time Between Attacks |
0.6575 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.6443 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2006 |
| Relative Note Durations of Lowest Line |
1.192 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.846 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
2.363 |
| Parallel Motion |
0.04015 |
| Average Number of Independent Voices |
3.814 |
| Similar Motion |
0.118 |
| Contrary Motion |
0.1478 |
| Oblique Motion |
0.694 |
| Parallel Fifths |
0.0006083 |
| Parallel Octaves |
0.0006083 |
| Variability of Number of Independent Voices |
1.009 |
| Voice Equality - Number of Notes |
58.79 |
| Voice Equality - Note Duration |
90.08 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.517 |
| Importance of Loudest Voice |
0.0 |