| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1954 |
| Prevalence of Second Most Common Vertical Interval |
0.1769 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.905 |
| Vertical Unisons |
0.02233 |
| Vertical Minor Seconds |
0.003449 |
| Vertical Thirds |
0.3174 |
| Vertical Tritones |
0.01642 |
| Vertical Perfect Fourths |
0.111 |
| Vertical Perfect Fifths |
0.1954 |
| Vertical Sixths |
0.137 |
| Vertical Sevenths |
0.0312 |
| Vertical Octaves |
0.1402 |
| Perfect Vertical Intervals |
0.469 |
| Vertical Dissonance Ratio |
0.08287 |
| Vertical Minor Third Prevalence |
0.4451 |
| Vertical Major Third Prevalence |
0.5192 |
| Chord Duration |
1.778 |
| Partial Chords |
0.2992 |
| Standard Triads |
0.4785 |
| Diminished and Augmented Triads |
0.04093 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01694 |
| Non-Standard Chords |
0.2054 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.1895 |
| Average Number of Simultaneous Pitch Classes |
2.701 |
| Variability of Number of Simultaneous Pitch Classes |
0.5959 |
| Average Number of Simultaneous Pitches |
3.261 |
| Variability of Number of Simultaneous Pitches |
0.8013 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2233 |
| Stepwise Motion |
0.6604 |
| Melodic Thirds |
0.08071 |
| Melodic Perfect Fourths |
0.07023 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02935 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01992 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.812 |
| Melodic Embellishments |
0.02192 |
| Direction of Melodic Motion |
0.4641 |
| Average Length of Melodic Arcs |
2.078 |
| Average Interval Spanned by Melodic Arcs |
5.157 |
| Melodic Pitch Variety |
5.216 |
| Mean Melodic Interval |
2.152 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4371 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5108 |
| Amount of Arpeggiation |
0.2694 |
| Repeated Notes |
0.1394 |
| Importance of Middle Register |
0.7495 |
| Importance of High Register |
0.01148 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.43 |
| Mean Pitch Class |
5.228 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1273 |
| Prevalence of Most Common Pitch Class |
0.2255 |
| Relative Prevalence of Top Pitches |
0.8361 |
| Relative Prevalence of Top Pitch Classes |
0.7593 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.009 |
| Pitch Class Variability |
3.513 |
| Pitch Class Variability After Folding |
2.864 |
| Pitch Skewness |
0.006255 |
| Pitch Class Skewness |
0.1943 |
| Pitch Class Skewness After Folding |
1.019 |
| Pitch Kurtosis |
5.47 |
| Pitch Class Kurtosis |
4.886 |
| Pitch Class Kurtosis After Folding |
8.005 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.239 |
| Note Density per Quarter Note |
1.316 |
| Note Density per Quarter Note per Voice |
0.329 |
| Note Density per Quarter Note Variability |
0.5043 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01253 |
| Prevalence of Medium Rhythmic Values |
0.6597 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7902 |
| Prevalence of Very Long Rhythmic Values |
0.04384 |
| Prevalence of Dotted Notes |
0.08455 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.545 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4499 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5081 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.498 |
| Rhythmic Value Skewness |
1.091 |
| Rhythmic Value Kurtosis |
10.41 |
| Mean Rhythmic Value Run Length |
1.732 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.311 |
| Mean Rhythmic Value Offset |
0.004175 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1292 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.456 |
| Average Rest Fraction Across Voices |
0.1614 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
30.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
8.246 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.151 |
| Variability Across Voices of Combined Rests |
36.27 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5996 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2046 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.931 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8043 |
| Rhythmic Variability - Tempo Standardized |
0.05181 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
958.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.653 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
8.0 |
| Average Note Duration |
1.275 |
| Variability of Note Durations |
0.765 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5996 |
| Strength of Second Strongest Rhythmic Pulse |
0.2046 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.931 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8043 |
| Rhythmic Variability |
0.05181 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
364.0 |
| Note Density |
2.632 |
| Note Density Variability |
0.9707 |
| Average Time Between Attacks |
0.7937 |
| Average Time Between Attacks for Each Voice |
1.486 |
| Variability of Time Between Attacks |
0.3429 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.3163 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.2797 |
| Relative Note Durations of Lowest Line |
1.015 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8862 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.03888 |
| Average Number of Independent Voices |
3.354 |
| Similar Motion |
0.1456 |
| Contrary Motion |
0.1775 |
| Oblique Motion |
0.6381 |
| Parallel Fifths |
0.000997 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7937 |
| Voice Equality - Number of Notes |
20.5 |
| Voice Equality - Note Duration |
18.14 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.082 |
| Importance of Loudest Voice |
0.0 |