| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2005 |
| Prevalence of Second Most Common Vertical Interval |
0.1904 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9498 |
| Vertical Unisons |
0.03843 |
| Vertical Minor Seconds |
0.003998 |
| Vertical Thirds |
0.3043 |
| Vertical Tritones |
0.01418 |
| Vertical Perfect Fourths |
0.1184 |
| Vertical Perfect Fifths |
0.1904 |
| Vertical Sixths |
0.1238 |
| Vertical Sevenths |
0.01592 |
| Vertical Octaves |
0.162 |
| Perfect Vertical Intervals |
0.5092 |
| Vertical Dissonance Ratio |
0.06692 |
| Vertical Minor Third Prevalence |
0.652 |
| Vertical Major Third Prevalence |
0.7119 |
| Chord Duration |
1.261 |
| Partial Chords |
0.06441 |
| Standard Triads |
0.6795 |
| Diminished and Augmented Triads |
0.04402 |
| Dominant Seventh Chords |
0.002147 |
| Seventh Chords |
0.03918 |
| Non-Standard Chords |
0.2169 |
| Complex Chords |
0.004294 |
| Minor Major Triad Ratio |
0.2197 |
| Average Number of Simultaneous Pitch Classes |
3.008 |
| Variability of Number of Simultaneous Pitch Classes |
0.4721 |
| Average Number of Simultaneous Pitches |
4.026 |
| Variability of Number of Simultaneous Pitches |
0.7847 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1967 |
| Stepwise Motion |
0.5837 |
| Melodic Thirds |
0.1302 |
| Melodic Perfect Fourths |
0.05222 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04864 |
| Melodic Sixths |
0.004292 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01717 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.37 |
| Melodic Embellishments |
0.01853 |
| Direction of Melodic Motion |
0.5021 |
| Average Length of Melodic Arcs |
1.92 |
| Average Interval Spanned by Melodic Arcs |
5.123 |
| Melodic Pitch Variety |
4.854 |
| Mean Melodic Interval |
2.242 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.387 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5083 |
| Amount of Arpeggiation |
0.3598 |
| Repeated Notes |
0.1638 |
| Importance of Middle Register |
0.7334 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.54 |
| Mean Pitch Class |
4.887 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1226 |
| Prevalence of Most Common Pitch Class |
0.2117 |
| Relative Prevalence of Top Pitches |
0.9651 |
| Relative Prevalence of Top Pitch Classes |
0.9697 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.56 |
| Pitch Class Variability |
3.518 |
| Pitch Class Variability After Folding |
3.036 |
| Pitch Skewness |
-0.4681 |
| Pitch Class Skewness |
-0.09604 |
| Pitch Class Skewness After Folding |
0.9388 |
| Pitch Kurtosis |
5.516 |
| Pitch Class Kurtosis |
4.928 |
| Pitch Class Kurtosis After Folding |
7.659 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.2666 |
| Note Density per Quarter Note |
1.486 |
| Note Density per Quarter Note per Voice |
0.2972 |
| Note Density per Quarter Note Variability |
0.5448 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01568 |
| Prevalence of Medium Rhythmic Values |
0.6358 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8275 |
| Prevalence of Very Long Rhythmic Values |
0.08482 |
| Prevalence of Dotted Notes |
0.09123 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.81 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4633 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4785 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.878 |
| Rhythmic Value Skewness |
1.294 |
| Rhythmic Value Kurtosis |
10.98 |
| Mean Rhythmic Value Run Length |
1.771 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.246 |
| Mean Rhythmic Value Offset |
0.08268 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.403 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.5585 |
| Average Rest Fraction Across Voices |
0.1394 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
37.28 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
5.979 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
3.994 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.301 |
| Variability Across Voices of Combined Rests |
44.79 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6492 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1775 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.658 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8267 |
| Rhythmic Variability - Tempo Standardized |
0.05436 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1403.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.488 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
43.2 |
| Average Note Duration |
2.61 |
| Variability of Note Durations |
2.616 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.89 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
133.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.9181 |
| Strength of Second Strongest Rhythmic Pulse |
0.04803 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
19.11 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9662 |
| Rhythmic Variability |
0.07247 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
850.8 |
| Note Density |
1.649 |
| Note Density Variability |
0.8789 |
| Average Time Between Attacks |
1.495 |
| Average Time Between Attacks for Each Voice |
2.977 |
| Variability of Time Between Attacks |
0.9019 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4062 |
| Relative Range Isolation of Loudest Voice |
0.1655 |
| Relative Range of Highest Line |
0.4062 |
| Relative Note Density of Highest Line |
0.2316 |
| Relative Note Durations of Lowest Line |
1.091 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5556 |
| Voice Overlap |
0.928 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
2.16 |
| Parallel Motion |
0.02322 |
| Average Number of Independent Voices |
4.299 |
| Similar Motion |
0.1422 |
| Contrary Motion |
0.1597 |
| Oblique Motion |
0.6749 |
| Parallel Fifths |
0.0007257 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7687 |
| Voice Equality - Number of Notes |
30.92 |
| Voice Equality - Note Duration |
40.37 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
1.673 |
| Importance of Loudest Voice |
0.0 |