File

Last modified on: April 13, 2020, 8:07 p.m.

Pro_Victoria-1-Kyrie.mid


Source
RenComp7
Musical Work
Missa Pro Victoria
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
7.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2793
Prevalence of Second Most Common Vertical Interval 0.2081
Prevalence Ratio of Two Most Common Vertical Intervals 0.7451
Vertical Unisons 0.07776
Vertical Minor Seconds 0.003076
Vertical Thirds 0.246
Vertical Tritones 0.001656
Vertical Perfect Fourths 0.1171
Vertical Perfect Fifths 0.2081
Vertical Sixths 0.1117
Vertical Sevenths 0.01124
Vertical Octaves 0.2015
Perfect Vertical Intervals 0.6044
Vertical Dissonance Ratio 0.03943
Vertical Minor Third Prevalence 0.7514
Vertical Major Third Prevalence 0.8388
Chord Duration 2.612
Partial Chords 0.04775
Standard Triads 0.7514
Diminished and Augmented Triads 0.01124
Dominant Seventh Chords 0.0
Seventh Chords 0.0309
Non-Standard Chords 0.1699
Complex Chords 0.02528
Minor Major Triad Ratio 0.1077
Average Number of Simultaneous Pitch Classes 3.061
Variability of Number of Simultaneous Pitch Classes 0.6031
Average Number of Simultaneous Pitches 5.224
Variability of Number of Simultaneous Pitches 1.692
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.07702
Stepwise Motion 0.2563
Melodic Thirds 0.1227
Melodic Perfect Fourths 0.09146
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04573
Melodic Sixths 0.002407
Melodic Sevenths 0.0
Melodic Octaves 0.00722
Melodic Large Intervals 0.001203
Most Common Melodic Interval 0.0
Minor Major Melodic Third Ratio 1.429
Melodic Embellishments 0.03095
Direction of Melodic Motion 0.5183
Average Length of Melodic Arcs 1.833
Average Interval Spanned by Melodic Arcs 5.954
Melodic Pitch Variety 3.192
Mean Melodic Interval 1.761
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4729
Relative Prevalence of Most Common Melodic Intervals 0.3791
Amount of Arpeggiation 0.6486
Repeated Notes 0.4729
Importance of Middle Register 0.731
Importance of High Register 0.01905
Dominant Spread 3.0
Strong Tonal Centres 2.0
Mean Pitch 60.35
Mean Pitch Class 4.437
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1524
Prevalence of Most Common Pitch Class 0.3012
Relative Prevalence of Top Pitches 0.6719
Relative Prevalence of Top Pitch Classes 0.7075
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 8.17
Pitch Class Variability 3.556
Pitch Class Variability After Folding 4.488
Pitch Skewness 0.2286
Pitch Class Skewness -0.4751
Pitch Class Skewness After Folding 0.841
Pitch Kurtosis 5.394
Pitch Class Kurtosis 4.691
Pitch Class Kurtosis After Folding 4.636
Major or Minor 0.0
First Pitch 72.0
First Pitch Class 0.0
Last Pitch 41.0
Last Pitch Class 5.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 2.0
Range 36.0
Importance of Bass Register 0.25
Note Density per Quarter Note 2.295
Note Density per Quarter Note per Voice 0.255
Note Density per Quarter Note Variability 1.299
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.00119
Prevalence of Medium Rhythmic Values 0.6762
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7738
Prevalence of Very Long Rhythmic Values 0.1167
Prevalence of Dotted Notes 0.09286
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.798
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.45
Relative Prevalence of Most Common Rhythmic Values 0.4974
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.033
Rhythmic Value Skewness 1.177
Rhythmic Value Kurtosis 10.82
Mean Rhythmic Value Run Length 1.863
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.333
Mean Rhythmic Value Offset 0.09048
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.9624
Complete Rests Fraction 0.0
Partial Rests Fraction 0.5337
Average Rest Fraction Across Voices 0.2693
Longest Complete Rest 0.0
Longest Partial Rest 106.4
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 15.56
Median Complete Rest Duration 0.0
Median Partial Rest Duration 4.171
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 26.69
Variability Across Voices of Combined Rests 27.85
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6157
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1945
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.166
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8102
Rhythmic Variability - Tempo Standardized 0.05274
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 2.0
Total Number of Notes 840.0
Initial Tempo 120.0
Average Variability of Time Between Attacks for Each Voice 3.481
Minimum Note Duration 0.1667
Maximum Note Duration 12.0
Average Note Duration 1.374
Variability of Note Durations 1.288
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 128.0
Strongest Rhythmic Pulse 63.0
Second Strongest Rhythmic Pulse 125.0
Harmonicity of Two Strongest Rhythmic Pulses 1.984
Strength of Strongest Rhythmic Pulse 0.6157
Strength of Second Strongest Rhythmic Pulse 0.1945
Strength Ratio of Two Strongest Rhythmic Pulses 3.166
Combined Strength of Two Strongest Rhythmic Pulses 0.8102
Rhythmic Variability 0.05274
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 21.37
Duration in Seconds 175.5
Note Density 4.786
Note Density Variability 2.874
Average Time Between Attacks 0.7077
Average Time Between Attacks for Each Voice 1.742
Variability of Time Between Attacks 0.3374
Maximum Number of Independent Voices 9.0
Relative Range of Loudest Voice 0.3333
Relative Range Isolation of Loudest Voice 0.02564
Relative Range of Highest Line 0.3333
Relative Note Density of Highest Line 0.75
Relative Note Durations of Lowest Line 1.424
Relative Size of Melodic Intervals in Lowest Line 0.75
Voice Overlap 0.9917
Voice Separation 2.75
Variability of Voice Separation 1.581
Parallel Motion 0.02412
Average Number of Independent Voices 6.628
Similar Motion 0.1732
Contrary Motion 0.08553
Oblique Motion 0.7171
Parallel Fifths 0.002193
Parallel Octaves 0.0
Variability of Number of Independent Voices 2.623
Voice Equality - Number of Notes 16.14
Voice Equality - Note Duration 13.35
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 3.444
Importance of Loudest Voice 0.0