| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2919 |
| Prevalence of Second Most Common Vertical Interval |
0.1891 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6479 |
| Vertical Unisons |
0.08432 |
| Vertical Minor Seconds |
0.002954 |
| Vertical Thirds |
0.2721 |
| Vertical Tritones |
0.00279 |
| Vertical Perfect Fourths |
0.1031 |
| Vertical Perfect Fifths |
0.1891 |
| Vertical Sixths |
0.1139 |
| Vertical Sevenths |
0.01004 |
| Vertical Octaves |
0.2076 |
| Perfect Vertical Intervals |
0.5841 |
| Vertical Dissonance Ratio |
0.03089 |
| Vertical Minor Third Prevalence |
0.7052 |
| Vertical Major Third Prevalence |
0.7866 |
| Chord Duration |
2.145 |
| Partial Chords |
0.1414 |
| Standard Triads |
0.6978 |
| Diminished and Augmented Triads |
0.02184 |
| Dominant Seventh Chords |
0.001214 |
| Seventh Chords |
0.01092 |
| Non-Standard Chords |
0.1499 |
| Complex Chords |
0.02306 |
| Minor Major Triad Ratio |
0.2105 |
| Average Number of Simultaneous Pitch Classes |
2.892 |
| Variability of Number of Simultaneous Pitch Classes |
0.6081 |
| Average Number of Simultaneous Pitches |
4.891 |
| Variability of Number of Simultaneous Pitches |
2.089 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1319 |
| Stepwise Motion |
0.3777 |
| Melodic Thirds |
0.1015 |
| Melodic Perfect Fourths |
0.07265 |
| Melodic Tritones |
0.0005342 |
| Melodic Perfect Fifths |
0.04434 |
| Melodic Sixths |
0.001603 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01389 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
2.22 |
| Melodic Embellishments |
0.02707 |
| Direction of Melodic Motion |
0.493 |
| Average Length of Melodic Arcs |
1.788 |
| Average Interval Spanned by Melodic Arcs |
5.201 |
| Melodic Pitch Variety |
3.527 |
| Mean Melodic Interval |
1.817 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3878 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6336 |
| Amount of Arpeggiation |
0.5475 |
| Repeated Notes |
0.3878 |
| Importance of Middle Register |
0.759 |
| Importance of High Register |
0.09023 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.9 |
| Mean Pitch Class |
5.635 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1099 |
| Prevalence of Most Common Pitch Class |
0.2219 |
| Relative Prevalence of Top Pitches |
0.8019 |
| Relative Prevalence of Top Pitch Classes |
0.8565 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.087 |
| Pitch Class Variability |
3.5 |
| Pitch Class Variability After Folding |
1.953 |
| Pitch Skewness |
-0.5962 |
| Pitch Class Skewness |
-0.313 |
| Pitch Class Skewness After Folding |
1.21 |
| Pitch Kurtosis |
5.511 |
| Pitch Class Kurtosis |
4.853 |
| Pitch Class Kurtosis After Folding |
5.483 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.1507 |
| Note Density per Quarter Note |
2.222 |
| Note Density per Quarter Note per Voice |
0.1851 |
| Note Density per Quarter Note Variability |
1.643 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001062 |
| Prevalence of Medium Rhythmic Values |
0.6534 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7983 |
| Prevalence of Very Long Rhythmic Values |
0.09183 |
| Prevalence of Dotted Notes |
0.1003 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.824 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4517 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4442 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.091 |
| Rhythmic Value Skewness |
1.182 |
| Rhythmic Value Kurtosis |
11.58 |
| Mean Rhythmic Value Run Length |
1.63 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.136 |
| Mean Rhythmic Value Offset |
0.1019 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9789 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7311 |
| Average Rest Fraction Across Voices |
0.4583 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
338.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
23.92 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
52.64 |
| Variability Across Voices of Combined Rests |
66.49 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6188 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1917 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.228 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8105 |
| Rhythmic Variability - Tempo Standardized |
0.05299 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1884.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
9.718 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
12.0 |
| Average Note Duration |
1.463 |
| Variability of Note Durations |
1.342 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.6188 |
| Strength of Second Strongest Rhythmic Pulse |
0.1917 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.228 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8105 |
| Rhythmic Variability |
0.05299 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
424.0 |
| Note Density |
4.443 |
| Note Density Variability |
3.227 |
| Average Time Between Attacks |
0.7959 |
| Average Time Between Attacks for Each Voice |
2.64 |
| Variability of Time Between Attacks |
0.4151 |
| Maximum Number of Independent Voices |
12.0 |
| Relative Range of Loudest Voice |
0.3333 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3333 |
| Relative Note Density of Highest Line |
0.4586 |
| Relative Note Durations of Lowest Line |
1.102 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7059 |
| Voice Overlap |
1.0 |
| Voice Separation |
2.091 |
| Variability of Voice Separation |
2.023 |
| Parallel Motion |
0.0524 |
| Average Number of Independent Voices |
6.5 |
| Similar Motion |
0.1892 |
| Contrary Motion |
0.167 |
| Oblique Motion |
0.5915 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.009769 |
| Variability of Number of Independent Voices |
3.882 |
| Voice Equality - Number of Notes |
28.37 |
| Voice Equality - Note Duration |
33.24 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.6686 |
| Voice Equality - Range |
3.655 |
| Importance of Loudest Voice |
0.0 |