| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2084 |
| Prevalence of Second Most Common Vertical Interval |
0.1725 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8276 |
| Vertical Unisons |
0.03305 |
| Vertical Minor Seconds |
0.005509 |
| Vertical Thirds |
0.3286 |
| Vertical Tritones |
0.007186 |
| Vertical Perfect Fourths |
0.1031 |
| Vertical Perfect Fifths |
0.2084 |
| Vertical Sixths |
0.1222 |
| Vertical Sevenths |
0.02096 |
| Vertical Octaves |
0.1394 |
| Perfect Vertical Intervals |
0.484 |
| Vertical Dissonance Ratio |
0.06983 |
| Vertical Minor Third Prevalence |
0.5476 |
| Vertical Major Third Prevalence |
0.501 |
| Chord Duration |
1.816 |
| Partial Chords |
0.2939 |
| Standard Triads |
0.5182 |
| Diminished and Augmented Triads |
0.01616 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01414 |
| Non-Standard Chords |
0.1737 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8655 |
| Average Number of Simultaneous Pitch Classes |
2.667 |
| Variability of Number of Simultaneous Pitch Classes |
0.6355 |
| Average Number of Simultaneous Pitches |
3.194 |
| Variability of Number of Simultaneous Pitches |
0.7304 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2085 |
| Stepwise Motion |
0.6042 |
| Melodic Thirds |
0.1943 |
| Melodic Perfect Fourths |
0.0477 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04594 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007067 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.49 |
| Melodic Embellishments |
0.02377 |
| Direction of Melodic Motion |
0.5039 |
| Average Length of Melodic Arcs |
1.864 |
| Average Interval Spanned by Melodic Arcs |
4.689 |
| Melodic Pitch Variety |
4.767 |
| Mean Melodic Interval |
2.271 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3958 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5268 |
| Amount of Arpeggiation |
0.3481 |
| Repeated Notes |
0.1007 |
| Importance of Middle Register |
0.7474 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.06 |
| Mean Pitch Class |
5.308 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1215 |
| Prevalence of Most Common Pitch Class |
0.1928 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.9224 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.166 |
| Pitch Class Variability |
3.338 |
| Pitch Class Variability After Folding |
4.062 |
| Pitch Skewness |
-0.09851 |
| Pitch Class Skewness |
0.2769 |
| Pitch Class Skewness After Folding |
1.034 |
| Pitch Kurtosis |
5.861 |
| Pitch Class Kurtosis |
4.738 |
| Pitch Class Kurtosis After Folding |
4.797 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2526 |
| Note Density per Quarter Note |
1.092 |
| Note Density per Quarter Note per Voice |
0.2731 |
| Note Density per Quarter Note Variability |
0.3999 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001761 |
| Prevalence of Medium Rhythmic Values |
0.64 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7782 |
| Prevalence of Very Long Rhythmic Values |
0.1382 |
| Prevalence of Dotted Notes |
0.1109 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.989 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4181 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5263 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.309 |
| Rhythmic Value Skewness |
1.286 |
| Rhythmic Value Kurtosis |
9.116 |
| Mean Rhythmic Value Run Length |
1.761 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.384 |
| Mean Rhythmic Value Offset |
0.05634 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7101 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.5451 |
| Average Rest Fraction Across Voices |
0.1684 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
337.4 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
10.15 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
1.996 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
40.37 |
| Variability Across Voices of Combined Rests |
155.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5936 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2213 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.683 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8149 |
| Rhythmic Variability - Tempo Standardized |
0.05176 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1136.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
5.383 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
19.2 |
| Average Note Duration |
1.831 |
| Variability of Note Durations |
1.573 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
99.9 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7608 |
| Strength of Second Strongest Rhythmic Pulse |
0.2349 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.239 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9957 |
| Rhythmic Variability |
0.06264 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
2.191 |
| Duration in Seconds |
625.2 |
| Note Density |
1.817 |
| Note Density Variability |
0.6823 |
| Average Time Between Attacks |
1.001 |
| Average Time Between Attacks for Each Voice |
2.367 |
| Variability of Time Between Attacks |
0.5505 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.2624 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.2289 |
| Relative Note Durations of Lowest Line |
1.021 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.904 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.03162 |
| Average Number of Independent Voices |
3.327 |
| Similar Motion |
0.1091 |
| Contrary Motion |
0.1478 |
| Oblique Motion |
0.7115 |
| Parallel Fifths |
0.001581 |
| Parallel Octaves |
0.0007905 |
| Variability of Number of Independent Voices |
0.7131 |
| Voice Equality - Number of Notes |
95.09 |
| Voice Equality - Note Duration |
93.73 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
0.0 |