| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1904 |
| Prevalence of Second Most Common Vertical Interval |
0.1746 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9167 |
| Vertical Unisons |
0.02548 |
| Vertical Minor Seconds |
0.005811 |
| Vertical Thirds |
0.344 |
| Vertical Tritones |
0.01118 |
| Vertical Perfect Fourths |
0.09656 |
| Vertical Perfect Fifths |
0.1746 |
| Vertical Sixths |
0.1415 |
| Vertical Sevenths |
0.02682 |
| Vertical Octaves |
0.1464 |
| Perfect Vertical Intervals |
0.443 |
| Vertical Dissonance Ratio |
0.07703 |
| Vertical Minor Third Prevalence |
0.5383 |
| Vertical Major Third Prevalence |
0.6149 |
| Chord Duration |
2.05 |
| Partial Chords |
0.2321 |
| Standard Triads |
0.5686 |
| Diminished and Augmented Triads |
0.01477 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01688 |
| Non-Standard Chords |
0.1825 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5578 |
| Average Number of Simultaneous Pitch Classes |
2.754 |
| Variability of Number of Simultaneous Pitch Classes |
0.635 |
| Average Number of Simultaneous Pitches |
3.375 |
| Variability of Number of Simultaneous Pitches |
0.7676 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2507 |
| Stepwise Motion |
0.6849 |
| Melodic Thirds |
0.111 |
| Melodic Perfect Fourths |
0.03699 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02192 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009589 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.531 |
| Melodic Embellishments |
0.01771 |
| Direction of Melodic Motion |
0.523 |
| Average Length of Melodic Arcs |
1.93 |
| Average Interval Spanned by Melodic Arcs |
4.312 |
| Melodic Pitch Variety |
4.564 |
| Mean Melodic Interval |
1.949 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4342 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5773 |
| Amount of Arpeggiation |
0.2781 |
| Repeated Notes |
0.1356 |
| Importance of Middle Register |
0.7507 |
| Importance of High Register |
0.004087 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.33 |
| Mean Pitch Class |
5.305 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.109 |
| Prevalence of Most Common Pitch Class |
0.1975 |
| Relative Prevalence of Top Pitches |
0.9125 |
| Relative Prevalence of Top Pitch Classes |
0.8138 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.592 |
| Pitch Class Variability |
3.416 |
| Pitch Class Variability After Folding |
4.26 |
| Pitch Skewness |
-0.01736 |
| Pitch Class Skewness |
0.268 |
| Pitch Class Skewness After Folding |
1.289 |
| Pitch Kurtosis |
5.616 |
| Pitch Class Kurtosis |
4.795 |
| Pitch Class Kurtosis After Folding |
4.547 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2452 |
| Note Density per Quarter Note |
1.48 |
| Note Density per Quarter Note per Voice |
0.37 |
| Note Density per Quarter Note Variability |
0.4842 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002725 |
| Prevalence of Medium Rhythmic Values |
0.7098 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7302 |
| Prevalence of Very Long Rhythmic Values |
0.03815 |
| Prevalence of Dotted Notes |
0.08583 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.36 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4401 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6068 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.412 |
| Rhythmic Value Skewness |
0.7644 |
| Rhythmic Value Kurtosis |
9.934 |
| Mean Rhythmic Value Run Length |
1.756 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.18 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.4221 |
| Average Rest Fraction Across Voices |
0.1306 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
30.89 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
5.634 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
3.433 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.517 |
| Variability Across Voices of Combined Rests |
35.76 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5341 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2431 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.197 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7771 |
| Rhythmic Variability - Tempo Standardized |
0.04916 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
734.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9999 |
| Minimum Note Duration |
0.1667 |
| Maximum Note Duration |
4.0 |
| Average Note Duration |
0.9128 |
| Variability of Note Durations |
0.6219 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
160.2 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5335 |
| Strength of Second Strongest Rhythmic Pulse |
0.2428 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.197 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7764 |
| Rhythmic Variability |
0.04911 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
28.23 |
| Duration in Seconds |
192.7 |
| Note Density |
3.81 |
| Note Density Variability |
1.492 |
| Average Time Between Attacks |
0.5667 |
| Average Time Between Attacks for Each Voice |
1.033 |
| Variability of Time Between Attacks |
0.2792 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.4068 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.3597 |
| Relative Note Durations of Lowest Line |
1.144 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8569 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.03377 |
| Average Number of Independent Voices |
3.492 |
| Similar Motion |
0.1247 |
| Contrary Motion |
0.1961 |
| Oblique Motion |
0.6455 |
| Parallel Fifths |
0.001299 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7184 |
| Voice Equality - Number of Notes |
27.69 |
| Voice Equality - Note Duration |
13.89 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
0.0 |