File

Last modified on: April 13, 2020, 5:01 p.m.

F164_23_Festa_Amor_se_OMRcorrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Amor se vuoi ch'io torni al giogho anticho
File Type
Symbolic Music
File Format
xml
File Size
352.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.1756
Prevalence of Second Most Common Vertical Interval 0.1652
Prevalence Ratio of Two Most Common Vertical Intervals 0.9405
Vertical Unisons 0.01365
Vertical Minor Seconds 0.06452
Vertical Thirds 0.2842
Vertical Tritones 0.02195
Vertical Perfect Fourths 0.1365
Vertical Perfect Fifths 0.1503
Vertical Sixths 0.1253
Vertical Sevenths 0.034
Vertical Octaves 0.1515
Perfect Vertical Intervals 0.4521
Vertical Dissonance Ratio 0.1607
Vertical Minor Third Prevalence 0.5711
Vertical Major Third Prevalence 0.7069
Chord Duration 2.428
Partial Chords 0.1278
Standard Triads 0.3965
Diminished and Augmented Triads 0.01322
Dominant Seventh Chords 0.002203
Seventh Chords 0.1872
Non-Standard Chords 0.2885
Complex Chords 0.04846
Minor Major Triad Ratio 0.25
Average Number of Simultaneous Pitch Classes 3.213
Variability of Number of Simultaneous Pitch Classes 0.8012
Average Number of Simultaneous Pitches 4.347
Variability of Number of Simultaneous Pitches 1.012
Most Common Vertical Interval 4.0
Second Most Common Vertical Interval 0.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1271
Stepwise Motion 0.4548
Melodic Thirds 0.08333
Melodic Perfect Fourths 0.07203
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03531
Melodic Sixths 0.001412
Melodic Sevenths 0.002825
Melodic Octaves 0.01412
Melodic Large Intervals 0.0
Most Common Melodic Interval 0.0
Minor Major Melodic Third Ratio 2.933
Melodic Embellishments 0.008287
Direction of Melodic Motion 0.4447
Average Length of Melodic Arcs 1.741
Average Interval Spanned by Melodic Arcs 4.83
Melodic Pitch Variety 3.552
Mean Melodic Interval 1.871
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3362
Relative Prevalence of Most Common Melodic Intervals 0.9748
Amount of Arpeggiation 0.4718
Repeated Notes 0.3362
Importance of Middle Register 0.7707
Importance of High Register 0.002762
Dominant Spread 3.0
Strong Tonal Centres 2.0
Mean Pitch 60.0
Mean Pitch Class 4.634
Most Common Pitch 65.0
Most Common Pitch Class 5.0
Prevalence of Most Common Pitch 0.145
Prevalence of Most Common Pitch Class 0.2666
Relative Prevalence of Top Pitches 0.9333
Relative Prevalence of Top Pitch Classes 0.8187
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.604
Pitch Class Variability 3.231
Pitch Class Variability After Folding 4.519
Pitch Skewness -0.7097
Pitch Class Skewness -0.3402
Pitch Class Skewness After Folding 1.135
Pitch Kurtosis 5.265
Pitch Class Kurtosis 4.954
Pitch Class Kurtosis After Folding 4.503
Major or Minor 0.0
First Pitch 53.0
First Pitch Class 5.0
Last Pitch 41.0
Last Pitch Class 5.0
Glissando Prevalence 0.005525
Average Range of Glissandos 0.0
Number of Pitches 23.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.005525
Number of Pitch Classes 11.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 2.0
Range 33.0
Importance of Bass Register 0.2265
Note Density per Quarter Note 1.531
Note Density per Quarter Note per Voice 1.531
Note Density per Quarter Note Variability 0.7233
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 1.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.8094
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.9144
Prevalence of Very Long Rhythmic Values 0.0511
Prevalence of Dotted Notes 0.06215
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.541
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.7238
Relative Prevalence of Most Common Rhythmic Values 0.1469
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.836
Rhythmic Value Skewness 0.8846
Rhythmic Value Kurtosis 20.64
Mean Rhythmic Value Run Length 2.955
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 3.334
Mean Rhythmic Value Offset 3.628
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 29.41
Complete Rests Fraction 0.01903
Partial Rests Fraction 0.01691
Average Rest Fraction Across Voices 0.01691
Longest Complete Rest 2.0
Longest Partial Rest 2.0
Mean Complete Rest Duration 1.8
Mean Partial Rest Duration 2.0
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.4472
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 2.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.8079
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1023
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 7.896
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.9103
Rhythmic Variability - Tempo Standardized 0.06447
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 724.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.1702
Minimum Note Duration 0.1875
Maximum Note Duration 55.31
Average Note Duration 1.157
Variability of Note Durations 5.74
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 160.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2306
Strength of Second Strongest Rhythmic Pulse 0.2271
Strength Ratio of Two Strongest Rhythmic Pulses 1.016
Combined Strength of Two Strongest Rhythmic Pulses 0.4577
Rhythmic Variability 0.03554
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 88.69
Note Density 8.163
Note Density Variability 1.994
Average Time Between Attacks 0.3667
Average Time Between Attacks for Each Voice 0.3667
Variability of Time Between Attacks 0.1702
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.08287
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.06774
Average Number of Independent Voices 1.0
Similar Motion 0.2172
Contrary Motion 0.1581
Oblique Motion 0.557
Parallel Fifths 0.005376
Parallel Octaves 0.006452
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0