| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2044 |
| Prevalence of Second Most Common Vertical Interval |
0.2017 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9869 |
| Vertical Unisons |
0.02385 |
| Vertical Minor Seconds |
0.0005962 |
| Vertical Thirds |
0.3008 |
| Vertical Tritones |
0.007155 |
| Vertical Perfect Fourths |
0.1274 |
| Vertical Perfect Fifths |
0.2017 |
| Vertical Sixths |
0.126 |
| Vertical Sevenths |
0.01491 |
| Vertical Octaves |
0.1805 |
| Perfect Vertical Intervals |
0.5335 |
| Vertical Dissonance Ratio |
0.04145 |
| Vertical Minor Third Prevalence |
0.6419 |
| Vertical Major Third Prevalence |
0.741 |
| Chord Duration |
2.275 |
| Partial Chords |
0.09404 |
| Standard Triads |
0.7225 |
| Diminished and Augmented Triads |
0.02752 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01835 |
| Non-Standard Chords |
0.1651 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3636 |
| Average Number of Simultaneous Pitch Classes |
2.932 |
| Variability of Number of Simultaneous Pitch Classes |
0.4697 |
| Average Number of Simultaneous Pitches |
4.117 |
| Variability of Number of Simultaneous Pitches |
1.145 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2405 |
| Stepwise Motion |
0.5966 |
| Melodic Thirds |
0.1269 |
| Melodic Perfect Fourths |
0.05682 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03409 |
| Melodic Sixths |
0.001894 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00947 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.577 |
| Melodic Embellishments |
0.0412 |
| Direction of Melodic Motion |
0.4931 |
| Average Length of Melodic Arcs |
1.832 |
| Average Interval Spanned by Melodic Arcs |
4.42 |
| Melodic Pitch Variety |
4.302 |
| Mean Melodic Interval |
2.034 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3561 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6755 |
| Amount of Arpeggiation |
0.3447 |
| Repeated Notes |
0.1742 |
| Importance of Middle Register |
0.8258 |
| Importance of High Register |
0.1255 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
65.01 |
| Mean Pitch Class |
5.213 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1067 |
| Prevalence of Most Common Pitch Class |
0.1667 |
| Relative Prevalence of Top Pitches |
0.9649 |
| Relative Prevalence of Top Pitch Classes |
0.9551 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.67 |
| Pitch Class Variability |
3.575 |
| Pitch Class Variability After Folding |
3.088 |
| Pitch Skewness |
0.08591 |
| Pitch Class Skewness |
0.1792 |
| Pitch Class Skewness After Folding |
0.2947 |
| Pitch Kurtosis |
5.441 |
| Pitch Class Kurtosis |
4.828 |
| Pitch Class Kurtosis After Folding |
7.122 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.04869 |
| Note Density per Quarter Note |
1.192 |
| Note Density per Quarter Note per Voice |
0.1987 |
| Note Density per Quarter Note Variability |
0.5144 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.47 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8839 |
| Prevalence of Very Long Rhythmic Values |
0.2004 |
| Prevalence of Dotted Notes |
0.1367 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.566 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3539 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7937 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.22 |
| Rhythmic Value Skewness |
0.7642 |
| Rhythmic Value Kurtosis |
6.827 |
| Mean Rhythmic Value Run Length |
1.58 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.06 |
| Mean Rhythmic Value Offset |
0.007491 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1731 |
| Complete Rests Fraction |
0.008929 |
| Partial Rests Fraction |
0.75 |
| Average Rest Fraction Across Voices |
0.2902 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
64.0 |
| Mean Complete Rest Duration |
4.0 |
| Mean Partial Rest Duration |
16.25 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
14.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.2 |
| Variability Across Voices of Combined Rests |
51.05 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7132 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1608 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.434 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8741 |
| Rhythmic Variability - Tempo Standardized |
0.05832 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
534.0 |
| Initial Tempo |
110.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.018 |
| Minimum Note Duration |
0.5455 |
| Maximum Note Duration |
8.727 |
| Average Note Duration |
1.949 |
| Variability of Note Durations |
1.23 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
110.0 |
| Strongest Rhythmic Pulse |
55.0 |
| Second Strongest Rhythmic Pulse |
110.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.8499 |
| Strength of Second Strongest Rhythmic Pulse |
0.1501 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
5.663 |
| Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
| Rhythmic Variability |
0.06795 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0000000003689 |
| Duration in Seconds |
244.4 |
| Note Density |
2.185 |
| Note Density Variability |
0.8728 |
| Average Time Between Attacks |
1.09 |
| Average Time Between Attacks for Each Voice |
2.598 |
| Variability of Time Between Attacks |
0.7518 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.7363 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.8315 |
| Relative Note Durations of Lowest Line |
1.067 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8502 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
1.643 |
| Parallel Motion |
0.05787 |
| Average Number of Independent Voices |
4.297 |
| Similar Motion |
0.1483 |
| Contrary Motion |
0.17 |
| Oblique Motion |
0.6239 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
1.253 |
| Voice Equality - Number of Notes |
14.59 |
| Voice Equality - Note Duration |
27.85 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
1.966 |
| Importance of Loudest Voice |
0.0 |