| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.221 |
| Prevalence of Second Most Common Vertical Interval |
0.2096 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9484 |
| Vertical Unisons |
0.02195 |
| Vertical Minor Seconds |
0.003968 |
| Vertical Thirds |
0.2873 |
| Vertical Tritones |
0.004728 |
| Vertical Perfect Fourths |
0.1157 |
| Vertical Perfect Fifths |
0.221 |
| Vertical Sixths |
0.1207 |
| Vertical Sevenths |
0.01131 |
| Vertical Octaves |
0.1877 |
| Perfect Vertical Intervals |
0.5463 |
| Vertical Dissonance Ratio |
0.04786 |
| Vertical Minor Third Prevalence |
0.6897 |
| Vertical Major Third Prevalence |
0.6287 |
| Chord Duration |
1.327 |
| Partial Chords |
0.07812 |
| Standard Triads |
0.7406 |
| Diminished and Augmented Triads |
0.0225 |
| Dominant Seventh Chords |
0.003125 |
| Seventh Chords |
0.009375 |
| Non-Standard Chords |
0.1719 |
| Complex Chords |
0.00875 |
| Minor Major Triad Ratio |
0.7608 |
| Average Number of Simultaneous Pitch Classes |
2.971 |
| Variability of Number of Simultaneous Pitch Classes |
0.4797 |
| Average Number of Simultaneous Pitches |
4.155 |
| Variability of Number of Simultaneous Pitches |
0.8498 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2605 |
| Stepwise Motion |
0.5413 |
| Melodic Thirds |
0.09628 |
| Melodic Perfect Fourths |
0.07443 |
| Melodic Tritones |
0.0008091 |
| Melodic Perfect Fifths |
0.06715 |
| Melodic Sixths |
0.002427 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01375 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.407 |
| Melodic Embellishments |
0.02901 |
| Direction of Melodic Motion |
0.4817 |
| Average Length of Melodic Arcs |
1.792 |
| Average Interval Spanned by Melodic Arcs |
4.852 |
| Melodic Pitch Variety |
4.416 |
| Mean Melodic Interval |
2.164 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.2807 |
| Relative Prevalence of Most Common Melodic Intervals |
0.928 |
| Amount of Arpeggiation |
0.3811 |
| Repeated Notes |
0.2039 |
| Importance of Middle Register |
0.8284 |
| Importance of High Register |
0.01289 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.88 |
| Mean Pitch Class |
6.03 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1305 |
| Prevalence of Most Common Pitch Class |
0.1982 |
| Relative Prevalence of Top Pitches |
0.7716 |
| Relative Prevalence of Top Pitch Classes |
0.9431 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.389 |
| Pitch Class Variability |
3.633 |
| Pitch Class Variability After Folding |
2.348 |
| Pitch Skewness |
-0.7541 |
| Pitch Class Skewness |
-0.8011 |
| Pitch Class Skewness After Folding |
-0.5384 |
| Pitch Kurtosis |
5.555 |
| Pitch Class Kurtosis |
4.812 |
| Pitch Class Kurtosis After Folding |
6.607 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1587 |
| Note Density per Quarter Note |
1.521 |
| Note Density per Quarter Note per Voice |
0.3042 |
| Note Density per Quarter Note Variability |
0.6217 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006446 |
| Prevalence of Medium Rhythmic Values |
0.6591 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7921 |
| Prevalence of Very Long Rhythmic Values |
0.09911 |
| Prevalence of Dotted Notes |
0.1201 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.775 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4512 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4464 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.01 |
| Rhythmic Value Skewness |
1.157 |
| Rhythmic Value Kurtosis |
11.46 |
| Mean Rhythmic Value Run Length |
1.597 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.086 |
| Mean Rhythmic Value Offset |
0.04835 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6507 |
| Complete Rests Fraction |
0.003263 |
| Partial Rests Fraction |
0.5155 |
| Average Rest Fraction Across Voices |
0.1318 |
| Longest Complete Rest |
2.662 |
| Longest Partial Rest |
45.26 |
| Mean Complete Rest Duration |
2.662 |
| Mean Partial Rest Duration |
6.807 |
| Median Complete Rest Duration |
2.662 |
| Median Partial Rest Duration |
2.662 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.437 |
| Variability Across Voices of Combined Rests |
53.85 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5892 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2199 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.679 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8091 |
| Rhythmic Variability - Tempo Standardized |
0.05147 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1241.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.464 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
28.8 |
| Average Note Duration |
2.573 |
| Variability of Note Durations |
2.561 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.88 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
133.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.9705 |
| Strength of Second Strongest Rhythmic Pulse |
0.02037 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
47.65 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9908 |
| Rhythmic Variability |
0.07649 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
735.6 |
| Note Density |
1.687 |
| Note Density Variability |
1.07 |
| Average Time Between Attacks |
1.563 |
| Average Time Between Attacks for Each Voice |
2.887 |
| Variability of Time Between Attacks |
1.227 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.278 |
| Relative Note Durations of Lowest Line |
1.212 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.9412 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
2.63 |
| Parallel Motion |
0.04729 |
| Average Number of Independent Voices |
4.315 |
| Similar Motion |
0.1395 |
| Contrary Motion |
0.1411 |
| Oblique Motion |
0.6721 |
| Parallel Fifths |
0.004651 |
| Parallel Octaves |
0.002326 |
| Variability of Number of Independent Voices |
0.8475 |
| Voice Equality - Number of Notes |
36.68 |
| Voice Equality - Note Duration |
48.55 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8944 |
| Voice Equality - Range |
1.924 |
| Importance of Loudest Voice |
0.0 |