File

Last modified on: April 13, 2020, 7:43 p.m.

Magnificat_Quarti_Toni-pares.mid


Source
RenComp7
Musical Work
Magnificat Quarti Toni
Section
pares
File Type
Symbolic Music
File Format
.mid
File Size
15.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.253
Prevalence of Second Most Common Vertical Interval 0.2084
Prevalence Ratio of Two Most Common Vertical Intervals 0.8238
Vertical Unisons 0.1245
Vertical Minor Seconds 0.00217
Vertical Thirds 0.2694
Vertical Tritones 0.004509
Vertical Perfect Fourths 0.09643
Vertical Perfect Fifths 0.2084
Vertical Sixths 0.1309
Vertical Sevenths 0.01516
Vertical Octaves 0.1284
Perfect Vertical Intervals 0.5578
Vertical Dissonance Ratio 0.0437
Vertical Minor Third Prevalence 0.5529
Vertical Major Third Prevalence 0.5109
Chord Duration 1.939
Partial Chords 0.2127
Standard Triads 0.6248
Diminished and Augmented Triads 0.01757
Dominant Seventh Chords 0.001757
Seventh Chords 0.009666
Non-Standard Chords 0.1529
Complex Chords 0.0008787
Minor Major Triad Ratio 1.548
Average Number of Simultaneous Pitch Classes 2.74
Variability of Number of Simultaneous Pitch Classes 0.5932
Average Number of Simultaneous Pitches 3.409
Variability of Number of Simultaneous Pitches 0.8871
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2174
Stepwise Motion 0.571
Melodic Thirds 0.1308
Melodic Perfect Fourths 0.06246
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03889
Melodic Sixths 0.0005893
Melodic Sevenths 0.0
Melodic Octaves 0.01827
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.111
Melodic Embellishments 0.0141
Direction of Melodic Motion 0.4867
Average Length of Melodic Arcs 1.714
Average Interval Spanned by Melodic Arcs 4.461
Melodic Pitch Variety 4.441
Mean Melodic Interval 2.157
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3536
Relative Prevalence of Most Common Melodic Intervals 0.615
Amount of Arpeggiation 0.3659
Repeated Notes 0.178
Importance of Middle Register 0.8155
Importance of High Register 0.01351
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 59.88
Mean Pitch Class 5.649
Most Common Pitch 64.0
Most Common Pitch Class 4.0
Prevalence of Most Common Pitch 0.1457
Prevalence of Most Common Pitch Class 0.2051
Relative Prevalence of Top Pitches 0.8105
Relative Prevalence of Top Pitch Classes 0.9857
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.747
Pitch Class Variability 3.587
Pitch Class Variability After Folding 2.683
Pitch Skewness 0.0695
Pitch Class Skewness 0.5425
Pitch Class Skewness After Folding 0.4862
Pitch Kurtosis 5.833
Pitch Class Kurtosis 4.777
Pitch Class Kurtosis After Folding 7.746
Major or Minor 0.0
First Pitch 69.0
First Pitch Class 9.0
Last Pitch 52.0
Last Pitch Class 4.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 29.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 2.0
Range 36.0
Importance of Bass Register 0.171
Note Density per Quarter Note 1.428
Note Density per Quarter Note per Voice 0.2856
Note Density per Quarter Note Variability 0.5634
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.003525
Prevalence of Medium Rhythmic Values 0.6375
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8325
Prevalence of Very Long Rhythmic Values 0.09518
Prevalence of Dotted Notes 0.08461
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.894
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.47
Relative Prevalence of Most Common Rhythmic Values 0.4562
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.028
Rhythmic Value Skewness 1.323
Rhythmic Value Kurtosis 10.87
Mean Rhythmic Value Run Length 1.856
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.414
Mean Rhythmic Value Offset 0.0423
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.7501
Complete Rests Fraction 0.0
Partial Rests Fraction 0.5333
Average Rest Fraction Across Voices 0.161
Longest Complete Rest 0.0
Longest Partial Rest 198.7
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 7.801
Median Complete Rest Duration 0.0
Median Partial Rest Duration 1.987
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 18.8
Variability Across Voices of Combined Rests 72.58
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6588
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1749
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.767
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8338
Rhythmic Variability - Tempo Standardized 0.05506
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 1702.0
Initial Tempo 120.0
Average Variability of Time Between Attacks for Each Voice 2.9
Minimum Note Duration 0.25
Maximum Note Duration 20.0
Average Note Duration 1.479
Variability of Note Durations 1.179
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 119.6
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.6588
Strength of Second Strongest Rhythmic Pulse 0.1749
Strength Ratio of Two Strongest Rhythmic Pulses 3.767
Combined Strength of Two Strongest Rhythmic Pulses 0.8338
Rhythmic Variability 0.05506
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 4.899
Duration in Seconds 600.0
Note Density 2.837
Note Density Variability 1.044
Average Time Between Attacks 0.8443
Average Time Between Attacks for Each Voice 1.756
Variability of Time Between Attacks 0.3442
Maximum Number of Independent Voices 5.0
Relative Range of Loudest Voice 0.4444
Relative Range Isolation of Loudest Voice 0.7616
Relative Range of Highest Line 0.4444
Relative Note Density of Highest Line 0.2027
Relative Note Durations of Lowest Line 1.024
Relative Size of Melodic Intervals in Lowest Line 0.625
Voice Overlap 0.7955
Voice Separation 4.5
Variability of Voice Separation 2.646
Parallel Motion 0.04228
Average Number of Independent Voices 4.193
Similar Motion 0.1174
Contrary Motion 0.1597
Oblique Motion 0.6805
Parallel Fifths 0.0006711
Parallel Octaves 0.0006711
Variability of Number of Independent Voices 0.9804
Voice Equality - Number of Notes 33.23
Voice Equality - Note Duration 36.53
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.8944
Voice Equality - Range 2.345
Importance of Loudest Voice 0.0