| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1785 |
| Prevalence of Second Most Common Vertical Interval |
0.1772 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9928 |
| Vertical Unisons |
0.03493 |
| Vertical Minor Seconds |
0.002569 |
| Vertical Thirds |
0.3424 |
| Vertical Tritones |
0.01387 |
| Vertical Perfect Fourths |
0.08194 |
| Vertical Perfect Fifths |
0.1785 |
| Vertical Sixths |
0.159 |
| Vertical Sevenths |
0.02723 |
| Vertical Octaves |
0.1408 |
| Perfect Vertical Intervals |
0.4362 |
| Vertical Dissonance Ratio |
0.06658 |
| Vertical Minor Third Prevalence |
0.5229 |
| Vertical Major Third Prevalence |
0.5042 |
| Chord Duration |
1.245 |
| Partial Chords |
0.3205 |
| Standard Triads |
0.4802 |
| Diminished and Augmented Triads |
0.03965 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01982 |
| Non-Standard Chords |
0.1795 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.18 |
| Average Number of Simultaneous Pitch Classes |
2.628 |
| Variability of Number of Simultaneous Pitch Classes |
0.6489 |
| Average Number of Simultaneous Pitches |
3.171 |
| Variability of Number of Simultaneous Pitches |
0.8291 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2411 |
| Stepwise Motion |
0.6762 |
| Melodic Thirds |
0.118 |
| Melodic Perfect Fourths |
0.03879 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0253 |
| Melodic Sixths |
0.001686 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0118 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.043 |
| Melodic Embellishments |
0.01173 |
| Direction of Melodic Motion |
0.5145 |
| Average Length of Melodic Arcs |
2.052 |
| Average Interval Spanned by Melodic Arcs |
4.71 |
| Melodic Pitch Variety |
4.643 |
| Mean Melodic Interval |
2.032 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4351 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5543 |
| Amount of Arpeggiation |
0.2833 |
| Repeated Notes |
0.1282 |
| Importance of Middle Register |
0.7755 |
| Importance of High Register |
0.1089 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.41 |
| Mean Pitch Class |
5.176 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1173 |
| Prevalence of Most Common Pitch Class |
0.2094 |
| Relative Prevalence of Top Pitches |
0.8286 |
| Relative Prevalence of Top Pitch Classes |
0.784 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
8.0 |
| Pitch Variability |
7.452 |
| Pitch Class Variability |
3.484 |
| Pitch Class Variability After Folding |
4.026 |
| Pitch Skewness |
0.2589 |
| Pitch Class Skewness |
0.1514 |
| Pitch Class Skewness After Folding |
1.052 |
| Pitch Kurtosis |
5.344 |
| Pitch Class Kurtosis |
4.65 |
| Pitch Class Kurtosis After Folding |
4.731 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1156 |
| Note Density per Quarter Note |
1.244 |
| Note Density per Quarter Note per Voice |
0.3109 |
| Note Density per Quarter Note Variability |
0.4536 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00335 |
| Prevalence of Medium Rhythmic Values |
0.6968 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8291 |
| Prevalence of Very Long Rhythmic Values |
0.06868 |
| Prevalence of Dotted Notes |
0.07873 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.61 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.526 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3726 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.606 |
| Rhythmic Value Skewness |
1.139 |
| Rhythmic Value Kurtosis |
11.67 |
| Mean Rhythmic Value Run Length |
2.066 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.65 |
| Mean Rhythmic Value Offset |
0.0536 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9539 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.4848 |
| Average Rest Fraction Across Voices |
0.1634 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
33.24 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
8.481 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
5.319 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.222 |
| Variability Across Voices of Combined Rests |
22.49 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6798 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1697 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.006 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8495 |
| Rhythmic Variability - Tempo Standardized |
0.0563 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
597.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.537 |
| Minimum Note Duration |
0.6 |
| Maximum Note Duration |
38.4 |
| Average Note Duration |
2.428 |
| Variability of Note Durations |
2.429 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.79 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
133.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.9894 |
| Strength of Second Strongest Rhythmic Pulse |
0.0106 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
93.33 |
| Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
| Rhythmic Variability |
0.07797 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
433.2 |
| Note Density |
1.378 |
| Note Density Variability |
0.8053 |
| Average Time Between Attacks |
1.523 |
| Average Time Between Attacks for Each Voice |
2.779 |
| Variability of Time Between Attacks |
0.7817 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.4643 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.4824 |
| Relative Note Durations of Lowest Line |
0.9276 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8023 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
2.0 |
| Parallel Motion |
0.06362 |
| Average Number of Independent Voices |
3.312 |
| Similar Motion |
0.1289 |
| Contrary Motion |
0.2072 |
| Oblique Motion |
0.6003 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8405 |
| Voice Equality - Number of Notes |
15.2 |
| Voice Equality - Note Duration |
20.29 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.258 |
| Importance of Loudest Voice |
0.0 |