File

Last modified on: April 13, 2020, 8:03 p.m.

Magnificat_Primi_Toni-impares.mid


Source
RenComp7
Musical Work
Magnificat Primi Toni
Section
impares
File Type
Symbolic Music
File Format
.mid
File Size
19.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.3221
Prevalence of Second Most Common Vertical Interval 0.1769
Prevalence Ratio of Two Most Common Vertical Intervals 0.5493
Vertical Unisons 0.1981
Vertical Minor Seconds 0.002304
Vertical Thirds 0.2482
Vertical Tritones 0.01067
Vertical Perfect Fourths 0.08817
Vertical Perfect Fifths 0.1769
Vertical Sixths 0.1156
Vertical Sevenths 0.01934
Vertical Octaves 0.124
Perfect Vertical Intervals 0.5872
Vertical Dissonance Ratio 0.05149
Vertical Minor Third Prevalence 0.4976
Vertical Major Third Prevalence 0.4343
Chord Duration 2.184
Partial Chords 0.3157
Standard Triads 0.5063
Diminished and Augmented Triads 0.02922
Dominant Seventh Chords 0.001744
Seventh Chords 0.01483
Non-Standard Chords 0.1631
Complex Chords 0.0
Minor Major Triad Ratio 1.497
Average Number of Simultaneous Pitch Classes 2.611
Variability of Number of Simultaneous Pitch Classes 0.6621
Average Number of Simultaneous Pitches 3.168
Variability of Number of Simultaneous Pitches 0.8372
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 27.0
Variation of Dynamics 1.305
Variation of Dynamics In Each Voice 0.5043
Average Note to Note Change in Dynamics 0.01264
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2225
Stepwise Motion 0.6103
Melodic Thirds 0.1347
Melodic Perfect Fourths 0.05728
Melodic Tritones 0.0
Melodic Perfect Fifths 0.02958
Melodic Sixths 0.0004695
Melodic Sevenths 0.0
Melodic Octaves 0.01268
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.986
Melodic Embellishments 0.01639
Direction of Melodic Motion 0.4672
Average Length of Melodic Arcs 1.927
Average Interval Spanned by Melodic Arcs 4.731
Melodic Pitch Variety 4.658
Mean Melodic Interval 2.086
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3878
Relative Prevalence of Most Common Melodic Intervals 0.5738
Amount of Arpeggiation 0.3319
Repeated Notes 0.1549
Importance of Middle Register 0.7931
Importance of High Register 0.1648
Dominant Spread 4.0
Strong Tonal Centres 2.0
Mean Pitch 64.27
Mean Pitch Class 5.194
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1189
Prevalence of Most Common Pitch Class 0.2392
Relative Prevalence of Top Pitches 0.9685
Relative Prevalence of Top Pitch Classes 0.8337
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.831
Pitch Class Variability 3.343
Pitch Class Variability After Folding 3.754
Pitch Skewness -0.1271
Pitch Class Skewness 0.1739
Pitch Class Skewness After Folding 1.542
Pitch Kurtosis 5.218
Pitch Class Kurtosis 4.656
Pitch Class Kurtosis After Folding 5.277
Major or Minor 0.0
First Pitch 70.0
First Pitch Class 10.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 31.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 34.0
Importance of Bass Register 0.04213
Note Density per Quarter Note 1.737
Note Density per Quarter Note per Voice 0.2894
Note Density per Quarter Note Variability 0.8488
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.009363
Prevalence of Medium Rhythmic Values 0.6695
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8226
Prevalence of Very Long Rhythmic Values 0.05712
Prevalence of Dotted Notes 0.08708
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.603
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.492
Relative Prevalence of Most Common Rhythmic Values 0.431
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.548
Rhythmic Value Skewness 1.169
Rhythmic Value Kurtosis 10.52
Mean Rhythmic Value Run Length 1.823
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.358
Mean Rhythmic Value Offset 0.009363
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4327
Complete Rests Fraction 0.004008
Partial Rests Fraction 0.67
Average Rest Fraction Across Voices 0.2432
Longest Complete Rest 2.465
Longest Partial Rest 315.5
Mean Complete Rest Duration 2.465
Mean Partial Rest Duration 12.46
Median Complete Rest Duration 2.465
Median Partial Rest Duration 4.93
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 32.95
Variability Across Voices of Combined Rests 123.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6357
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1848
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.44
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8206
Rhythmic Variability - Tempo Standardized 0.05369
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 1.0
Metrical Diversity 2.0
Total Number of Notes 2136.0
Initial Tempo 120.0
Average Variability of Time Between Attacks for Each Voice 3.429
Minimum Note Duration 0.1667
Maximum Note Duration 10.67
Average Note Duration 1.061
Variability of Note Durations 0.7023
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 154.1
Strongest Rhythmic Pulse 74.0
Second Strongest Rhythmic Pulse 50.0
Harmonicity of Two Strongest Rhythmic Pulses 1.48
Strength of Strongest Rhythmic Pulse 0.6332
Strength of Second Strongest Rhythmic Pulse 0.1841
Strength Ratio of Two Strongest Rhythmic Pulses 3.44
Combined Strength of Two Strongest Rhythmic Pulses 0.8172
Rhythmic Variability 0.05347
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 29.91
Duration in Seconds 499.0
Note Density 4.281
Note Density Variability 1.813
Average Time Between Attacks 0.6587
Average Time Between Attacks for Each Voice 1.389
Variability of Time Between Attacks 0.3517
Maximum Number of Independent Voices 6.0
Relative Range of Loudest Voice 0.4118
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 0.4118
Relative Note Density of Highest Line 0.2022
Relative Note Durations of Lowest Line 0.9781
Relative Size of Melodic Intervals in Lowest Line 0.6
Voice Overlap 0.9757
Voice Separation 3.4
Variability of Voice Separation 3.13
Parallel Motion 0.06543
Average Number of Independent Voices 4.551
Similar Motion 0.124
Contrary Motion 0.1729
Oblique Motion 0.6377
Parallel Fifths 0.002755
Parallel Octaves 0.002066
Variability of Number of Independent Voices 1.381
Voice Equality - Number of Notes 55.05
Voice Equality - Note Duration 49.88
Voice Equality - Dynamics 0.4082
Voice Equality - Melodic Leaps 0.5164
Voice Equality - Range 2.28
Importance of Loudest Voice 0.2