| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2222 |
| Prevalence of Second Most Common Vertical Interval |
0.2045 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9202 |
| Vertical Unisons |
0.0303 |
| Vertical Minor Seconds |
0.005182 |
| Vertical Thirds |
0.2713 |
| Vertical Tritones |
0.008172 |
| Vertical Perfect Fourths |
0.1391 |
| Vertical Perfect Fifths |
0.2045 |
| Vertical Sixths |
0.1054 |
| Vertical Sevenths |
0.01913 |
| Vertical Octaves |
0.1919 |
| Perfect Vertical Intervals |
0.5659 |
| Vertical Dissonance Ratio |
0.0609 |
| Vertical Minor Third Prevalence |
0.682 |
| Vertical Major Third Prevalence |
0.7555 |
| Chord Duration |
1.836 |
| Partial Chords |
0.04851 |
| Standard Triads |
0.7164 |
| Diminished and Augmented Triads |
0.02239 |
| Dominant Seventh Chords |
0.003731 |
| Seventh Chords |
0.009328 |
| Non-Standard Chords |
0.2257 |
| Complex Chords |
0.01866 |
| Minor Major Triad Ratio |
0.1163 |
| Average Number of Simultaneous Pitch Classes |
3.033 |
| Variability of Number of Simultaneous Pitch Classes |
0.5026 |
| Average Number of Simultaneous Pitches |
4.474 |
| Variability of Number of Simultaneous Pitches |
1.215 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.176 |
| Stepwise Motion |
0.552 |
| Melodic Thirds |
0.066 |
| Melodic Perfect Fourths |
0.07 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.038 |
| Melodic Sixths |
0.002 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.016 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.2 |
| Melodic Embellishments |
0.005929 |
| Direction of Melodic Motion |
0.5323 |
| Average Length of Melodic Arcs |
2.09 |
| Average Interval Spanned by Melodic Arcs |
5.444 |
| Melodic Pitch Variety |
4.584 |
| Mean Melodic Interval |
1.98 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.376 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6809 |
| Amount of Arpeggiation |
0.376 |
| Repeated Notes |
0.256 |
| Importance of Middle Register |
0.7411 |
| Importance of High Register |
0.1186 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
63.22 |
| Mean Pitch Class |
5.387 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
10.0 |
| Prevalence of Most Common Pitch |
0.1028 |
| Prevalence of Most Common Pitch Class |
0.2016 |
| Relative Prevalence of Top Pitches |
0.8846 |
| Relative Prevalence of Top Pitch Classes |
0.9608 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.851 |
| Pitch Class Variability |
3.564 |
| Pitch Class Variability After Folding |
4.497 |
| Pitch Skewness |
-0.4954 |
| Pitch Class Skewness |
0.326 |
| Pitch Class Skewness After Folding |
1.687 |
| Pitch Kurtosis |
5.269 |
| Pitch Class Kurtosis |
4.714 |
| Pitch Class Kurtosis After Folding |
4.228 |
| Major or Minor |
0.0 |
| First Pitch |
72.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1403 |
| Note Density per Quarter Note |
1.847 |
| Note Density per Quarter Note per Voice |
0.3078 |
| Note Density per Quarter Note Variability |
0.7651 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01581 |
| Prevalence of Medium Rhythmic Values |
0.6739 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7115 |
| Prevalence of Very Long Rhythmic Values |
0.07312 |
| Prevalence of Dotted Notes |
0.1146 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.542 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3854 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7077 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.82 |
| Rhythmic Value Skewness |
0.8924 |
| Rhythmic Value Kurtosis |
12.28 |
| Mean Rhythmic Value Run Length |
1.709 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.121 |
| Mean Rhythmic Value Offset |
0.01581 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2512 |
| Complete Rests Fraction |
0.007299 |
| Partial Rests Fraction |
0.5766 |
| Average Rest Fraction Across Voices |
0.2129 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
9.211 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.16 |
| Variability Across Voices of Combined Rests |
15.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5297 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2461 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.152 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7758 |
| Rhythmic Variability - Tempo Standardized |
0.0487 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
506.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.228 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
9.6 |
| Average Note Duration |
1.534 |
| Variability of Note Durations |
1.151 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
100.0 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.6943 |
| Strength of Second Strongest Rhythmic Pulse |
0.2765 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.511 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9708 |
| Rhythmic Variability |
0.05876 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
164.4 |
| Note Density |
3.078 |
| Note Density Variability |
1.179 |
| Average Time Between Attacks |
0.8921 |
| Average Time Between Attacks for Each Voice |
1.785 |
| Variability of Time Between Attacks |
0.5181 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.3529 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3529 |
| Relative Note Density of Highest Line |
0.8419 |
| Relative Note Durations of Lowest Line |
0.9395 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.9486 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
3.114 |
| Parallel Motion |
0.0396 |
| Average Number of Independent Voices |
4.757 |
| Similar Motion |
0.1262 |
| Contrary Motion |
0.1485 |
| Oblique Motion |
0.6856 |
| Parallel Fifths |
0.00495 |
| Parallel Octaves |
0.002475 |
| Variability of Number of Independent Voices |
1.24 |
| Voice Equality - Number of Notes |
8.165 |
| Voice Equality - Note Duration |
9.057 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5164 |
| Voice Equality - Range |
2.811 |
| Importance of Loudest Voice |
0.0 |