File

Last modified on: April 13, 2020, 7:37 p.m.

Ascendens_Christus_In_Altum-3-Credo.mid


Source
RenComp7
Musical Work
Missa Ascendens Christus In Altum
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
15.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2207
Prevalence of Second Most Common Vertical Interval 0.207
Prevalence Ratio of Two Most Common Vertical Intervals 0.9378
Vertical Unisons 0.02896
Vertical Minor Seconds 0.001078
Vertical Thirds 0.3061
Vertical Tritones 0.005749
Vertical Perfect Fourths 0.1146
Vertical Perfect Fifths 0.2207
Vertical Sixths 0.1203
Vertical Sevenths 0.01078
Vertical Octaves 0.178
Perfect Vertical Intervals 0.5422
Vertical Dissonance Ratio 0.03238
Vertical Minor Third Prevalence 0.6496
Vertical Major Third Prevalence 0.6674
Chord Duration 1.455
Partial Chords 0.1292
Standard Triads 0.7337
Diminished and Augmented Triads 0.0158
Dominant Seventh Chords 0.003717
Seventh Chords 0.01719
Non-Standard Chords 0.1199
Complex Chords 0.0009294
Minor Major Triad Ratio 0.6604
Average Number of Simultaneous Pitch Classes 2.866
Variability of Number of Simultaneous Pitch Classes 0.4614
Average Number of Simultaneous Pitches 3.852
Variability of Number of Simultaneous Pitches 0.96
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2034
Stepwise Motion 0.4583
Melodic Thirds 0.1135
Melodic Perfect Fourths 0.08397
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05618
Melodic Sixths 0.0005914
Melodic Sevenths 0.0
Melodic Octaves 0.01538
Melodic Large Intervals 0.0
Most Common Melodic Interval 0.0
Minor Major Melodic Third Ratio 2.254
Melodic Embellishments 0.006486
Direction of Melodic Motion 0.5037
Average Length of Melodic Arcs 1.657
Average Interval Spanned by Melodic Arcs 4.729
Melodic Pitch Variety 4.311
Mean Melodic Interval 2.091
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.272
Relative Prevalence of Most Common Melodic Intervals 0.937
Amount of Arpeggiation 0.4571
Repeated Notes 0.272
Importance of Middle Register 0.786
Importance of High Register 0.03243
Dominant Spread 4.0
Strong Tonal Centres 2.0
Mean Pitch 60.58
Mean Pitch Class 5.415
Most Common Pitch 62.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1232
Prevalence of Most Common Pitch Class 0.2471
Relative Prevalence of Top Pitches 0.9569
Relative Prevalence of Top Pitch Classes 0.8401
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.334
Pitch Class Variability 3.292
Pitch Class Variability After Folding 3.245
Pitch Skewness -0.357
Pitch Class Skewness 0.3783
Pitch Class Skewness After Folding 0.9179
Pitch Kurtosis 5.621
Pitch Class Kurtosis 4.671
Pitch Class Kurtosis After Folding 6.205
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 30.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 2.0
Range 33.0
Importance of Bass Register 0.1816
Note Density per Quarter Note 1.547
Note Density per Quarter Note per Voice 0.3095
Note Density per Quarter Note Variability 0.6247
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.007075
Prevalence of Medium Rhythmic Values 0.6757
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8597
Prevalence of Very Long Rhythmic Values 0.04363
Prevalence of Dotted Notes 0.07606
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.603
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5354
Relative Prevalence of Most Common Rhythmic Values 0.4163
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.48
Rhythmic Value Skewness 1.222
Rhythmic Value Kurtosis 13.16
Mean Rhythmic Value Run Length 1.854
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.434
Mean Rhythmic Value Offset 0.007075
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.2914
Complete Rests Fraction 0.0
Partial Rests Fraction 0.616
Average Rest Fraction Across Voices 0.1874
Longest Complete Rest 0.0
Longest Partial Rest 307.6
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 10.92
Median Complete Rest Duration 0.0
Median Partial Rest Duration 5.327
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 31.96
Variability Across Voices of Combined Rests 118.2
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6788
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1682
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.036
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.847
Rhythmic Variability - Tempo Standardized 0.05614
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 1696.0
Initial Tempo 100.0
Average Variability of Time Between Attacks for Each Voice 5.973
Minimum Note Duration 0.3
Maximum Note Duration 28.8
Average Note Duration 2.366
Variability of Note Durations 1.585
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 74.91
Strongest Rhythmic Pulse 67.0
Second Strongest Rhythmic Pulse 133.0
Harmonicity of Two Strongest Rhythmic Pulses 1.985
Strength of Strongest Rhythmic Pulse 0.9492
Strength of Second Strongest Rhythmic Pulse 0.02991
Strength Ratio of Two Strongest Rhythmic Pulses 31.73
Combined Strength of Two Strongest Rhythmic Pulses 0.9791
Rhythmic Variability 0.07483
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 25.0
Duration in Seconds 987.6
Note Density 1.717
Note Density Variability 0.8724
Average Time Between Attacks 1.551
Average Time Between Attacks for Each Voice 2.911
Variability of Time Between Attacks 0.803
Maximum Number of Independent Voices 5.0
Relative Range of Loudest Voice 0.5152
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 0.5152
Relative Note Density of Highest Line 0.1975
Relative Note Durations of Lowest Line 1.017
Relative Size of Melodic Intervals in Lowest Line 0.7143
Voice Overlap 0.9481
Voice Separation 4.5
Variability of Voice Separation 3.109
Parallel Motion 0.06671
Average Number of Independent Voices 4.038
Similar Motion 0.17
Contrary Motion 0.1982
Oblique Motion 0.5651
Parallel Fifths 0.001962
Parallel Octaves 0.004578
Variability of Number of Independent Voices 0.9361
Voice Equality - Number of Notes 50.77
Voice Equality - Note Duration 106.5
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.5477
Voice Equality - Range 1.304
Importance of Loudest Voice 0.0