| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2312 |
| Prevalence of Second Most Common Vertical Interval |
0.2155 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9321 |
| Vertical Unisons |
0.0594 |
| Vertical Minor Seconds |
0.0009818 |
| Vertical Thirds |
0.2877 |
| Vertical Tritones |
0.001964 |
| Vertical Perfect Fourths |
0.1188 |
| Vertical Perfect Fifths |
0.2155 |
| Vertical Sixths |
0.1227 |
| Vertical Sevenths |
0.01325 |
| Vertical Octaves |
0.1718 |
| Perfect Vertical Intervals |
0.5655 |
| Vertical Dissonance Ratio |
0.02465 |
| Vertical Minor Third Prevalence |
0.4587 |
| Vertical Major Third Prevalence |
0.5665 |
| Chord Duration |
3.242 |
| Partial Chords |
0.1512 |
| Standard Triads |
0.7355 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01744 |
| Non-Standard Chords |
0.09593 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.2843 |
| Average Number of Simultaneous Pitch Classes |
2.491 |
| Variability of Number of Simultaneous Pitch Classes |
0.858 |
| Average Number of Simultaneous Pitches |
3.225 |
| Variability of Number of Simultaneous Pitches |
1.219 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.142 |
| Stepwise Motion |
0.3855 |
| Melodic Thirds |
0.113 |
| Melodic Perfect Fourths |
0.02609 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05507 |
| Melodic Sixths |
0.002899 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008696 |
| Melodic Large Intervals |
0.002899 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
6.8 |
| Melodic Embellishments |
0.02006 |
| Direction of Melodic Motion |
0.4878 |
| Average Length of Melodic Arcs |
1.767 |
| Average Interval Spanned by Melodic Arcs |
4.879 |
| Melodic Pitch Variety |
3.07 |
| Mean Melodic Interval |
1.67 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4058 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6 |
| Amount of Arpeggiation |
0.5855 |
| Repeated Notes |
0.4058 |
| Importance of Middle Register |
0.7708 |
| Importance of High Register |
0.008596 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.08 |
| Mean Pitch Class |
5.553 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1977 |
| Prevalence of Most Common Pitch Class |
0.3209 |
| Relative Prevalence of Top Pitches |
0.5072 |
| Relative Prevalence of Top Pitch Classes |
0.5446 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
7.143 |
| Pitch Class Variability |
3.369 |
| Pitch Class Variability After Folding |
1.95 |
| Pitch Skewness |
-0.1215 |
| Pitch Class Skewness |
-1.288 |
| Pitch Class Skewness After Folding |
0.8112 |
| Pitch Kurtosis |
5.627 |
| Pitch Class Kurtosis |
5.136 |
| Pitch Class Kurtosis After Folding |
5.679 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2206 |
| Note Density per Quarter Note |
1.558 |
| Note Density per Quarter Note per Voice |
0.3895 |
| Note Density per Quarter Note Variability |
0.6156 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02579 |
| Prevalence of Medium Rhythmic Values |
0.7622 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7393 |
| Prevalence of Very Long Rhythmic Values |
0.02865 |
| Prevalence of Dotted Notes |
0.1318 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.189 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5014 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4286 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.158 |
| Rhythmic Value Skewness |
0.49 |
| Rhythmic Value Kurtosis |
9.108 |
| Mean Rhythmic Value Run Length |
1.827 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.678 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.02697 |
| Partial Rests Fraction |
0.3391 |
| Average Rest Fraction Across Voices |
0.1753 |
| Longest Complete Rest |
3.453 |
| Longest Partial Rest |
62.15 |
| Mean Complete Rest Duration |
2.014 |
| Mean Partial Rest Duration |
9.819 |
| Median Complete Rest Duration |
1.295 |
| Median Partial Rest Duration |
1.726 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.246 |
| Variability of Partial Rest Durations |
20.46 |
| Variability Across Voices of Combined Rests |
32.42 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2432 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.056 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7432 |
| Rhythmic Variability - Tempo Standardized |
0.04611 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
349.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.514 |
| Minimum Note Duration |
0.1667 |
| Maximum Note Duration |
2.667 |
| Average Note Duration |
0.8176 |
| Variability of Note Durations |
0.444 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
162.1 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4849 |
| Strength of Second Strongest Rhythmic Pulse |
0.2359 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.056 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7208 |
| Rhythmic Variability |
0.04476 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
28.62 |
| Duration in Seconds |
86.5 |
| Note Density |
4.035 |
| Note Density Variability |
2.11 |
| Average Time Between Attacks |
0.6862 |
| Average Time Between Attacks for Each Voice |
0.8381 |
| Variability of Time Between Attacks |
0.4259 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3529 |
| Relative Range Isolation of Loudest Voice |
0.3803 |
| Relative Range of Highest Line |
0.3529 |
| Relative Note Density of Highest Line |
0.7794 |
| Relative Note Durations of Lowest Line |
1.011 |
| Relative Size of Melodic Intervals in Lowest Line |
0.0 |
| Voice Overlap |
0.8138 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.01527 |
| Average Number of Independent Voices |
3.505 |
| Similar Motion |
0.1908 |
| Contrary Motion |
0.187 |
| Oblique Motion |
0.6069 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.003817 |
| Variability of Number of Independent Voices |
0.8418 |
| Voice Equality - Number of Notes |
14.52 |
| Voice Equality - Note Duration |
12.52 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
2.986 |
| Importance of Loudest Voice |
0.0 |