File

Last modified on: April 13, 2020, 8:05 p.m.

Trahe_Me_Post_Te-1-Kyrie.mid


Source
RenComp7
Musical Work
Missa Trahe Me Post Te
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
4.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1889
Prevalence of Second Most Common Vertical Interval 0.187
Prevalence Ratio of Two Most Common Vertical Intervals 0.9897
Vertical Unisons 0.02493
Vertical Minor Seconds 0.003116
Vertical Thirds 0.3082
Vertical Tritones 0.005713
Vertical Perfect Fourths 0.1153
Vertical Perfect Fifths 0.187
Vertical Sixths 0.148
Vertical Sevenths 0.02012
Vertical Octaves 0.164
Perfect Vertical Intervals 0.4912
Vertical Dissonance Ratio 0.0555
Vertical Minor Third Prevalence 0.5549
Vertical Major Third Prevalence 0.6433
Chord Duration 1.77
Partial Chords 0.1381
Standard Triads 0.6444
Diminished and Augmented Triads 0.0254
Dominant Seventh Chords 0.003175
Seventh Chords 0.05397
Non-Standard Chords 0.1635
Complex Chords 0.006349
Minor Major Triad Ratio 0.1734
Average Number of Simultaneous Pitch Classes 2.864
Variability of Number of Simultaneous Pitch Classes 0.601
Average Number of Simultaneous Pitches 3.723
Variability of Number of Simultaneous Pitches 0.9749
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2091
Stepwise Motion 0.6523
Melodic Thirds 0.1318
Melodic Perfect Fourths 0.05
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05227
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.02273
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.833
Melodic Embellishments 0.01348
Direction of Melodic Motion 0.425
Average Length of Melodic Arcs 1.86
Average Interval Spanned by Melodic Arcs 4.823
Melodic Pitch Variety 4.848
Mean Melodic Interval 2.407
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4432
Relative Prevalence of Most Common Melodic Intervals 0.4718
Amount of Arpeggiation 0.2977
Repeated Notes 0.09091
Importance of Middle Register 0.773
Importance of High Register 0.01798
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 59.21
Mean Pitch Class 5.813
Most Common Pitch 62.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1236
Prevalence of Most Common Pitch Class 0.2292
Relative Prevalence of Top Pitches 0.9091
Relative Prevalence of Top Pitch Classes 0.8039
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.312
Pitch Class Variability 3.597
Pitch Class Variability After Folding 1.892
Pitch Skewness -0.1263
Pitch Class Skewness -0.9897
Pitch Class Skewness After Folding 1.151
Pitch Kurtosis 5.524
Pitch Class Kurtosis 4.861
Pitch Class Kurtosis After Folding 4.85
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 20.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.209
Note Density per Quarter Note 1.357
Note Density per Quarter Note per Voice 0.2713
Note Density per Quarter Note Variability 0.5306
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.02247
Prevalence of Medium Rhythmic Values 0.6652
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.827
Prevalence of Very Long Rhythmic Values 0.0809
Prevalence of Dotted Notes 0.08315
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.791
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4921
Relative Prevalence of Most Common Rhythmic Values 0.4338
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.012
Rhythmic Value Skewness 1.18
Rhythmic Value Kurtosis 13.12
Mean Rhythmic Value Run Length 1.943
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.371
Mean Rhythmic Value Offset 0.06292
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.8251
Complete Rests Fraction 0.0
Partial Rests Fraction 0.7091
Average Rest Fraction Across Voices 0.2242
Longest Complete Rest 0.0
Longest Partial Rest 107.3
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 12.26
Median Complete Rest Duration 0.0
Median Partial Rest Duration 5.964
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 19.73
Variability Across Voices of Combined Rests 37.03
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6726
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1589
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.234
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8315
Rhythmic Variability - Tempo Standardized 0.05554
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 445.0
Initial Tempo 120.0
Average Variability of Time Between Attacks for Each Voice 2.986
Minimum Note Duration 0.25
Maximum Note Duration 12.0
Average Note Duration 1.438
Variability of Note Durations 1.221
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 4.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 119.6
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.6726
Strength of Second Strongest Rhythmic Pulse 0.1589
Strength Ratio of Two Strongest Rhythmic Pulses 4.234
Combined Strength of Two Strongest Rhythmic Pulses 0.8315
Rhythmic Variability 0.05554
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 4.671
Duration in Seconds 165.0
Note Density 2.697
Note Density Variability 1.072
Average Time Between Attacks 0.8288
Average Time Between Attacks for Each Voice 1.826
Variability of Time Between Attacks 0.4182
Maximum Number of Independent Voices 5.0
Relative Range of Loudest Voice 0.4839
Relative Range Isolation of Loudest Voice 0.5657
Relative Range of Highest Line 0.4839
Relative Note Density of Highest Line 0.764
Relative Note Durations of Lowest Line 0.9363
Relative Size of Melodic Intervals in Lowest Line 0.9091
Voice Overlap 0.7798
Voice Separation 4.75
Variability of Voice Separation 3.202
Parallel Motion 0.02064
Average Number of Independent Voices 3.872
Similar Motion 0.1674
Contrary Motion 0.172
Oblique Motion 0.6399
Parallel Fifths 0.004587
Parallel Octaves 0.002294
Variability of Number of Independent Voices 1.007
Voice Equality - Number of Notes 20.29
Voice Equality - Note Duration 18.63
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.4472
Voice Equality - Range 1.342
Importance of Loudest Voice 0.0