| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1995 |
| Prevalence of Second Most Common Vertical Interval |
0.1841 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9228 |
| Vertical Unisons |
0.03107 |
| Vertical Minor Seconds |
0.001027 |
| Vertical Thirds |
0.3545 |
| Vertical Tritones |
0.006163 |
| Vertical Perfect Fourths |
0.1156 |
| Vertical Perfect Fifths |
0.1841 |
| Vertical Sixths |
0.1383 |
| Vertical Sevenths |
0.01284 |
| Vertical Octaves |
0.1418 |
| Perfect Vertical Intervals |
0.4725 |
| Vertical Dissonance Ratio |
0.03591 |
| Vertical Minor Third Prevalence |
0.5297 |
| Vertical Major Third Prevalence |
0.5982 |
| Chord Duration |
1.401 |
| Partial Chords |
0.2529 |
| Standard Triads |
0.6259 |
| Diminished and Augmented Triads |
0.02118 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.007059 |
| Non-Standard Chords |
0.1141 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7616 |
| Average Number of Simultaneous Pitch Classes |
2.709 |
| Variability of Number of Simultaneous Pitch Classes |
0.5414 |
| Average Number of Simultaneous Pitches |
3.33 |
| Variability of Number of Simultaneous Pitches |
0.7805 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.251 |
| Stepwise Motion |
0.6341 |
| Melodic Thirds |
0.1284 |
| Melodic Perfect Fourths |
0.04789 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04023 |
| Melodic Sixths |
0.003831 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009579 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.35 |
| Melodic Embellishments |
0.01711 |
| Direction of Melodic Motion |
0.4435 |
| Average Length of Melodic Arcs |
2.013 |
| Average Interval Spanned by Melodic Arcs |
4.839 |
| Melodic Pitch Variety |
4.984 |
| Mean Melodic Interval |
2.109 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3831 |
| Relative Prevalence of Most Common Melodic Intervals |
0.655 |
| Amount of Arpeggiation |
0.3142 |
| Repeated Notes |
0.136 |
| Importance of Middle Register |
0.8042 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.93 |
| Mean Pitch Class |
5.38 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1331 |
| Prevalence of Most Common Pitch Class |
0.1901 |
| Relative Prevalence of Top Pitches |
0.8571 |
| Relative Prevalence of Top Pitch Classes |
0.93 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
5.855 |
| Pitch Class Variability |
3.36 |
| Pitch Class Variability After Folding |
4.201 |
| Pitch Skewness |
-0.3877 |
| Pitch Class Skewness |
0.3395 |
| Pitch Class Skewness After Folding |
1.39 |
| Pitch Kurtosis |
5.339 |
| Pitch Class Kurtosis |
4.72 |
| Pitch Class Kurtosis After Folding |
4.35 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
24.0 |
| Importance of Bass Register |
0.1958 |
| Note Density per Quarter Note |
1.19 |
| Note Density per Quarter Note per Voice |
0.2975 |
| Note Density per Quarter Note Variability |
0.4839 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003802 |
| Prevalence of Medium Rhythmic Values |
0.6065 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9163 |
| Prevalence of Very Long Rhythmic Values |
0.07414 |
| Prevalence of Dotted Notes |
0.07414 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.89 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5228 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5345 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.563 |
| Rhythmic Value Skewness |
1.707 |
| Rhythmic Value Kurtosis |
8.501 |
| Mean Rhythmic Value Run Length |
1.736 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.243 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.005997 |
| Partial Rests Fraction |
0.4228 |
| Average Rest Fraction Across Voices |
0.1394 |
| Longest Complete Rest |
1.325 |
| Longest Partial Rest |
31.81 |
| Mean Complete Rest Duration |
1.325 |
| Mean Partial Rest Duration |
6.012 |
| Median Complete Rest Duration |
1.325 |
| Median Partial Rest Duration |
2.651 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.026 |
| Variability Across Voices of Combined Rests |
17.47 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7807 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1199 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
6.509 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9006 |
| Rhythmic Variability - Tempo Standardized |
0.06259 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
526.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.989 |
| Minimum Note Duration |
0.6 |
| Maximum Note Duration |
9.6 |
| Average Note Duration |
2.619 |
| Variability of Note Durations |
1.899 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.5 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
132.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.97 |
| Strength of Strongest Rhythmic Pulse |
0.9589 |
| Strength of Second Strongest Rhythmic Pulse |
0.0274 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
35.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9863 |
| Rhythmic Variability |
0.07559 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
24.94 |
| Duration in Seconds |
400.2 |
| Note Density |
1.314 |
| Note Density Variability |
0.88 |
| Average Time Between Attacks |
1.732 |
| Average Time Between Attacks for Each Voice |
2.932 |
| Variability of Time Between Attacks |
0.8905 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.3008 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.5019 |
| Relative Note Durations of Lowest Line |
1.084 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8517 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.08457 |
| Average Number of Independent Voices |
3.47 |
| Similar Motion |
0.1839 |
| Contrary Motion |
0.2368 |
| Oblique Motion |
0.4947 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.004228 |
| Variability of Number of Independent Voices |
0.7602 |
| Voice Equality - Number of Notes |
7.767 |
| Voice Equality - Note Duration |
15.81 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
0.0 |