File

Last modified on: April 13, 2020, 4:58 p.m.

F164_20_Festa_Amor_che_OMRcorrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Amor che mi tormenti
File Type
Symbolic Music
File Format
xml
File Size
314.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1703
Prevalence of Second Most Common Vertical Interval 0.1594
Prevalence Ratio of Two Most Common Vertical Intervals 0.9365
Vertical Unisons 0.02802
Vertical Minor Seconds 0.04624
Vertical Thirds 0.2701
Vertical Tritones 0.01659
Vertical Perfect Fourths 0.1279
Vertical Perfect Fifths 0.1703
Vertical Sixths 0.1275
Vertical Sevenths 0.049
Vertical Octaves 0.1314
Perfect Vertical Intervals 0.4576
Vertical Dissonance Ratio 0.1692
Vertical Minor Third Prevalence 0.5948
Vertical Major Third Prevalence 0.597
Chord Duration 2.606
Partial Chords 0.07778
Standard Triads 0.3867
Diminished and Augmented Triads 0.02
Dominant Seventh Chords 0.004444
Seventh Chords 0.24
Non-Standard Chords 0.2956
Complex Chords 0.04222
Minor Major Triad Ratio 0.8316
Average Number of Simultaneous Pitch Classes 3.317
Variability of Number of Simultaneous Pitch Classes 0.7993
Average Number of Simultaneous Pitches 4.394
Variability of Number of Simultaneous Pitches 1.009
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 6.0
Variation of Dynamics 0.2315
Variation of Dynamics In Each Voice 0.2315
Average Note to Note Change in Dynamics 0.01786
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1174
Stepwise Motion 0.4451
Melodic Thirds 0.06707
Melodic Perfect Fourths 0.0503
Melodic Tritones 0.0
Melodic Perfect Fifths 0.02744
Melodic Sixths 0.003049
Melodic Sevenths 0.0
Melodic Octaves 0.01067
Melodic Large Intervals 0.001524
Most Common Melodic Interval 0.0
Minor Major Melodic Third Ratio 1.588
Melodic Embellishments 0.01935
Direction of Melodic Motion 0.4761
Average Length of Melodic Arcs 1.821
Average Interval Spanned by Melodic Arcs 4.757
Melodic Pitch Variety 3.468
Mean Melodic Interval 1.62
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3948
Relative Prevalence of Most Common Melodic Intervals 0.8301
Amount of Arpeggiation 0.5015
Repeated Notes 0.3948
Importance of Middle Register 0.5908
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 55.0
Mean Pitch Class 5.005
Most Common Pitch 60.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.119
Prevalence of Most Common Pitch Class 0.1949
Relative Prevalence of Top Pitches 0.975
Relative Prevalence of Top Pitch Classes 0.8855
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.859
Pitch Class Variability 3.531
Pitch Class Variability After Folding 3.575
Pitch Skewness -0.5163
Pitch Class Skewness 0.003832
Pitch Class Skewness After Folding 0.5918
Pitch Kurtosis 5.434
Pitch Class Kurtosis 4.804
Pitch Class Kurtosis After Folding 6.154
Major or Minor 0.0
First Pitch 45.0
First Pitch Class 9.0
Last Pitch 41.0
Last Pitch Class 5.0
Glissando Prevalence 0.005952
Average Range of Glissandos 0.0
Number of Pitches 23.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.005952
Number of Pitch Classes 10.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.4092
Note Density per Quarter Note 1.421
Note Density per Quarter Note per Voice 1.421
Note Density per Quarter Note Variability 0.6924
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.7054
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8616
Prevalence of Very Long Rhythmic Values 0.08482
Prevalence of Dotted Notes 0.0506
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.851
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.567
Relative Prevalence of Most Common Rhythmic Values 0.336
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.152
Rhythmic Value Skewness 1.187
Rhythmic Value Kurtosis 12.79
Mean Rhythmic Value Run Length 2.575
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 2.643
Mean Rhythmic Value Offset 3.475
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 30.77
Complete Rests Fraction 0.01903
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices 0.0
Longest Complete Rest 2.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 1.8
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 2.0
Median Partial Rest Duration 0.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.4472
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.7379
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1339
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 5.511
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8717
Rhythmic Variability - Tempo Standardized 0.05982
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 672.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.2523
Minimum Note Duration 0.1875
Maximum Note Duration 88.69
Average Note Duration 1.186
Variability of Note Durations 5.973
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 160.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2348
Strength of Second Strongest Rhythmic Pulse 0.2274
Strength Ratio of Two Strongest Rhythmic Pulses 1.033
Combined Strength of Two Strongest Rhythmic Pulses 0.4621
Rhythmic Variability 0.03509
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 88.69
Note Density 7.577
Note Density Variability 1.952
Average Time Between Attacks 0.3815
Average Time Between Attacks for Each Voice 0.3815
Variability of Time Between Attacks 0.2523
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.08185
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.07692
Average Number of Independent Voices 1.0
Similar Motion 0.1615
Contrary Motion 0.1738
Oblique Motion 0.5877
Parallel Fifths 0.003077
Parallel Octaves 0.006154
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0