| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.205 |
| Prevalence of Second Most Common Vertical Interval |
0.1911 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9323 |
| Vertical Unisons |
0.04957 |
| Vertical Minor Seconds |
0.003203 |
| Vertical Thirds |
0.2912 |
| Vertical Tritones |
0.01098 |
| Vertical Perfect Fourths |
0.1162 |
| Vertical Perfect Fifths |
0.1911 |
| Vertical Sixths |
0.1304 |
| Vertical Sevenths |
0.01998 |
| Vertical Octaves |
0.1554 |
| Perfect Vertical Intervals |
0.5124 |
| Vertical Dissonance Ratio |
0.07072 |
| Vertical Minor Third Prevalence |
0.6509 |
| Vertical Major Third Prevalence |
0.5089 |
| Chord Duration |
1.84 |
| Partial Chords |
0.1922 |
| Standard Triads |
0.5813 |
| Diminished and Augmented Triads |
0.0305 |
| Dominant Seventh Chords |
0.003697 |
| Seventh Chords |
0.01479 |
| Non-Standard Chords |
0.2116 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.293 |
| Average Number of Simultaneous Pitch Classes |
2.821 |
| Variability of Number of Simultaneous Pitch Classes |
0.6028 |
| Average Number of Simultaneous Pitches |
3.584 |
| Variability of Number of Simultaneous Pitches |
1.03 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2583 |
| Stepwise Motion |
0.6715 |
| Melodic Thirds |
0.05828 |
| Melodic Perfect Fourths |
0.04768 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05033 |
| Melodic Sixths |
0.002649 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0106 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.588 |
| Melodic Embellishments |
0.01445 |
| Direction of Melodic Motion |
0.5102 |
| Average Length of Melodic Arcs |
1.924 |
| Average Interval Spanned by Melodic Arcs |
4.57 |
| Melodic Pitch Variety |
4.599 |
| Mean Melodic Interval |
2.023 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4132 |
| Relative Prevalence of Most Common Melodic Intervals |
0.625 |
| Amount of Arpeggiation |
0.2781 |
| Repeated Notes |
0.1589 |
| Importance of Middle Register |
0.8752 |
| Importance of High Register |
0.05519 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.44 |
| Mean Pitch Class |
5.491 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1498 |
| Prevalence of Most Common Pitch Class |
0.2484 |
| Relative Prevalence of Top Pitches |
0.9386 |
| Relative Prevalence of Top Pitch Classes |
0.836 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.275 |
| Pitch Class Variability |
3.218 |
| Pitch Class Variability After Folding |
3.672 |
| Pitch Skewness |
-0.007539 |
| Pitch Class Skewness |
-1.406 |
| Pitch Class Skewness After Folding |
1.455 |
| Pitch Kurtosis |
5.742 |
| Pitch Class Kurtosis |
4.775 |
| Pitch Class Kurtosis After Folding |
5.519 |
| Major or Minor |
0.0 |
| First Pitch |
74.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.06965 |
| Note Density per Quarter Note |
1.359 |
| Note Density per Quarter Note per Voice |
0.2265 |
| Note Density per Quarter Note Variability |
0.5401 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005256 |
| Prevalence of Medium Rhythmic Values |
0.6452 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8016 |
| Prevalence of Very Long Rhythmic Values |
0.08541 |
| Prevalence of Dotted Notes |
0.1222 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.754 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4468 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4324 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.919 |
| Rhythmic Value Skewness |
1.179 |
| Rhythmic Value Kurtosis |
11.87 |
| Mean Rhythmic Value Run Length |
1.741 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.234 |
| Mean Rhythmic Value Offset |
0.09987 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.269 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.879 |
| Average Rest Fraction Across Voices |
0.3529 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
294.9 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
18.82 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
5.979 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
51.29 |
| Variability Across Voices of Combined Rests |
110.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6024 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2066 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.916 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.809 |
| Rhythmic Variability - Tempo Standardized |
0.05211 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
761.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.289 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
16.0 |
| Average Note Duration |
1.434 |
| Variability of Note Durations |
1.351 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
119.8 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.6024 |
| Strength of Second Strongest Rhythmic Pulse |
0.2066 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.916 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.809 |
| Rhythmic Variability |
0.05211 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
3.579 |
| Duration in Seconds |
281.0 |
| Note Density |
2.708 |
| Note Density Variability |
1.133 |
| Average Time Between Attacks |
0.8089 |
| Average Time Between Attacks for Each Voice |
1.752 |
| Variability of Time Between Attacks |
0.3957 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.3636 |
| Relative Range Isolation of Loudest Voice |
0.6562 |
| Relative Range of Highest Line |
0.3636 |
| Relative Note Density of Highest Line |
0.5756 |
| Relative Note Durations of Lowest Line |
0.9745 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8975 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
3.493 |
| Parallel Motion |
0.05947 |
| Average Number of Independent Voices |
3.879 |
| Similar Motion |
0.148 |
| Contrary Motion |
0.1411 |
| Oblique Motion |
0.6515 |
| Parallel Fifths |
0.002766 |
| Parallel Octaves |
0.002766 |
| Variability of Number of Independent Voices |
1.189 |
| Voice Equality - Number of Notes |
48.14 |
| Voice Equality - Note Duration |
55.18 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
2.041 |
| Importance of Loudest Voice |
0.0 |