| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.216 |
| Prevalence of Second Most Common Vertical Interval |
0.1766 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8176 |
| Vertical Unisons |
0.04462 |
| Vertical Minor Seconds |
0.003346 |
| Vertical Thirds |
0.3913 |
| Vertical Tritones |
0.01339 |
| Vertical Perfect Fourths |
0.08106 |
| Vertical Perfect Fifths |
0.1748 |
| Vertical Sixths |
0.106 |
| Vertical Sevenths |
0.02268 |
| Vertical Octaves |
0.132 |
| Perfect Vertical Intervals |
0.4324 |
| Vertical Dissonance Ratio |
0.07558 |
| Vertical Minor Third Prevalence |
0.4632 |
| Vertical Major Third Prevalence |
0.5074 |
| Chord Duration |
2.018 |
| Partial Chords |
0.4318 |
| Standard Triads |
0.393 |
| Diminished and Augmented Triads |
0.01872 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0107 |
| Non-Standard Chords |
0.1644 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4848 |
| Average Number of Simultaneous Pitch Classes |
2.472 |
| Variability of Number of Simultaneous Pitch Classes |
0.6961 |
| Average Number of Simultaneous Pitches |
2.881 |
| Variability of Number of Simultaneous Pitches |
0.8441 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2271 |
| Stepwise Motion |
0.6708 |
| Melodic Thirds |
0.1426 |
| Melodic Perfect Fourths |
0.04754 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03521 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008803 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.455 |
| Melodic Embellishments |
0.008741 |
| Direction of Melodic Motion |
0.5058 |
| Average Length of Melodic Arcs |
1.992 |
| Average Interval Spanned by Melodic Arcs |
4.771 |
| Melodic Pitch Variety |
4.933 |
| Mean Melodic Interval |
2.19 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4437 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5119 |
| Amount of Arpeggiation |
0.2817 |
| Repeated Notes |
0.09507 |
| Importance of Middle Register |
0.6958 |
| Importance of High Register |
0.005245 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.04 |
| Mean Pitch Class |
5.163 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1399 |
| Prevalence of Most Common Pitch Class |
0.215 |
| Relative Prevalence of Top Pitches |
0.9125 |
| Relative Prevalence of Top Pitch Classes |
0.8374 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.19 |
| Pitch Class Variability |
3.446 |
| Pitch Class Variability After Folding |
4.367 |
| Pitch Skewness |
0.3262 |
| Pitch Class Skewness |
0.1416 |
| Pitch Class Skewness After Folding |
1.234 |
| Pitch Kurtosis |
5.914 |
| Pitch Class Kurtosis |
4.803 |
| Pitch Class Kurtosis After Folding |
4.516 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.299 |
| Note Density per Quarter Note |
1.402 |
| Note Density per Quarter Note per Voice |
0.3505 |
| Note Density per Quarter Note Variability |
0.5527 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003497 |
| Prevalence of Medium Rhythmic Values |
0.771 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6766 |
| Prevalence of Very Long Rhythmic Values |
0.01923 |
| Prevalence of Dotted Notes |
0.04196 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.161 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4476 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7148 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.262 |
| Rhythmic Value Skewness |
0.3825 |
| Rhythmic Value Kurtosis |
10.36 |
| Mean Rhythmic Value Run Length |
1.894 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.242 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.765 |
| Average Rest Fraction Across Voices |
0.2575 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
266.8 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
12.36 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
1.744 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
45.72 |
| Variability Across Voices of Combined Rests |
122.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5168 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2511 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.058 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7679 |
| Rhythmic Variability - Tempo Standardized |
0.04855 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
572.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.714 |
| Minimum Note Duration |
0.1667 |
| Maximum Note Duration |
4.0 |
| Average Note Duration |
0.81 |
| Variability of Note Durations |
0.515 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
162.4 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
79.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.975 |
| Strength of Strongest Rhythmic Pulse |
0.3404 |
| Strength of Second Strongest Rhythmic Pulse |
0.3404 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6809 |
| Rhythmic Variability |
0.04154 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
27.34 |
| Duration in Seconds |
156.0 |
| Note Density |
3.667 |
| Note Density Variability |
1.783 |
| Average Time Between Attacks |
0.5492 |
| Average Time Between Attacks for Each Voice |
0.8483 |
| Variability of Time Between Attacks |
0.3307 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.4615 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.4685 |
| Relative Note Durations of Lowest Line |
1.13 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8934 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.03648 |
| Average Number of Independent Voices |
3.029 |
| Similar Motion |
0.1524 |
| Contrary Motion |
0.2146 |
| Oblique Motion |
0.5966 |
| Parallel Fifths |
0.006438 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7854 |
| Voice Equality - Number of Notes |
48.46 |
| Voice Equality - Note Duration |
46.69 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
0.0 |