| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2117 |
| Prevalence of Second Most Common Vertical Interval |
0.1735 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8196 |
| Vertical Unisons |
0.02288 |
| Vertical Minor Seconds |
0.006062 |
| Vertical Thirds |
0.3036 |
| Vertical Tritones |
0.008184 |
| Vertical Perfect Fourths |
0.1123 |
| Vertical Perfect Fifths |
0.2117 |
| Vertical Sixths |
0.1368 |
| Vertical Sevenths |
0.02455 |
| Vertical Octaves |
0.1506 |
| Perfect Vertical Intervals |
0.4975 |
| Vertical Dissonance Ratio |
0.06608 |
| Vertical Minor Third Prevalence |
0.4219 |
| Vertical Major Third Prevalence |
0.4796 |
| Chord Duration |
1.229 |
| Partial Chords |
0.317 |
| Standard Triads |
0.4943 |
| Diminished and Augmented Triads |
0.01531 |
| Dominant Seventh Chords |
0.005102 |
| Seventh Chords |
0.01403 |
| Non-Standard Chords |
0.1747 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.572 |
| Average Number of Simultaneous Pitch Classes |
2.621 |
| Variability of Number of Simultaneous Pitch Classes |
0.6485 |
| Average Number of Simultaneous Pitches |
3.176 |
| Variability of Number of Simultaneous Pitches |
0.8405 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2163 |
| Stepwise Motion |
0.6354 |
| Melodic Thirds |
0.139 |
| Melodic Perfect Fourths |
0.069 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03605 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009269 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.14 |
| Melodic Embellishments |
0.02256 |
| Direction of Melodic Motion |
0.5006 |
| Average Length of Melodic Arcs |
1.776 |
| Average Interval Spanned by Melodic Arcs |
4.422 |
| Melodic Pitch Variety |
4.743 |
| Mean Melodic Interval |
2.225 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4192 |
| Relative Prevalence of Most Common Melodic Intervals |
0.516 |
| Amount of Arpeggiation |
0.2956 |
| Repeated Notes |
0.1112 |
| Importance of Middle Register |
0.7969 |
| Importance of High Register |
0.121 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.23 |
| Mean Pitch Class |
5.096 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1128 |
| Prevalence of Most Common Pitch Class |
0.1651 |
| Relative Prevalence of Top Pitches |
0.9364 |
| Relative Prevalence of Top Pitch Classes |
0.9503 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.047 |
| Pitch Class Variability |
3.479 |
| Pitch Class Variability After Folding |
3.095 |
| Pitch Skewness |
-0.03231 |
| Pitch Class Skewness |
0.08314 |
| Pitch Class Skewness After Folding |
0.3559 |
| Pitch Kurtosis |
5.75 |
| Pitch Class Kurtosis |
4.853 |
| Pitch Class Kurtosis After Folding |
7.106 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.08205 |
| Note Density per Quarter Note |
1.158 |
| Note Density per Quarter Note per Voice |
0.2895 |
| Note Density per Quarter Note Variability |
0.5623 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004103 |
| Prevalence of Medium Rhythmic Values |
0.5928 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7836 |
| Prevalence of Very Long Rhythmic Values |
0.06359 |
| Prevalence of Dotted Notes |
0.09231 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.743 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3764 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7575 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.656 |
| Rhythmic Value Skewness |
1.345 |
| Rhythmic Value Kurtosis |
9.928 |
| Mean Rhythmic Value Run Length |
1.641 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.089 |
| Mean Rhythmic Value Offset |
0.04513 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9142 |
| Complete Rests Fraction |
0.01613 |
| Partial Rests Fraction |
0.5387 |
| Average Rest Fraction Across Voices |
0.1929 |
| Longest Complete Rest |
2.716 |
| Longest Partial Rest |
376.2 |
| Mean Complete Rest Duration |
2.716 |
| Mean Partial Rest Duration |
10.65 |
| Median Complete Rest Duration |
2.716 |
| Median Partial Rest Duration |
2.716 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
47.98 |
| Variability Across Voices of Combined Rests |
184.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5908 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2148 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.75 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8056 |
| Rhythmic Variability - Tempo Standardized |
0.05158 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
975.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
8.839 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
38.4 |
| Average Note Duration |
2.463 |
| Variability of Note Durations |
2.164 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
79.57 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
136.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.9828 |
| Strength of Second Strongest Rhythmic Pulse |
0.01205 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
81.57 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9948 |
| Rhythmic Variability |
0.07745 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
32.94 |
| Duration in Seconds |
744.0 |
| Note Density |
1.31 |
| Note Density Variability |
0.8267 |
| Average Time Between Attacks |
1.513 |
| Average Time Between Attacks for Each Voice |
3.173 |
| Variability of Time Between Attacks |
1.198 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4118 |
| Relative Range Isolation of Loudest Voice |
0.4591 |
| Relative Range of Highest Line |
0.4118 |
| Relative Note Density of Highest Line |
0.2954 |
| Relative Note Durations of Lowest Line |
0.9479 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.7969 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.04454 |
| Average Number of Independent Voices |
3.267 |
| Similar Motion |
0.1454 |
| Contrary Motion |
0.1933 |
| Oblique Motion |
0.6168 |
| Parallel Fifths |
0.0008403 |
| Parallel Octaves |
0.001681 |
| Variability of Number of Independent Voices |
0.8107 |
| Voice Equality - Number of Notes |
65.64 |
| Voice Equality - Note Duration |
163.1 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
0.0 |