| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2127 |
| Prevalence of Second Most Common Vertical Interval |
0.1973 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9278 |
| Vertical Unisons |
0.02348 |
| Vertical Minor Seconds |
0.003446 |
| Vertical Thirds |
0.2734 |
| Vertical Tritones |
0.01127 |
| Vertical Perfect Fourths |
0.1374 |
| Vertical Perfect Fifths |
0.1973 |
| Vertical Sixths |
0.1168 |
| Vertical Sevenths |
0.01909 |
| Vertical Octaves |
0.1892 |
| Perfect Vertical Intervals |
0.5474 |
| Vertical Dissonance Ratio |
0.06666 |
| Vertical Minor Third Prevalence |
0.6434 |
| Vertical Major Third Prevalence |
0.649 |
| Chord Duration |
1.369 |
| Partial Chords |
0.07459 |
| Standard Triads |
0.6399 |
| Diminished and Augmented Triads |
0.04568 |
| Dominant Seventh Chords |
0.006781 |
| Seventh Chords |
0.03355 |
| Non-Standard Chords |
0.252 |
| Complex Chords |
0.003569 |
| Minor Major Triad Ratio |
0.8129 |
| Average Number of Simultaneous Pitch Classes |
2.969 |
| Variability of Number of Simultaneous Pitch Classes |
0.5321 |
| Average Number of Simultaneous Pitches |
4.207 |
| Variability of Number of Simultaneous Pitches |
1.145 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2307 |
| Stepwise Motion |
0.6348 |
| Melodic Thirds |
0.07775 |
| Melodic Perfect Fourths |
0.08082 |
| Melodic Tritones |
0.0005115 |
| Melodic Perfect Fifths |
0.07673 |
| Melodic Sixths |
0.005627 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01432 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.815 |
| Melodic Embellishments |
0.03366 |
| Direction of Melodic Motion |
0.4624 |
| Average Length of Melodic Arcs |
1.878 |
| Average Interval Spanned by Melodic Arcs |
5.17 |
| Melodic Pitch Variety |
5.114 |
| Mean Melodic Interval |
2.462 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4041 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5709 |
| Amount of Arpeggiation |
0.2783 |
| Repeated Notes |
0.1095 |
| Importance of Middle Register |
0.7578 |
| Importance of High Register |
0.07496 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.76 |
| Mean Pitch Class |
6.197 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
11.0 |
| Prevalence of Most Common Pitch |
0.1056 |
| Prevalence of Most Common Pitch Class |
0.1851 |
| Relative Prevalence of Top Pitches |
0.8599 |
| Relative Prevalence of Top Pitch Classes |
0.9669 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.468 |
| Pitch Class Variability |
3.379 |
| Pitch Class Variability After Folding |
2.143 |
| Pitch Skewness |
-0.6709 |
| Pitch Class Skewness |
0.1752 |
| Pitch Class Skewness After Folding |
0.0307 |
| Pitch Kurtosis |
5.497 |
| Pitch Class Kurtosis |
4.874 |
| Pitch Class Kurtosis After Folding |
5.656 |
| Major or Minor |
0.0 |
| First Pitch |
59.0 |
| First Pitch Class |
11.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
31.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.1673 |
| Note Density per Quarter Note |
1.362 |
| Note Density per Quarter Note per Voice |
0.227 |
| Note Density per Quarter Note Variability |
0.5378 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008159 |
| Prevalence of Medium Rhythmic Values |
0.5467 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7986 |
| Prevalence of Very Long Rhythmic Values |
0.1474 |
| Prevalence of Dotted Notes |
0.09842 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.197 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3452 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7194 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.228 |
| Rhythmic Value Skewness |
1.612 |
| Rhythmic Value Kurtosis |
7.503 |
| Mean Rhythmic Value Run Length |
1.716 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.576 |
| Mean Rhythmic Value Offset |
0.02856 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4598 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7934 |
| Average Rest Fraction Across Voices |
0.2738 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
468.4 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
15.26 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.983 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
52.57 |
| Variability Across Voices of Combined Rests |
216.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6099 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2046 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.981 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8145 |
| Rhythmic Variability - Tempo Standardized |
0.05248 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1961.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
10.62 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
24.0 |
| Average Note Duration |
2.568 |
| Variability of Note Durations |
2.068 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
79.78 |
| Strongest Rhythmic Pulse |
75.0 |
| Second Strongest Rhythmic Pulse |
149.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.987 |
| Strength of Strongest Rhythmic Pulse |
0.9632 |
| Strength of Second Strongest Rhythmic Pulse |
0.02946 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
32.69 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9926 |
| Rhythmic Variability |
0.07593 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
20.07 |
| Duration in Seconds |
1156.0 |
| Note Density |
1.696 |
| Note Density Variability |
0.8854 |
| Average Time Between Attacks |
1.33 |
| Average Time Between Attacks for Each Voice |
3.739 |
| Variability of Time Between Attacks |
0.7966 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4722 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4722 |
| Relative Note Density of Highest Line |
0.2111 |
| Relative Note Durations of Lowest Line |
1.039 |
| Relative Size of Melodic Intervals in Lowest Line |
0.9231 |
| Voice Overlap |
0.9521 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
3.674 |
| Parallel Motion |
0.04434 |
| Average Number of Independent Voices |
4.393 |
| Similar Motion |
0.1223 |
| Contrary Motion |
0.1102 |
| Oblique Motion |
0.7232 |
| Parallel Fifths |
0.002152 |
| Parallel Octaves |
0.006888 |
| Variability of Number of Independent Voices |
1.175 |
| Voice Equality - Number of Notes |
105.6 |
| Voice Equality - Note Duration |
173.6 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4082 |
| Voice Equality - Range |
1.602 |
| Importance of Loudest Voice |
0.0 |