| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.3455 |
| Prevalence of Second Most Common Vertical Interval |
0.1554 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.4498 |
| Vertical Unisons |
0.2121 |
| Vertical Minor Seconds |
0.004067 |
| Vertical Thirds |
0.2528 |
| Vertical Tritones |
0.009845 |
| Vertical Perfect Fourths |
0.08384 |
| Vertical Perfect Fifths |
0.1554 |
| Vertical Sixths |
0.1161 |
| Vertical Sevenths |
0.01488 |
| Vertical Octaves |
0.1334 |
| Perfect Vertical Intervals |
0.5848 |
| Vertical Dissonance Ratio |
0.04846 |
| Vertical Minor Third Prevalence |
0.5701 |
| Vertical Major Third Prevalence |
0.5164 |
| Chord Duration |
1.343 |
| Partial Chords |
0.2633 |
| Standard Triads |
0.5641 |
| Diminished and Augmented Triads |
0.02869 |
| Dominant Seventh Chords |
0.001688 |
| Seventh Chords |
0.01772 |
| Non-Standard Chords |
0.1549 |
| Complex Chords |
0.0008439 |
| Minor Major Triad Ratio |
0.5492 |
| Average Number of Simultaneous Pitch Classes |
2.686 |
| Variability of Number of Simultaneous Pitch Classes |
0.6259 |
| Average Number of Simultaneous Pitches |
3.385 |
| Variability of Number of Simultaneous Pitches |
0.9869 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2151 |
| Stepwise Motion |
0.5564 |
| Melodic Thirds |
0.1209 |
| Melodic Perfect Fourths |
0.06872 |
| Melodic Tritones |
0.0004462 |
| Melodic Perfect Fifths |
0.04061 |
| Melodic Sixths |
0.003124 |
| Melodic Sevenths |
0.001339 |
| Melodic Octaves |
0.0183 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.533 |
| Melodic Embellishments |
0.01201 |
| Direction of Melodic Motion |
0.4716 |
| Average Length of Melodic Arcs |
1.755 |
| Average Interval Spanned by Melodic Arcs |
4.747 |
| Melodic Pitch Variety |
4.444 |
| Mean Melodic Interval |
2.199 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3414 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6301 |
| Amount of Arpeggiation |
0.3713 |
| Repeated Notes |
0.1901 |
| Importance of Middle Register |
0.7544 |
| Importance of High Register |
0.01601 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.26 |
| Mean Pitch Class |
5.724 |
| Most Common Pitch |
58.0 |
| Most Common Pitch Class |
10.0 |
| Prevalence of Most Common Pitch |
0.1036 |
| Prevalence of Most Common Pitch Class |
0.2282 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.7232 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
7.621 |
| Pitch Class Variability |
3.547 |
| Pitch Class Variability After Folding |
4.306 |
| Pitch Skewness |
-0.07092 |
| Pitch Class Skewness |
-1.079 |
| Pitch Class Skewness After Folding |
1.468 |
| Pitch Kurtosis |
5.273 |
| Pitch Class Kurtosis |
4.661 |
| Pitch Class Kurtosis After Folding |
4.283 |
| Major or Minor |
0.0 |
| First Pitch |
58.0 |
| First Pitch Class |
10.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2295 |
| Note Density per Quarter Note |
1.801 |
| Note Density per Quarter Note per Voice |
0.2573 |
| Note Density per Quarter Note Variability |
0.8379 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003559 |
| Prevalence of Medium Rhythmic Values |
0.6254 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8505 |
| Prevalence of Very Long Rhythmic Values |
0.09386 |
| Prevalence of Dotted Notes |
0.07651 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.903 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.476 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.897 |
| Rhythmic Value Skewness |
1.428 |
| Rhythmic Value Kurtosis |
10.09 |
| Mean Rhythmic Value Run Length |
1.691 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.208 |
| Mean Rhythmic Value Offset |
0.03203 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5588 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6912 |
| Average Rest Fraction Across Voices |
0.2341 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
245.9 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
10.71 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.658 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
28.81 |
| Variability Across Voices of Combined Rests |
107.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6839 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1597 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.281 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8436 |
| Rhythmic Variability - Tempo Standardized |
0.0565 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2248.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
6.777 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
32.0 |
| Average Note Duration |
2.239 |
| Variability of Note Durations |
1.971 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
89.71 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.8132 |
| Strength of Second Strongest Rhythmic Pulse |
0.1832 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.44 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9963 |
| Rhythmic Variability |
0.0656 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
939.0 |
| Note Density |
2.394 |
| Note Density Variability |
1.412 |
| Average Time Between Attacks |
1.317 |
| Average Time Between Attacks for Each Voice |
2.911 |
| Variability of Time Between Attacks |
0.7195 |
| Maximum Number of Independent Voices |
7.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.2117 |
| Relative Note Durations of Lowest Line |
0.9541 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6364 |
| Voice Overlap |
1.0 |
| Voice Separation |
3.0 |
| Variability of Voice Separation |
3.098 |
| Parallel Motion |
0.03406 |
| Average Number of Independent Voices |
5.287 |
| Similar Motion |
0.1543 |
| Contrary Motion |
0.1565 |
| Oblique Motion |
0.6551 |
| Parallel Fifths |
0.001449 |
| Parallel Octaves |
0.001449 |
| Variability of Number of Independent Voices |
1.453 |
| Voice Equality - Number of Notes |
37.58 |
| Voice Equality - Note Duration |
81.21 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5345 |
| Voice Equality - Range |
1.512 |
| Importance of Loudest Voice |
0.0 |