| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.276 |
| Prevalence of Second Most Common Vertical Interval |
0.2052 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7436 |
| Vertical Unisons |
0.05583 |
| Vertical Minor Seconds |
0.002357 |
| Vertical Thirds |
0.2616 |
| Vertical Tritones |
0.002974 |
| Vertical Perfect Fourths |
0.1114 |
| Vertical Perfect Fifths |
0.2052 |
| Vertical Sixths |
0.1118 |
| Vertical Sevenths |
0.01262 |
| Vertical Octaves |
0.2201 |
| Perfect Vertical Intervals |
0.5926 |
| Vertical Dissonance Ratio |
0.03517 |
| Vertical Minor Third Prevalence |
0.703 |
| Vertical Major Third Prevalence |
0.7262 |
| Chord Duration |
2.082 |
| Partial Chords |
0.07851 |
| Standard Triads |
0.7355 |
| Diminished and Augmented Triads |
0.01515 |
| Dominant Seventh Chords |
0.003444 |
| Seventh Chords |
0.0124 |
| Non-Standard Chords |
0.1736 |
| Complex Chords |
0.002755 |
| Minor Major Triad Ratio |
1.127 |
| Average Number of Simultaneous Pitch Classes |
2.986 |
| Variability of Number of Simultaneous Pitch Classes |
0.4608 |
| Average Number of Simultaneous Pitches |
4.77 |
| Variability of Number of Simultaneous Pitches |
1.306 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1841 |
| Stepwise Motion |
0.4663 |
| Melodic Thirds |
0.1208 |
| Melodic Perfect Fourths |
0.0738 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05596 |
| Melodic Sixths |
0.003244 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02109 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.239 |
| Melodic Embellishments |
0.03304 |
| Direction of Melodic Motion |
0.4683 |
| Average Length of Melodic Arcs |
1.813 |
| Average Interval Spanned by Melodic Arcs |
5.286 |
| Melodic Pitch Variety |
4.419 |
| Mean Melodic Interval |
2.191 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.2822 |
| Relative Prevalence of Most Common Melodic Intervals |
0.9167 |
| Amount of Arpeggiation |
0.4566 |
| Repeated Notes |
0.2587 |
| Importance of Middle Register |
0.7446 |
| Importance of High Register |
0.04029 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.49 |
| Mean Pitch Class |
5.342 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.145 |
| Prevalence of Most Common Pitch Class |
0.2522 |
| Relative Prevalence of Top Pitches |
0.7778 |
| Relative Prevalence of Top Pitch Classes |
0.8818 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.781 |
| Pitch Class Variability |
3.385 |
| Pitch Class Variability After Folding |
3.825 |
| Pitch Skewness |
-0.02827 |
| Pitch Class Skewness |
-0.5834 |
| Pitch Class Skewness After Folding |
1.533 |
| Pitch Kurtosis |
5.364 |
| Pitch Class Kurtosis |
4.641 |
| Pitch Class Kurtosis After Folding |
5.106 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2151 |
| Note Density per Quarter Note |
1.686 |
| Note Density per Quarter Note per Voice |
0.2108 |
| Note Density per Quarter Note Variability |
0.7106 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001612 |
| Prevalence of Medium Rhythmic Values |
0.6027 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8485 |
| Prevalence of Very Long Rhythmic Values |
0.1636 |
| Prevalence of Dotted Notes |
0.1112 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.189 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4512 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4446 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.248 |
| Rhythmic Value Skewness |
1.587 |
| Rhythmic Value Kurtosis |
8.393 |
| Mean Rhythmic Value Run Length |
1.698 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.194 |
| Mean Rhythmic Value Offset |
0.05157 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4514 |
| Complete Rests Fraction |
0.002793 |
| Partial Rests Fraction |
0.6667 |
| Average Rest Fraction Across Voices |
0.3162 |
| Longest Complete Rest |
2.056 |
| Longest Partial Rest |
51.4 |
| Mean Complete Rest Duration |
2.056 |
| Mean Partial Rest Duration |
17.57 |
| Median Complete Rest Duration |
2.056 |
| Median Partial Rest Duration |
18.5 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.19 |
| Variability Across Voices of Combined Rests |
12.69 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7095 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1561 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.544 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8656 |
| Rhythmic Variability - Tempo Standardized |
0.05806 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1241.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.47 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
8.0 |
| Average Note Duration |
1.578 |
| Variability of Note Durations |
1.235 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
124.9 |
| Strongest Rhythmic Pulse |
62.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.476 |
| Strength of Strongest Rhythmic Pulse |
0.7095 |
| Strength of Second Strongest Rhythmic Pulse |
0.1561 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.544 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8656 |
| Rhythmic Variability |
0.05806 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
16.42 |
| Duration in Seconds |
358.0 |
| Note Density |
3.466 |
| Note Density Variability |
1.287 |
| Average Time Between Attacks |
0.8054 |
| Average Time Between Attacks for Each Voice |
2.246 |
| Variability of Time Between Attacks |
0.3695 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.303 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.303 |
| Relative Note Density of Highest Line |
0.4448 |
| Relative Note Durations of Lowest Line |
1.052 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
1.0 |
| Voice Separation |
2.857 |
| Variability of Voice Separation |
2.673 |
| Parallel Motion |
0.04093 |
| Average Number of Independent Voices |
5.48 |
| Similar Motion |
0.1059 |
| Contrary Motion |
0.1934 |
| Oblique Motion |
0.6597 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001605 |
| Variability of Number of Independent Voices |
1.925 |
| Voice Equality - Number of Notes |
12.86 |
| Voice Equality - Note Duration |
6.175 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8864 |
| Voice Equality - Range |
2.669 |
| Importance of Loudest Voice |
0.0 |