| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1984 |
| Prevalence of Second Most Common Vertical Interval |
0.1881 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9482 |
| Vertical Unisons |
0.03455 |
| Vertical Minor Seconds |
0.007102 |
| Vertical Thirds |
0.3083 |
| Vertical Tritones |
0.005758 |
| Vertical Perfect Fourths |
0.123 |
| Vertical Perfect Fifths |
0.1881 |
| Vertical Sixths |
0.129 |
| Vertical Sevenths |
0.01727 |
| Vertical Octaves |
0.1638 |
| Perfect Vertical Intervals |
0.5095 |
| Vertical Dissonance Ratio |
0.05626 |
| Vertical Minor Third Prevalence |
0.6768 |
| Vertical Major Third Prevalence |
0.6944 |
| Chord Duration |
1.295 |
| Partial Chords |
0.0589 |
| Standard Triads |
0.7592 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.002618 |
| Seventh Chords |
0.02356 |
| Non-Standard Chords |
0.1584 |
| Complex Chords |
0.007853 |
| Minor Major Triad Ratio |
0.1837 |
| Average Number of Simultaneous Pitch Classes |
2.968 |
| Variability of Number of Simultaneous Pitch Classes |
0.5553 |
| Average Number of Simultaneous Pitches |
3.884 |
| Variability of Number of Simultaneous Pitches |
0.9779 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.217 |
| Stepwise Motion |
0.584 |
| Melodic Thirds |
0.08483 |
| Melodic Perfect Fourths |
0.07504 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05873 |
| Melodic Sixths |
0.001631 |
| Melodic Sevenths |
0.001631 |
| Melodic Octaves |
0.01794 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.889 |
| Melodic Embellishments |
0.01133 |
| Direction of Melodic Motion |
0.5069 |
| Average Length of Melodic Arcs |
1.884 |
| Average Interval Spanned by Melodic Arcs |
5.119 |
| Melodic Pitch Variety |
4.856 |
| Mean Melodic Interval |
2.268 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.367 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5911 |
| Amount of Arpeggiation |
0.3393 |
| Repeated Notes |
0.1762 |
| Importance of Middle Register |
0.7395 |
| Importance of High Register |
0.02265 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.52 |
| Mean Pitch Class |
5.409 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.11 |
| Prevalence of Most Common Pitch Class |
0.2039 |
| Relative Prevalence of Top Pitches |
0.9265 |
| Relative Prevalence of Top Pitch Classes |
0.8492 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.199 |
| Pitch Class Variability |
3.524 |
| Pitch Class Variability After Folding |
2.178 |
| Pitch Skewness |
0.1059 |
| Pitch Class Skewness |
-0.5028 |
| Pitch Class Skewness After Folding |
1.232 |
| Pitch Kurtosis |
5.559 |
| Pitch Class Kurtosis |
4.894 |
| Pitch Class Kurtosis After Folding |
6.282 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.2379 |
| Note Density per Quarter Note |
1.561 |
| Note Density per Quarter Note per Voice |
0.3121 |
| Note Density per Quarter Note Variability |
0.6014 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003236 |
| Prevalence of Medium Rhythmic Values |
0.7362 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8269 |
| Prevalence of Very Long Rhythmic Values |
0.06149 |
| Prevalence of Dotted Notes |
0.07767 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.557 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5631 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3017 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.742 |
| Rhythmic Value Skewness |
0.9587 |
| Rhythmic Value Kurtosis |
16.85 |
| Mean Rhythmic Value Run Length |
2.138 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.746 |
| Mean Rhythmic Value Offset |
0.07767 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8786 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6065 |
| Average Rest Fraction Across Voices |
0.1824 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
41.25 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
7.684 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
5.5 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.345 |
| Variability Across Voices of Combined Rests |
16.09 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6689 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1709 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.915 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8398 |
| Rhythmic Variability - Tempo Standardized |
0.05563 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
618.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.372 |
| Minimum Note Duration |
0.3333 |
| Maximum Note Duration |
24.0 |
| Average Note Duration |
1.905 |
| Variability of Note Durations |
2.089 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
99.09 |
| Strongest Rhythmic Pulse |
42.0 |
| Second Strongest Rhythmic Pulse |
83.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.976 |
| Strength of Strongest Rhythmic Pulse |
0.8067 |
| Strength of Second Strongest Rhythmic Pulse |
0.1899 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.248 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9967 |
| Rhythmic Variability |
0.06523 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
44.3 |
| Duration in Seconds |
288.0 |
| Note Density |
2.146 |
| Note Density Variability |
1.533 |
| Average Time Between Attacks |
1.193 |
| Average Time Between Attacks for Each Voice |
2.227 |
| Variability of Time Between Attacks |
0.8627 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4444 |
| Relative Range Isolation of Loudest Voice |
0.5214 |
| Relative Range of Highest Line |
0.4444 |
| Relative Note Density of Highest Line |
0.5502 |
| Relative Note Durations of Lowest Line |
0.9254 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5556 |
| Voice Overlap |
0.8495 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
2.872 |
| Parallel Motion |
0.03525 |
| Average Number of Independent Voices |
4.111 |
| Similar Motion |
0.1521 |
| Contrary Motion |
0.1262 |
| Oblique Motion |
0.6865 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9628 |
| Voice Equality - Number of Notes |
6.618 |
| Voice Equality - Note Duration |
11.7 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8367 |
| Voice Equality - Range |
1.643 |
| Importance of Loudest Voice |
0.0 |