| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2102 |
| Prevalence of Second Most Common Vertical Interval |
0.1835 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8731 |
| Vertical Unisons |
0.02545 |
| Vertical Minor Seconds |
0.0004894 |
| Vertical Thirds |
0.3533 |
| Vertical Tritones |
0.01077 |
| Vertical Perfect Fourths |
0.1008 |
| Vertical Perfect Fifths |
0.1835 |
| Vertical Sixths |
0.1471 |
| Vertical Sevenths |
0.01541 |
| Vertical Octaves |
0.1529 |
| Perfect Vertical Intervals |
0.4627 |
| Vertical Dissonance Ratio |
0.03836 |
| Vertical Minor Third Prevalence |
0.5179 |
| Vertical Major Third Prevalence |
0.6562 |
| Chord Duration |
1.824 |
| Partial Chords |
0.2259 |
| Standard Triads |
0.6282 |
| Diminished and Augmented Triads |
0.03294 |
| Dominant Seventh Chords |
0.007059 |
| Seventh Chords |
0.03529 |
| Non-Standard Chords |
0.1106 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4833 |
| Average Number of Simultaneous Pitch Classes |
2.728 |
| Variability of Number of Simultaneous Pitch Classes |
0.6246 |
| Average Number of Simultaneous Pitches |
3.379 |
| Variability of Number of Simultaneous Pitches |
0.8066 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1955 |
| Stepwise Motion |
0.5922 |
| Melodic Thirds |
0.1192 |
| Melodic Perfect Fourths |
0.1006 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04283 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009311 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.0 |
| Melodic Embellishments |
0.03327 |
| Direction of Melodic Motion |
0.4935 |
| Average Length of Melodic Arcs |
1.687 |
| Average Interval Spanned by Melodic Arcs |
4.48 |
| Melodic Pitch Variety |
4.374 |
| Mean Melodic Interval |
2.32 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3966 |
| Relative Prevalence of Most Common Melodic Intervals |
0.493 |
| Amount of Arpeggiation |
0.3073 |
| Repeated Notes |
0.1359 |
| Importance of Middle Register |
0.7893 |
| Importance of High Register |
0.001848 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.04 |
| Mean Pitch Class |
5.185 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1312 |
| Prevalence of Most Common Pitch Class |
0.1978 |
| Relative Prevalence of Top Pitches |
0.7606 |
| Relative Prevalence of Top Pitch Classes |
0.8598 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.495 |
| Pitch Class Variability |
3.42 |
| Pitch Class Variability After Folding |
4.264 |
| Pitch Skewness |
-0.2177 |
| Pitch Class Skewness |
0.1621 |
| Pitch Class Skewness After Folding |
1.139 |
| Pitch Kurtosis |
5.876 |
| Pitch Class Kurtosis |
4.824 |
| Pitch Class Kurtosis After Folding |
4.644 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2089 |
| Note Density per Quarter Note |
1.202 |
| Note Density per Quarter Note per Voice |
0.3006 |
| Note Density per Quarter Note Variability |
0.4468 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.573 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8577 |
| Prevalence of Very Long Rhythmic Values |
0.04621 |
| Prevalence of Dotted Notes |
0.09797 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.85 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4307 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7167 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.722 |
| Rhythmic Value Skewness |
1.481 |
| Rhythmic Value Kurtosis |
15.55 |
| Mean Rhythmic Value Run Length |
1.644 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.002 |
| Mean Rhythmic Value Offset |
0.04436 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5946 |
| Complete Rests Fraction |
0.004474 |
| Partial Rests Fraction |
0.3669 |
| Average Rest Fraction Across Voices |
0.1309 |
| Longest Complete Rest |
2.013 |
| Longest Partial Rest |
46.31 |
| Mean Complete Rest Duration |
2.013 |
| Mean Partial Rest Duration |
6.199 |
| Median Complete Rest Duration |
2.013 |
| Median Partial Rest Duration |
2.013 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.94 |
| Variability Across Voices of Combined Rests |
40.35 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6788 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1707 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.977 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8494 |
| Rhythmic Variability - Tempo Standardized |
0.05625 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
541.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.563 |
| Minimum Note Duration |
0.3333 |
| Maximum Note Duration |
12.0 |
| Average Note Duration |
1.436 |
| Variability of Note Durations |
1.014 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
121.2 |
| Strongest Rhythmic Pulse |
61.0 |
| Second Strongest Rhythmic Pulse |
41.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.6788 |
| Strength of Second Strongest Rhythmic Pulse |
0.1707 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.977 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8494 |
| Rhythmic Variability |
0.05625 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
8.4 |
| Duration in Seconds |
223.5 |
| Note Density |
2.421 |
| Note Density Variability |
0.7299 |
| Average Time Between Attacks |
0.8336 |
| Average Time Between Attacks for Each Voice |
1.587 |
| Variability of Time Between Attacks |
0.3243 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.4 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.4954 |
| Relative Note Durations of Lowest Line |
1.262 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8595 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.05132 |
| Average Number of Independent Voices |
3.496 |
| Similar Motion |
0.1424 |
| Contrary Motion |
0.1623 |
| Oblique Motion |
0.644 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7734 |
| Voice Equality - Number of Notes |
26.04 |
| Voice Equality - Note Duration |
20.04 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
0.0 |