File

Last modified on: April 13, 2020, 7:47 p.m.

Magnificat_Quinti_Toni-impares.mid


Source
RenComp7
Musical Work
Magnificat Quinti Toni
Section
impares
File Type
Symbolic Music
File Format
.mid
File Size
18.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2704
Prevalence of Second Most Common Vertical Interval 0.1861
Prevalence Ratio of Two Most Common Vertical Intervals 0.6883
Vertical Unisons 0.1415
Vertical Minor Seconds 0.006704
Vertical Thirds 0.2785
Vertical Tritones 0.008224
Vertical Perfect Fourths 0.08587
Vertical Perfect Fifths 0.1861
Vertical Sixths 0.1296
Vertical Sevenths 0.01538
Vertical Octaves 0.129
Perfect Vertical Intervals 0.5424
Vertical Dissonance Ratio 0.05202
Vertical Minor Third Prevalence 0.4034
Vertical Major Third Prevalence 0.4521
Chord Duration 2.049
Partial Chords 0.3204
Standard Triads 0.5139
Diminished and Augmented Triads 0.01882
Dominant Seventh Chords 0.003273
Seventh Chords 0.01391
Non-Standard Chords 0.1518
Complex Chords 0.0
Minor Major Triad Ratio 0.4988
Average Number of Simultaneous Pitch Classes 2.431
Variability of Number of Simultaneous Pitch Classes 0.7887
Average Number of Simultaneous Pitches 2.955
Variability of Number of Simultaneous Pitches 1.1
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1923
Stepwise Motion 0.4906
Melodic Thirds 0.166
Melodic Perfect Fourths 0.04113
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03072
Melodic Sixths 0.008424
Melodic Sevenths 0.0004955
Melodic Octaves 0.01288
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.815
Melodic Embellishments 0.01483
Direction of Melodic Motion 0.5066
Average Length of Melodic Arcs 1.738
Average Interval Spanned by Melodic Arcs 4.605
Melodic Pitch Variety 4.384
Mean Melodic Interval 1.997
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.2983
Relative Prevalence of Most Common Melodic Intervals 0.8372
Amount of Arpeggiation 0.4599
Repeated Notes 0.2498
Importance of Middle Register 0.8507
Importance of High Register 0.04449
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 61.78
Mean Pitch Class 4.625
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1957
Prevalence of Most Common Pitch Class 0.2551
Relative Prevalence of Top Pitches 0.4419
Relative Prevalence of Top Pitch Classes 0.6085
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 9.0
Pitch Variability 6.244
Pitch Class Variability 3.707
Pitch Class Variability After Folding 3.566
Pitch Skewness 0.06436
Pitch Class Skewness -0.3032
Pitch Class Skewness After Folding 0.3768
Pitch Kurtosis 5.825
Pitch Class Kurtosis 4.755
Pitch Class Kurtosis After Folding 6.161
Major or Minor 0.0
First Pitch 53.0
First Pitch Class 5.0
Last Pitch 53.0
Last Pitch Class 5.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 29.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 1.0
Range 34.0
Importance of Bass Register 0.1048
Note Density per Quarter Note 1.356
Note Density per Quarter Note per Voice 0.2712
Note Density per Quarter Note Variability 0.6866
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.009392
Prevalence of Medium Rhythmic Values 0.6792
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7608
Prevalence of Very Long Rhythmic Values 0.07563
Prevalence of Dotted Notes 0.07316
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.625
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4399
Relative Prevalence of Most Common Rhythmic Values 0.5213
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.791
Rhythmic Value Skewness 1.047
Rhythmic Value Kurtosis 10.83
Mean Rhythmic Value Run Length 1.863
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.552
Mean Rhythmic Value Offset 0.0346
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.6603
Complete Rests Fraction 0.02133
Partial Rests Fraction 0.7093
Average Rest Fraction Across Voices 0.2794
Longest Complete Rest 2.984
Longest Partial Rest 320.3
Mean Complete Rest Duration 1.768
Mean Partial Rest Duration 14.48
Median Complete Rest Duration 1.989
Median Partial Rest Duration 3.978
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.7281
Variability of Partial Rest Durations 38.75
Variability Across Voices of Combined Rests 163.7
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6244
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1856
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.364
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.81
Rhythmic Variability - Tempo Standardized 0.05314
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 2023.0
Initial Tempo 120.0
Average Variability of Time Between Attacks for Each Voice 5.256
Minimum Note Duration 0.25
Maximum Note Duration 16.0
Average Note Duration 1.336
Variability of Note Durations 1.042
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 119.7
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.6244
Strength of Second Strongest Rhythmic Pulse 0.1856
Strength Ratio of Two Strongest Rhythmic Pulses 3.364
Combined Strength of Two Strongest Rhythmic Pulses 0.81
Rhythmic Variability 0.05314
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 4.408
Duration in Seconds 750.0
Note Density 2.697
Note Density Variability 1.286
Average Time Between Attacks 0.8274
Average Time Between Attacks for Each Voice 1.853
Variability of Time Between Attacks 0.4582
Maximum Number of Independent Voices 5.0
Relative Range of Loudest Voice 0.4412
Relative Range Isolation of Loudest Voice 0.2932
Relative Range of Highest Line 0.4412
Relative Note Density of Highest Line 0.1755
Relative Note Durations of Lowest Line 1.005
Relative Size of Melodic Intervals in Lowest Line 0.8333
Voice Overlap 0.9011
Voice Separation 4.25
Variability of Voice Separation 2.872
Parallel Motion 0.04223
Average Number of Independent Voices 3.682
Similar Motion 0.1131
Contrary Motion 0.156
Oblique Motion 0.6887
Parallel Fifths 0.002044
Parallel Octaves 0.001362
Variability of Number of Independent Voices 1.321
Voice Equality - Number of Notes 94.79
Voice Equality - Note Duration 82.27
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.4472
Voice Equality - Range 1.225
Importance of Loudest Voice 0.0