File

Last modified on: April 13, 2020, 7:43 p.m.

Magnificat_Primi_Toni-todos.mid


Source
RenComp7
Musical Work
Magnificat Primi Toni
Section
todos
File Type
Symbolic Music
File Format
.mid
File Size
27.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.247
Prevalence of Second Most Common Vertical Interval 0.2094
Prevalence Ratio of Two Most Common Vertical Intervals 0.8478
Vertical Unisons 0.05637
Vertical Minor Seconds 0.002103
Vertical Thirds 0.2826
Vertical Tritones 0.006682
Vertical Perfect Fourths 0.1132
Vertical Perfect Fifths 0.2094
Vertical Sixths 0.1122
Vertical Sevenths 0.0126
Vertical Octaves 0.1906
Perfect Vertical Intervals 0.5696
Vertical Dissonance Ratio 0.03698
Vertical Minor Third Prevalence 0.6171
Vertical Major Third Prevalence 0.6104
Chord Duration 1.94
Partial Chords 0.1953
Standard Triads 0.6414
Diminished and Augmented Triads 0.02248
Dominant Seventh Chords 0.002167
Seventh Chords 0.01923
Non-Standard Chords 0.1441
Complex Chords 0.0008126
Minor Major Triad Ratio 1.036
Average Number of Simultaneous Pitch Classes 2.772
Variability of Number of Simultaneous Pitch Classes 0.6064
Average Number of Simultaneous Pitches 3.815
Variability of Number of Simultaneous Pitches 1.373
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1985
Stepwise Motion 0.4909
Melodic Thirds 0.1049
Melodic Perfect Fourths 0.07103
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05144
Melodic Sixths 0.002323
Melodic Sevenths 0.0003319
Melodic Octaves 0.01593
Melodic Large Intervals 0.0003319
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.326
Melodic Embellishments 0.01655
Direction of Melodic Motion 0.4836
Average Length of Melodic Arcs 1.743
Average Interval Spanned by Melodic Arcs 4.841
Melodic Pitch Variety 4.289
Mean Melodic Interval 2.063
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.2924
Relative Prevalence of Most Common Melodic Intervals 0.899
Amount of Arpeggiation 0.4354
Repeated Notes 0.2629
Importance of Middle Register 0.7594
Importance of High Register 0.1784
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 65.04
Mean Pitch Class 5.31
Most Common Pitch 67.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1244
Prevalence of Most Common Pitch Class 0.2154
Relative Prevalence of Top Pitches 0.8697
Relative Prevalence of Top Pitch Classes 0.9846
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.215
Pitch Class Variability 3.362
Pitch Class Variability After Folding 3.808
Pitch Skewness -0.6069
Pitch Class Skewness -0.6156
Pitch Class Skewness After Folding 1.558
Pitch Kurtosis 5.64
Pitch Class Kurtosis 4.691
Pitch Class Kurtosis After Folding 5.151
Major or Minor 0.0
First Pitch 58.0
First Pitch Class 10.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 34.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 2.0
Range 36.0
Importance of Bass Register 0.06221
Note Density per Quarter Note 1.558
Note Density per Quarter Note per Voice 0.1731
Note Density per Quarter Note Variability 0.8982
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01522
Prevalence of Medium Rhythmic Values 0.6787
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7938
Prevalence of Very Long Rhythmic Values 0.07809
Prevalence of Dotted Notes 0.09199
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.705
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4725
Relative Prevalence of Most Common Rhythmic Values 0.4062
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.949
Rhythmic Value Skewness 1.085
Rhythmic Value Kurtosis 12.75
Mean Rhythmic Value Run Length 1.712
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.236
Mean Rhythmic Value Offset 0.04269
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.5215
Complete Rests Fraction 0.003093
Partial Rests Fraction 1.0
Average Rest Fraction Across Voices 0.5284
Longest Complete Rest 2.0
Longest Partial Rest 1926.0
Mean Complete Rest Duration 1.5
Mean Partial Rest Duration 37.05
Median Complete Rest Duration 2.0
Median Partial Rest Duration 6.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.5774
Variability of Partial Rest Durations 140.1
Variability Across Voices of Combined Rests 352.4
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 5.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5826
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2092
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.785
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7917
Rhythmic Variability - Tempo Standardized 0.05054
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 2.0
Total Number of Notes 3022.0
Initial Tempo 120.0
Average Variability of Time Between Attacks for Each Voice 9.699
Minimum Note Duration 0.25
Maximum Note Duration 16.0
Average Note Duration 1.363
Variability of Note Durations 1.066
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 120.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.5826
Strength of Second Strongest Rhythmic Pulse 0.2092
Strength Ratio of Two Strongest Rhythmic Pulses 2.785
Combined Strength of Two Strongest Rhythmic Pulses 0.7917
Rhythmic Variability 0.05054
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 0.0
Duration in Seconds 970.0
Note Density 3.115
Note Density Variability 1.701
Average Time Between Attacks 0.8205
Average Time Between Attacks for Each Voice 2.311
Variability of Time Between Attacks 0.4544
Maximum Number of Independent Voices 8.0
Relative Range of Loudest Voice 0.3889
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 0.3889
Relative Note Density of Highest Line 0.2144
Relative Note Durations of Lowest Line 1.039
Relative Size of Melodic Intervals in Lowest Line 0.75
Voice Overlap 0.994
Voice Separation 2.375
Variability of Voice Separation 2.066
Parallel Motion 0.05549
Average Number of Independent Voices 4.258
Similar Motion 0.1275
Contrary Motion 0.1633
Oblique Motion 0.6537
Parallel Fifths 0.002755
Parallel Octaves 0.002755
Variability of Number of Independent Voices 1.878
Voice Equality - Number of Notes 131.5
Voice Equality - Note Duration 176.2
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 5.094
Importance of Loudest Voice 0.0