| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2859 |
| Prevalence of Second Most Common Vertical Interval |
0.1882 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6582 |
| Vertical Unisons |
0.08262 |
| Vertical Minor Seconds |
0.003124 |
| Vertical Thirds |
0.2721 |
| Vertical Tritones |
0.00241 |
| Vertical Perfect Fourths |
0.1044 |
| Vertical Perfect Fifths |
0.1882 |
| Vertical Sixths |
0.1176 |
| Vertical Sevenths |
0.0107 |
| Vertical Octaves |
0.2033 |
| Perfect Vertical Intervals |
0.5785 |
| Vertical Dissonance Ratio |
0.03277 |
| Vertical Minor Third Prevalence |
0.6762 |
| Vertical Major Third Prevalence |
0.8071 |
| Chord Duration |
0.8948 |
| Partial Chords |
0.09628 |
| Standard Triads |
0.7471 |
| Diminished and Augmented Triads |
0.009917 |
| Dominant Seventh Chords |
0.003719 |
| Seventh Chords |
0.009917 |
| Non-Standard Chords |
0.1467 |
| Complex Chords |
0.01736 |
| Minor Major Triad Ratio |
0.1472 |
| Average Number of Simultaneous Pitch Classes |
2.978 |
| Variability of Number of Simultaneous Pitch Classes |
0.5288 |
| Average Number of Simultaneous Pitches |
4.874 |
| Variability of Number of Simultaneous Pitches |
1.806 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1374 |
| Stepwise Motion |
0.3972 |
| Melodic Thirds |
0.1043 |
| Melodic Perfect Fourths |
0.07849 |
| Melodic Tritones |
0.0007267 |
| Melodic Perfect Fifths |
0.05087 |
| Melodic Sixths |
0.002544 |
| Melodic Sevenths |
0.00109 |
| Melodic Octaves |
0.01599 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.733 |
| Melodic Embellishments |
0.02207 |
| Direction of Melodic Motion |
0.5006 |
| Average Length of Melodic Arcs |
1.753 |
| Average Interval Spanned by Melodic Arcs |
5.285 |
| Melodic Pitch Variety |
3.895 |
| Mean Melodic Interval |
1.985 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3488 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7448 |
| Amount of Arpeggiation |
0.5211 |
| Repeated Notes |
0.3488 |
| Importance of Middle Register |
0.7753 |
| Importance of High Register |
0.07815 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.76 |
| Mean Pitch Class |
5.502 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1223 |
| Prevalence of Most Common Pitch Class |
0.2366 |
| Relative Prevalence of Top Pitches |
0.858 |
| Relative Prevalence of Top Pitch Classes |
0.8838 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.822 |
| Pitch Class Variability |
3.483 |
| Pitch Class Variability After Folding |
1.967 |
| Pitch Skewness |
0.0827 |
| Pitch Class Skewness |
-0.4288 |
| Pitch Class Skewness After Folding |
1.037 |
| Pitch Kurtosis |
5.526 |
| Pitch Class Kurtosis |
4.84 |
| Pitch Class Kurtosis After Folding |
6.368 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.1465 |
| Note Density per Quarter Note |
2.251 |
| Note Density per Quarter Note per Voice |
0.1876 |
| Note Density per Quarter Note Variability |
1.661 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008683 |
| Prevalence of Medium Rhythmic Values |
0.6346 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7927 |
| Prevalence of Very Long Rhythmic Values |
0.08394 |
| Prevalence of Dotted Notes |
0.102 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.775 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4273 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4793 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.923 |
| Rhythmic Value Skewness |
1.21 |
| Rhythmic Value Kurtosis |
10.77 |
| Mean Rhythmic Value Run Length |
1.66 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.133 |
| Mean Rhythmic Value Offset |
0.03329 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4861 |
| Complete Rests Fraction |
0.001091 |
| Partial Rests Fraction |
0.7479 |
| Average Rest Fraction Across Voices |
0.4427 |
| Longest Complete Rest |
1.339 |
| Longest Partial Rest |
139.3 |
| Mean Complete Rest Duration |
1.339 |
| Mean Partial Rest Duration |
21.67 |
| Median Complete Rest Duration |
1.339 |
| Median Partial Rest Duration |
5.357 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
35.64 |
| Variability Across Voices of Combined Rests |
50.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5923 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2162 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.74 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8085 |
| Rhythmic Variability - Tempo Standardized |
0.05159 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
2764.0 |
| Initial Tempo |
180.0 |
| Average Variability of Time Between Attacks for Each Voice |
10.1 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
20.0 |
| Average Note Duration |
2.219 |
| Variability of Note Durations |
2.047 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
91.95 |
| Strongest Rhythmic Pulse |
41.0 |
| Second Strongest Rhythmic Pulse |
81.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.976 |
| Strength of Strongest Rhythmic Pulse |
0.7552 |
| Strength of Second Strongest Rhythmic Pulse |
0.2368 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.189 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.992 |
| Rhythmic Variability |
0.06226 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
34.32 |
| Duration in Seconds |
917.0 |
| Note Density |
3.014 |
| Note Density Variability |
2.033 |
| Average Time Between Attacks |
1.163 |
| Average Time Between Attacks for Each Voice |
3.71 |
| Variability of Time Between Attacks |
0.6737 |
| Maximum Number of Independent Voices |
12.0 |
| Relative Range of Loudest Voice |
0.3333 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3333 |
| Relative Note Density of Highest Line |
0.3126 |
| Relative Note Durations of Lowest Line |
1.094 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
1.0 |
| Voice Separation |
2.091 |
| Variability of Voice Separation |
1.868 |
| Parallel Motion |
0.05029 |
| Average Number of Independent Voices |
6.332 |
| Similar Motion |
0.2137 |
| Contrary Motion |
0.1811 |
| Oblique Motion |
0.5549 |
| Parallel Fifths |
0.001714 |
| Parallel Octaves |
0.01029 |
| Variability of Number of Independent Voices |
3.497 |
| Voice Equality - Number of Notes |
17.94 |
| Voice Equality - Note Duration |
38.01 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.7977 |
| Voice Equality - Range |
3.407 |
| Importance of Loudest Voice |
0.0 |