| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2765 |
| Prevalence of Second Most Common Vertical Interval |
0.1851 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6693 |
| Vertical Unisons |
0.156 |
| Vertical Minor Seconds |
0.003397 |
| Vertical Thirds |
0.2792 |
| Vertical Tritones |
0.008493 |
| Vertical Perfect Fourths |
0.09265 |
| Vertical Perfect Fifths |
0.1851 |
| Vertical Sixths |
0.1153 |
| Vertical Sevenths |
0.01757 |
| Vertical Octaves |
0.1206 |
| Perfect Vertical Intervals |
0.5543 |
| Vertical Dissonance Ratio |
0.05404 |
| Vertical Minor Third Prevalence |
0.4533 |
| Vertical Major Third Prevalence |
0.4858 |
| Chord Duration |
1.277 |
| Partial Chords |
0.3315 |
| Standard Triads |
0.5018 |
| Diminished and Augmented Triads |
0.0233 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.006272 |
| Non-Standard Chords |
0.1604 |
| Complex Chords |
0.001792 |
| Minor Major Triad Ratio |
0.9178 |
| Average Number of Simultaneous Pitch Classes |
2.581 |
| Variability of Number of Simultaneous Pitch Classes |
0.6617 |
| Average Number of Simultaneous Pitches |
3.093 |
| Variability of Number of Simultaneous Pitches |
0.9441 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2549 |
| Stepwise Motion |
0.6685 |
| Melodic Thirds |
0.07541 |
| Melodic Perfect Fourths |
0.0574 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03939 |
| Melodic Sixths |
0.001125 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01632 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.941 |
| Melodic Embellishments |
0.01459 |
| Direction of Melodic Motion |
0.4879 |
| Average Length of Melodic Arcs |
1.975 |
| Average Interval Spanned by Melodic Arcs |
4.803 |
| Melodic Pitch Variety |
4.934 |
| Mean Melodic Interval |
2.095 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4136 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6163 |
| Amount of Arpeggiation |
0.2729 |
| Repeated Notes |
0.1418 |
| Importance of Middle Register |
0.7907 |
| Importance of High Register |
0.002245 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.69 |
| Mean Pitch Class |
5.931 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1296 |
| Prevalence of Most Common Pitch Class |
0.1846 |
| Relative Prevalence of Top Pitches |
0.987 |
| Relative Prevalence of Top Pitch Classes |
0.9027 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
5.855 |
| Pitch Class Variability |
3.604 |
| Pitch Class Variability After Folding |
2.195 |
| Pitch Skewness |
0.08713 |
| Pitch Class Skewness |
-0.05745 |
| Pitch Class Skewness After Folding |
0.5867 |
| Pitch Kurtosis |
5.776 |
| Pitch Class Kurtosis |
4.769 |
| Pitch Class Kurtosis After Folding |
6.666 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2071 |
| Note Density per Quarter Note |
1.478 |
| Note Density per Quarter Note per Voice |
0.2955 |
| Note Density per Quarter Note Variability |
0.6171 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0101 |
| Prevalence of Medium Rhythmic Values |
0.6745 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8221 |
| Prevalence of Very Long Rhythmic Values |
0.06622 |
| Prevalence of Dotted Notes |
0.07632 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.646 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4966 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4294 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.653 |
| Rhythmic Value Skewness |
1.173 |
| Rhythmic Value Kurtosis |
11.19 |
| Mean Rhythmic Value Run Length |
1.892 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.384 |
| Mean Rhythmic Value Offset |
0.02245 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5683 |
| Complete Rests Fraction |
0.007843 |
| Partial Rests Fraction |
0.6706 |
| Average Rest Fraction Across Voices |
0.204 |
| Longest Complete Rest |
2.703 |
| Longest Partial Rest |
286.5 |
| Mean Complete Rest Duration |
2.365 |
| Mean Partial Rest Duration |
10.16 |
| Median Complete Rest Duration |
2.703 |
| Median Partial Rest Duration |
2.703 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.6756 |
| Variability of Partial Rest Durations |
32.35 |
| Variability Across Voices of Combined Rests |
151.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6447 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1789 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.603 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8237 |
| Rhythmic Variability - Tempo Standardized |
0.05418 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1782.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
6.277 |
| Minimum Note Duration |
0.1667 |
| Maximum Note Duration |
32.0 |
| Average Note Duration |
1.993 |
| Variability of Note Durations |
1.771 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
93.98 |
| Strongest Rhythmic Pulse |
41.0 |
| Second Strongest Rhythmic Pulse |
81.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.976 |
| Strength of Strongest Rhythmic Pulse |
0.7833 |
| Strength of Second Strongest Rhythmic Pulse |
0.2036 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.848 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9869 |
| Rhythmic Variability |
0.06368 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
37.22 |
| Duration in Seconds |
892.5 |
| Note Density |
1.997 |
| Note Density Variability |
1.166 |
| Average Time Between Attacks |
1.275 |
| Average Time Between Attacks for Each Voice |
2.583 |
| Variability of Time Between Attacks |
0.8294 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.2537 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.1908 |
| Relative Note Durations of Lowest Line |
1.246 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5556 |
| Voice Overlap |
0.9478 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
3.096 |
| Parallel Motion |
0.05568 |
| Average Number of Independent Voices |
3.97 |
| Similar Motion |
0.1516 |
| Contrary Motion |
0.1524 |
| Oblique Motion |
0.6404 |
| Parallel Fifths |
0.003094 |
| Parallel Octaves |
0.0007734 |
| Variability of Number of Independent Voices |
1.012 |
| Voice Equality - Number of Notes |
90.32 |
| Voice Equality - Note Duration |
111.9 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
3.271 |
| Importance of Loudest Voice |
0.0 |