File

Last modified on: April 13, 2020, 5:01 p.m.

F164_23_Festa_Amor_se_OMRcorrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Amor se vuoi ch'io torni al giogho anticho
File Type
Symbolic Music
File Format
midi
File Size
11.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2259
Prevalence of Second Most Common Vertical Interval 0.2064
Prevalence Ratio of Two Most Common Vertical Intervals 0.9135
Vertical Unisons 0.01519
Vertical Minor Seconds 0.0
Vertical Thirds 0.315
Vertical Tritones 0.004026
Vertical Perfect Fourths 0.1334
Vertical Perfect Fifths 0.2064
Vertical Sixths 0.1106
Vertical Sevenths 0.01189
Vertical Octaves 0.1877
Perfect Vertical Intervals 0.5427
Vertical Dissonance Ratio 0.03281
Vertical Minor Third Prevalence 0.3894
Vertical Major Third Prevalence 0.6951
Chord Duration 2.414
Partial Chords 0.1987
Standard Triads 0.6751
Diminished and Augmented Triads 0.01127
Dominant Seventh Chords 0.002253
Seventh Chords 0.01803
Non-Standard Chords 0.1082
Complex Chords 0.0
Minor Major Triad Ratio 0.235
Average Number of Simultaneous Pitch Classes 2.789
Variability of Number of Simultaneous Pitch Classes 0.5181
Average Number of Simultaneous Pitches 3.723
Variability of Number of Simultaneous Pitches 0.5713
Most Common Vertical Interval 4.0
Second Most Common Vertical Interval 7.0
Dynamic Range 4.0
Variation of Dynamics 1.624
Variation of Dynamics In Each Voice 1.628
Average Note to Note Change in Dynamics 1.618
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1271
Stepwise Motion 0.4562
Melodic Thirds 0.08051
Melodic Perfect Fourths 0.07345
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03531
Melodic Sixths 0.001412
Melodic Sevenths 0.001412
Melodic Octaves 0.01412
Melodic Large Intervals 0.0
Most Common Melodic Interval 0.0
Minor Major Melodic Third Ratio 2.8
Melodic Embellishments 0.004213
Direction of Melodic Motion 0.4499
Average Length of Melodic Arcs 1.724
Average Interval Spanned by Melodic Arcs 4.761
Melodic Pitch Variety 3.673
Mean Melodic Interval 1.859
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3376
Relative Prevalence of Most Common Melodic Intervals 0.9749
Amount of Arpeggiation 0.4689
Repeated Notes 0.3376
Importance of Middle Register 0.7739
Importance of High Register 0.002809
Dominant Spread 3.0
Strong Tonal Centres 2.0
Mean Pitch 60.2
Mean Pitch Class 4.632
Most Common Pitch 65.0
Most Common Pitch Class 5.0
Prevalence of Most Common Pitch 0.1475
Prevalence of Most Common Pitch Class 0.2711
Relative Prevalence of Top Pitches 0.9333
Relative Prevalence of Top Pitch Classes 0.8187
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.597
Pitch Class Variability 3.232
Pitch Class Variability After Folding 4.527
Pitch Skewness -0.6961
Pitch Class Skewness -0.3415
Pitch Class Skewness After Folding 1.137
Pitch Kurtosis 5.278
Pitch Class Kurtosis 4.955
Pitch Class Kurtosis After Folding 4.496
Major or Minor 0.0
First Pitch 53.0
First Pitch Class 5.0
Last Pitch 41.0
Last Pitch Class 5.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 20.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 2.0
Range 33.0
Importance of Bass Register 0.2233
Note Density per Quarter Note 1.508
Note Density per Quarter Note per Voice 0.3771
Note Density per Quarter Note Variability 0.5507
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 1.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.823
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.9129
Prevalence of Very Long Rhythmic Values 0.03511
Prevalence of Dotted Notes 0.04635
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.382
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.736
Relative Prevalence of Most Common Rhythmic Values 0.1469
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.376
Rhythmic Value Skewness 0.8329
Rhythmic Value Kurtosis 23.51
Mean Rhythmic Value Run Length 3.004
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 3.485
Mean Rhythmic Value Offset 0.04608
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.5985
Complete Rests Fraction 0.03814
Partial Rests Fraction 0.1661
Average Rest Fraction Across Voices 0.08518
Longest Complete Rest 2.0
Longest Partial Rest 34.0
Mean Complete Rest Duration 2.0
Mean Partial Rest Duration 3.655
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 6.936
Variability Across Voices of Combined Rests 14.03
Number of Strong Rhythmic Pulses - Tempo Standardized 2.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.8057
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1035
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 7.784
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.9092
Rhythmic Variability - Tempo Standardized 0.06432
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 712.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.4077
Minimum Note Duration 0.1875
Maximum Note Duration 3.75
Average Note Duration 0.4548
Variability of Note Durations 0.3309
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 160.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2296
Strength of Second Strongest Rhythmic Pulse 0.2295
Strength Ratio of Two Strongest Rhythmic Pulses 1.0
Combined Strength of Two Strongest Rhythmic Pulses 0.4591
Rhythmic Variability 0.03546
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 88.5
Note Density 8.045
Note Density Variability 2.312
Average Time Between Attacks 0.3667
Average Time Between Attacks for Each Voice 0.4808
Variability of Time Between Attacks 0.1702
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4848
Relative Range Isolation of Loudest Voice 0.1639
Relative Range of Highest Line 0.4848
Relative Note Density of Highest Line 0.3764
Relative Note Durations of Lowest Line 1.082
Relative Size of Melodic Intervals in Lowest Line 0.8
Voice Overlap 0.8567
Voice Separation 5.333
Variability of Voice Separation 3.512
Parallel Motion 0.07007
Average Number of Independent Voices 3.804
Similar Motion 0.2438
Contrary Motion 0.1796
Oblique Motion 0.5066
Parallel Fifths 0.007299
Parallel Octaves 0.00146
Variability of Number of Independent Voices 0.5323
Voice Equality - Number of Notes 13.83
Voice Equality - Note Duration 2.631
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 0.5
Importance of Loudest Voice 0.0